Fables Of The Reconstruction R.E.M.

Album info



Label: Capitol Records

Genre: Rock

Subgenre: Classic Rock

Artist: R.E.M.

Album including Album cover

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  • 1Feeling Gravitys Pull04:51
  • 2Maps And Legends03:11
  • 3Driver 803:24
  • 4Life And How To Live It04:07
  • 5Old Man Kensey04:10
  • 6Can't Get There From Here03:40
  • 7Green Grow The Rushes03:46
  • 8Kohoutek03:18
  • 9Auctioneer (Another Engine)02:45
  • 10Good Advices03:31
  • 11Wendell Gee03:03
  • Total Runtime39:46

Info for Fables Of The Reconstruction

„Fables Of The Reconstruction“ finds R.E.M.'s star rising fast. With major label world domination still comfortably off in the future, the band was still experimenting; their jangly frenetic sound was deepening by fathoms, and Michael Stipe's formless rants were solidifying (his diction was improving, too, which only served to clarify his prodigious poetic gift). The album featured some of the group's most solid pop songcraft to date, as well as some pretty heady meandering ("Feeling Gravity's Pull").

„Fables Of The Reconstruction“ produced some important hits for the group at this crucial juncture of its career. Radio staples like "Driver 8" kept them popular with the increasingly important college crowd (heretofore their bread and butter), while the crisp, jumpy and irresistibly catchy "Can't Get There From Here" brought them to a new level on the now-essential music video playlists. Diehard fans, however, were drawn to some quintessential R.E.M. moments--the overlapping vocals of "Maps And Legends" and the wistful, soaring "Wendel Gee," the album's real gem, a disarming, dreamy, instant classic.

„Rather than settling into predictability, 'Fables of the Reconstruction' finds R. E.M. confident enough of its direction to freely experiment with its sound." (Rolling Stone)

"...FABLES... is both REM's most impenetrable and fulfilling release to date....FABLES... is...etched with paranoia, slooooowly-strangled guitars and...the sound of four young Athenians who were neither shiny nor happy. NME Magazine)

Michael Stipe, vocals
Peter Buck, guitar
Mike Mills, bass, vocals
Bill Berry, drums

Additional musicians:
Camilla Brunt, violin
Phillipa Ibbotson, violin
David Newby, cello
Pete Thomas, tenor saxophone
David Bitelli, tenor and baritone saxophones
Jim Dvorak, trumpet

Recorded at Livingston Studios, London, England in March 1985
Engineered by Jerry Boys, Tony Harris and Barry Clempson
Produced by Joe Boyd

Digitally remastered

were an alternative rock band formed in Athens, Georgia, United States in 1980. The band originally consisted of Michael Stipe (vocals), Peter Buck (guitar, mandolin), Mike Mills (bass, keyboards, vocals) and Bill Berry (drums). Berry retired from the band in October 1997 after having suffered a brain aneurysm in 1995.

R.E.M. released its first single, 'Radio Free Europe', in 1981 on the independent record label Hib-Tone. The single was followed by the Chronic Town EP in 1982, the band's first release on I.R.S. Records. In 1983, the group released its critically acclaimed debut album, Murmur, and built its reputation over the next few years through subsequent releases, constant touring, and the support of college radio. Following years of underground success, R.E.M. achieved a mainstream hit in 1987 with the single 'The One I Love'. The group signed to Warner Bros. Records in 1988, and began to espouse political and environmental concerns while playing large arenas worldwide.

By the early 1990s, when alternative rock began to experience broad mainstream success, R.E.M. was viewed as a pioneer of the genre and released its two most commercially successful albums, Out of Time (1991) and Automatic for the People (1992), which veered from the band's established sound. R.E.M.'s 1994 release, Monster, was a return to a more rock-oriented sound. The band began its first tour in six years to support the album; the tour was marred by medical emergencies suffered by three band members. In 1996, R.E.M. re-signed with Warner Bros. for a reported US$80 million, at the time the most expensive recording contract in history. The following year, Bill Berry left the band, while Buck, Mills, and Stipe continued the group as a three-piece. Through some changes in musical style, the band continued its career into the next decade with mixed critical and commercial success. In 2007, the band was inducted into the Rock and Roll Hall of Fame.

Work on the group's fourteenth album commenced in early 2007. The band recorded with producer Jacknife Lee in Vancouver and Dublin, where it played five nights in the Olympia Theatre between June 30 and July 5 as part of a 'working rehearsal'. R.E.M. Live, the band's first live album (featuring songs from a 2005 Dublin show), was released in October 2007. The group followed this with the 2009 live album Live at The Olympia, which features performances from their 2005 residency. R.E.M. released Accelerate in early 2008. The album debuted at number two on the Billboard charts, and became the band's eighth album to top the British album charts. Rolling Stone reviewer David Fricke considered Accelerate an improvement over the band's previous post-Berry albums, calling it 'one of the best records R.E.M. have ever made.'

In 2010, R.E.M. released the video album R.E.M. Live from Austin, TX—a concert recorded for Austin City Limits in 2008. The group recorded its fifteenth album, Collapse into Now (2011), with Jacknife Lee in locales including Berlin, Nashville, and New Orleans. For the album, the band aimed for a more expansive sound than the intentionally short and speedy approach implemented on Accelerate. The album debuted at number five on the Billboard 200, becoming the group's tenth album to reach the top ten of the chart. This release fulfilled R.E.M.'s contractual obligations to Warner Bros., and they began recording material without a contract a few months later with the possible intention of self-releasing the work.

On September 21, 2011, the band announced via its website that it was 'calling it a day as a band'. Stipe said that he hoped their fans realized it 'wasn't an easy decision': 'All things must end, and we wanted to do it right, to do it our way.' Long-time associate and former Warner Bros. Senior Vice President of Emerging Technology Ethan Kaplan has speculated that shake-ups at the record label influenced the group's decision to disband. The band members will finish their collaboration by assembling the compilation album Part Lies, Part Heart, Part Truth, Part Garbage 1982–2011, scheduled for release in November 2011. The album will be the first to collect songs from R.E.M.'s I.R.S. and Warner Bros. tenures, as well as the group's final studio recordings from post-Collapse into Now sessions.

On 21 September 2011, after over 30 years together, R.E.M. announced that they had split up. (Source: artists.letssingit.com)

This album contains no booklet.

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