John Luther Adams: Become Ocean Seattle Symphony Orchestra & Ludovic Morlot
- John Luther Adams (1961)
- 1Become Ocean43:14
Info for John Luther Adams: Become Ocean
Awarded the 2014 Pulitzer Prize for Music, John Luther Adams’ Become Ocean was commissioned and premiered by the Seattle Symphony Orchestra and Ludovic Morlot in June 2013. In May 2014 the orchestra and Morlot took Become Ocean to Carnegie Hall for the annual Spring for Music festival.
Become Ocean is written for three different orchestras, each of which has their own journey and rhythm. Three times in the piece they meet in that crucial moment, at the peak of their dynamics together. It's ultimately about you becoming an element of nature yourself, and disappearing in the whole landscape of things.'
Executive Director of the Seattle Symphony, Simon Woods, remarked: “We’re overjoyed for John Luther Adams. As soon as we premiered Become Ocean, we had the distinct impression that it was special. It’s a work that literally changes the way we write for orchestra. Perhaps it’s not too much to say that it’s one of the early masterpieces of the 21st century.”
Alaskan-based composer John Luther Adams has made nature the subject of his compositions for nearly four decades. Become Ocean was inspired by the oceans of Alaska and the Pacific Northwest and immerses the audience in an organic and constantly evolving sound world that reflects the natural environment with an orchestral technique that is deeply original and unique to Adams. Adams explains: “My music has led me beyond landscape painting with tones into the larger territory of ‘sonic geography’ – a region that lies somewhere between place and culture, between human imagination and the world around us. My music is going inexorably from being about place to becoming place.” The score includes a message from the composer, which reads, “Life on this earth emerged from the sea. As the polar ice melts and sea level rises, we humans face the prospect that once again we may quite literally become ocean.” Regarding the world premiere of Adams’ work, The New Yorker wrote, “It may be the loveliest apocalypse in musical history.”
“It may be the loveliest apocalypse in musical history.” (Alex Ross, The New Yorker)
Ludovic Morlot, conductor
Seattle Symphony Orchestra
under the leadership of Music Director Ludovic Morlot, is a vital part of the Pacific Northwest cultural scene and is recognized for its extraordinary performances, programming, recordings and community engagement. With a dedicated subscriber base of more than 25,000 patrons, the Symphony performs or presents over 200 performances annually to an audience of more than 290,000 people.
Since its first performance on December 29, 1903, the Seattle Symphony has held a unique place in the world of symphonic music. During its formative years, it was the charismatic Sir Thomas Beecham who most developed the Orchestra's skill and reputation. In 1954 Milton Katims began his 22-year tenure as Music Director, greatly expanding the Symphony's education programs. Rainer Miedél, Music Director from 1976 until his death in 1983, led the Orchestra on its first European tour in 1980. Gerard Schwarz was appointed Music Advisor in 1983, and Music Director in 1985. During his 26-year tenure, the Seattle Symphony made more than 140 recordings and garnered 12 Grammy nominations and two Emmy Awards.
The Orchestra is now under the artistic leadership of Ludovic Morlot, one of the leading conductors of his generation. During 2011–2012, Morlot’s inaugural season, the Symphony enjoyed critical acclaim for its blockbuster performances of Stravinsky’s The Rite of Spring, Berlioz’s The Damnation of Faust, and Hols’s The Planets; the inaugural presentation of Sonic Evolution, a commissioning project designed by Morlot to feature new works honoring Seattle’s musical heritage; and a season-long exploration of the music of French composer Henri Dutilleux. Morlot’s second season, 2012–2013, was marked with further critical success, including sell-out performances of Britten’s War Requiem, RachFest, an immensely popular cycle of Rachmaninov’s Piano Concertos, and the Seattle Symphony’s first-ever performance of Messiaen’s Turangalîla.
In 1998 the Seattle Symphony inaugurated its new home, Benaroya Hall, noted for its architectural and acoustical splendor. Three years later, the Orchestra opened Soundbridge Seattle Symphony Music Discovery Center, where people of all ages explore the world of symphonic music through exhibits, classes and live music presentations. The Symphony’s education programs, alongside its nationally recognized community engagement programs, bring classical music to nearly 50,000 people of all ages each year.
As the Seattle Symphony’s Music Director, Ludovic Morlot has been received with extraordinary enthusiasm by musicians and audiences alike, who have praised him for his deeply musical interpretations, his innovative programming and his focus on community collaboration. Morlot is also Chief Conductor of La Monnaie, one of Europe’s most important opera houses.
In the U.S. Morlot has conducted the Boston Symphony Orchestra, Chicago Symphony Orchestra, Los Angeles Philharmonic, New York Philharmonic, Philadelphia Orchestra and Pittsburgh Symphony. Additionally, he has conducted the BBC Scottish Symphony Orchestra, Czech Philharmonic, Dresden Staatskapelle, Israel Philharmonic, Montreal Symphony Orchestra, Orchestre National de France, Royal Concertgebouw Orchestra, Rundfunk- Sinfonieorchester Berlin, Saito-Kinen Festival Orchestra and Tonhalle Orchestra (Zürich).
Trained as a violinist, Morlot studied conducting at the Royal Academy of Music in London and then at the Royal College of Music as recipient of the Norman del Mar Conducting Fellowship. Morlot was elected an Associate of the Royal Academy of Music in 2007 in recognition of his significant contributions to music. He is Chair of Orchestral Conducting Studies at the University of Washington School of Music.
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