Me, Natalie (The Original Sound Track Recording) Henry Mancini
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- 3Sequence for Uncle Harold03:29
- 4A Groovy Mood01:52
- 5Off-Ramp to Nowhere01:52
- 6Theme for Losers02:49
- 8W.A. Mozart, I Love You01:50
- 9In and Out of Love Montage07:25
- 10Bench Warmer01:07
- 11Dear David06:38
Info for Me, Natalie (The Original Sound Track Recording)
Music from the film starring Patty Duke and Salome Jens. Natalie is a 1969 American comedy-drama film directed by Fred Coe. The screenplay by A. Martin Zweiback is based on an original story by Academy Award-winner Stanley Shapiro, who previously wrote Pillow Talk, Lover Come Back, and That Touch of Mink for Doris Day. Al Pacino's film career began here.
In his review in the New York Times, Vincent Canby called the film 'an artificial mess of wisecracks and sentimentality' and added, 'Locales and a gummy musical score by Henry Mancini and Rod McKuen are among the things constantly impinging on Me, Natalie. Another is Coe's apparent indecision as to whether the movie is a character study or a gag comedy. Mostly it's just gags, delivered abrasively by Miss Duke, who is even less effective when registering pathos.'
Rod McKuen, vocals (on „Natalie“ and „We“)
Alan Braunstein, vocals (on „Off-Ramp To Nowhere“)
Patty Duke, voice (on „Dear David“)
Produced by Henry Mancini
Henry Mancini (1924-1994)
(Enrico Nicola Mancini) was born on 16 April 1924 in Cleveland, Ohio, but he grew up in Pennsylvania. His father, an Italian immigrant, taught him to play the flute and piccolo. As a young boy, he played the flute in a youth band for several years. After graduating from high school he received musical training from Max Adkins, the musical director of the Stanley Theater in Pittsburgh, who encouraged Henry to pursue further musical studies. Mancini decided to attend the Carnegie Institute of Technology in Pittsburgh (now Carnegie Mellon University). Adkins introduced Henry to Benny Goodman, who encouraged Henry to move to New York. Mancini took Goodmans advice and left Philadelphia. Soon after his move to New York, he was accepted into the Julliard School of Music.
After only a year in New York, Mancini was drafted in into the Air Force in 1943 during WWII. After his service ended, he moved to Los Angeles with his new wife, Ginny OConnor and began working as a freelance musician. He received a wonderful opportunity in 1952 when he was hired for a temporary assignment at Universal studios, working on an Abbott and Costello film. His talent earned him a permanent position at Universal Studios where he remained for 6 years, building his reputation as a skilled film composer and arranger. One of his earlier projects, The Glenn Miller Story, earned him an Oscar in 1954 (Best Adaptation of a Score). Mancini went on to receive eighteen Academy Award nominations, winning two Oscars for Breakfast at Tiffanys, one for The Days of Wine and Roses, and one for Victor/Victoria. Mancini was also nominated for 72 Grammys. Among the twenty Grammys that he was awarded are five for Breakfast at Tiffanys and three for The Pink Panther. He also received two Emmy nominations and was given a Golden Globe Award for his work in Darling Lili in 1970 (Best Song).
In addition to his motion-picture work, Mancini did work for television films (including The Thorn Birds), wrote the themes of many popular television shows (including Newhart, Peter Gunn, and Remington Steele) and recorded more than ninety albums. Through the nineteen-eighties, Mancini continued his work on film scores, while also working as a conductor and performer.
After a long battle with Cancer, Henry Mancini passed away in Beverly Hills, CA on 14 June 1994.
This album contains no booklet.