Mozart: Concertos Nos. 13 & 14 (chamber version) Janina Fialkowska & Chamber Players of Canada

• Wolfgang Amadeus Mozart (1756-1791): Piano Concerto No. 13 in C major, K. 415
• 1I. Allegro10:00
• 2II. Andante07:18
• 3III. Allegro08:41
• Piano Concerto No. 14 in E-flat major, K. 449
• 4I. Allegro vivace08:26
• 5II. Andantino07:28
• 6III. Allegro ma non troppo06:06
• 12 Variations in C Major on Ah vous dirai-je, maman, K. 265
• 712 Variations in C Major on Ah vous dirai-je, maman12:14
• Serenade No. 13 in G major - 'Eine kleine Nachtmusik', K. 525
• 8I. Allegro05:21
• 9II. Romance06:07
• 10III. Menuetto02:00
• 11IV. Rondo03:38
• Total Runtime01:17:19

Info for Mozart: Concertos Nos. 13 & 14 (chamber version)

Based in Ottawa, The Chamber Players of Canada is a group made up of some of the best musicians from across Canada. The Chamber Players vary in size for concerts, recording, and touring, and have performed a wide range of music from the great masterpieces of the 18th and 19th centuries to some of the most exciting chamber music works of the 20th and 21st centuries. Recently awarded Canada’s prestigious Governor General’s Performing Arts Award 2012 for lifetime Achievement in Classical Music, pianist Janina Fialkowska presents her second Mozart CD on ATMA with two infrequently-heard concertos in a chamber version from Mozart’s tremendous output of 27 piano concertos. Two of Mozart’s best-known works, Eine kleine Nachtmusic arranged for string quintet and Variations on "Ah vous dirai-je, maman"; for solo piano are also included.

„Given the magical collaboration between pianist Janina Fialkowska and the Chamber Players of Canada on the Chopin piano concertos a few years ago, I expected a lot from their just-released Mozart disc. This amazing album exceeds those expectations.“ (John Terauds, Musical Toronto)

“Fialkowska's refined delicacy suits this arrangement admirably, forcing us to revisit the music afresh and listen again to the clean lines of accompaniment delineated so strikingly by string quartet and double bass.” (The Observer)

“Fialkowska's canny combination of rhetorical splendour and individual exuberance is beguiling - this is not delicate, decorative Mozart...Fialkowska is at her invigorating best in the highly contrapuntal weave of the finale, where her unobtrusive enlivening of inner voices, most particularly in the bass, is simply exhilarating. Few performers capture so engagingly the sheer fun in Mozart.” (BBC Music Magazine)

“If Fialkowska occasionally slips into some tensionless playing in the fast movement, her performances of the slow equivalents are insightful...Virtues are to be found in these performances of the concertos but they don't compensate for reductions in scale brought on by the absence of woodwind and brass (plus timpani in K415)” (Gramophone Magazine)

Janina Fialkowska, piano
Chamber Players of Canada



Janina Fialkowska
Beloved the world over for her exquisite pianism, Janina Fialkowska has enchanted audiences for over thirty years with her glorious lyrical sound, her sterling musicianship and her profound sense of musical integrity. Blending her vast experience with her refreshingly natural approach "Fialkowska has become an artist of rare distinction as well as retaining all the virtuosity of her youth" (La Presse, Montreal, February 13, 2009) 

Celebrated for her interpretations of the classical and romantic repertoire, she is particularly distinguished as one of the great interpreters of the piano works of Chopin and Mozart. She has also won acclaim as a champion of the music of twentieth-century Polish composers, both in concert and on disc. 

Born to a Canadian mother and a Polish father in Montreal, Janina Fialkowska started to study the piano with her mother at the age of five. Eventually she entered the Ecole de Musique Vincent d'Indy, studying under the tutelage of Mlle. Yvonne Hubert. The University of Montreal awarded her both advanced degrees of “Baccalaureat” and “Maitrise” by the time she was only 17. 

In 1969, her career was greatly advanced by two events: winning the first prize in the Radio Canada National Talent Festival and travelling to Paris to study with Yvonne Lefebure. One year later, she entered the Juilliard School of Music in New York, where she first studied with Sascha Gorodnitzki and later became his assistant for five years. 

In 1974 her career was launched by Arthur Rubinstein after her prize-winning performance at his inaugural Master Piano Competition in Israel. 

She has performed with the foremost North American orchestras, among them the Chicago Symphony, the Cleveland Orchestra, the Los Angeles Philharmonic, the Philadelphia Orchestra, the Houston Symphony and the Pittsburgh Symphony as well as with all of the principal Canadian orchestras, including the Montreal Symphony Orchestra, the Toronto Symphony Orchestra, the National Arts Centre Orchestra of Ottawa, the Calgary Philharmonic and the Vancouver Symphony Orchestra. 

In touring Europe and Asia, Ms Fialkowska has appeared as guest artist with such prestigious orchestras as the Royal Concertgebouw Orchestra of Amsterdam, the Halle Orchestra, the London Philharmonic, London's Philharmonia Orchestra, the BBC Symphony, the Royal Philharmonic, the Scottish National Orchestra, the Warsaw Philharmonic and the French and Belgium National Radio Orchestras as well as the Stuttgart Radio Symphony Orchestra. She has also performed with the Israel Philharmonic, the Osaka Philharmonic and the Hong Kong Philharmonic and has worked with such renowned conductors as Sir Andrew Davis, Charles Dutoit, Hans Graf, Bernard Haitink, Kyril Kondrashin, Lorin Maazel, Zubin Mehta, Sir Roger Norrington, Sir Georg Solti, Leonard Slatkin, Stanislaw Skrowaczewski and Klaus Tennstedt as well as those represented by the “younger” generation such as Yannick Nézet-Séguin, Thomas Dausgaard, Eiji Oue, Fabien Gabel and Grzegorz Nowak. 

She has won special recognition for a series of important premieres, most notably the world premiere performance of a newly discovered Piano Concerto by Franz Liszt with the Chicago Symphony in 1990. She has also given the world premiere of a Piano Concerto by Libby Larsen with the Minnesota Orchestra (October 1991) and the Piano concerto by Marjan Mozetich with the Kingston Orchestra (March 2000) and most recently in September 2010 with the Quebec Symphony Orchestra the world premiere of the Chopin inspired piano concerto "Prelude Variations" by John Burge, written for and dedicated to Janina Fialkowska as well. In addition she played the North American premiere of the Piano Concerto by Sir Andrzej Panufnik with the Colorado Symphony (February 1992). 

Janina Fialkowska was the Founding Director of the hugely successful “Piano Six” project and its successor “Piano Plus”. This latest project brings together some of Canada’s greatest Classical pianists, instrumentalists and vocalists with Canadians who, for either geographical or financial reasons, would otherwise be unable to hear this calibre of “live” classical performance. In 2000 "Piano Six" won one of Canada's top Arts’ awards, the Chalmers Award. 

In 1992 the CBC produced a sixty-minute television documentary, "The World of Janina Fialkowska" that aired to great acclaim throughout Canada. This program won a Special Jury Prize at the 1992 San Francisco International Film Festival. More recently, the CBC produced the 45 minute performance-documentary “An evening with Janina Fialkowska” based on a recital she gave in Montreal in February, 2013. 

Ms Fialkowska is an "Officer of the Order of Canada" and holds honorary doctorates from Acadia University, Queen's University and Wilfrid Laurier University. She is the recipient of the "2012 Governor General's Performing Arts Award for Lifetime Achievement in Classical Music", Canada's foremost honor for excellence in the performing arts. She was the first woman instrumentalist to be so honored. 

In January, 2002 at the onset of a major European tour encompassing eight different countries, Ms. Fialkowska’s career was brought to a dramatic halt by the discovery of a tumour in her left arm. After successful surgery to remove the cancer, Ms Fialkowska underwent further surgery in January 2003; a rare muscle-transfer procedure. After 18 months of performing the Ravel and Prokofiev "concertos for the left hand" which she transcribed for her right hand she has resumed her two-handed career beginning with a tremendously successful and highly emotional recital held in Germany in January 2004. 

Ms Fialkowska's discography includes discs featuring the 24 Chopin Etudes, Op. 10 & Op. 25, the Sonatas Nos. 2 & 3 and the Impromptus, a solo album of Liszt piano works and her astonishing version of the 12 Transcendental Etudes by Franz Liszt. Also a solo Szymanowski album and the highly praised CD, "La jongleuse - Salon pieces and encores." She has also recorded her immensely popular CD of the Paderewski piano concerto with the Polish National Radio Orchestra, the rarely heard piano concerto by Moritz Moszkowski and the tremendously successful CD of the three Liszt piano concertos with Hans Graf conducting. Ms Fialkowska’s recent recordings include performances of piano concertos by Chopin and Mozart in authentic versions consisting of piano solo and string quintet accompaniment. Both of which were released to highest critical acclaim. 

During the 2010 Chopin anniversary year three of Ms Fialkowska’s CDs were released. The CDs were devoted to the music of Chopin and all three received stellar reviews from the most distinguished critics around the world. The “Chopin Recital” CD made it into the Gramophone classic charts as well as among the London’s Sunday Times Top 10 “Best classical recordings of the year”. It also received a nomination for the “International Classical Music Award 2011”. 

Bryce Morrison raved in Gramophone Magazine about her double album “Chopin: Etudes, Impromptus, Sonatas”: “Indeed, lesser mortals may well weep with envy at such unfaltering authority.” And David Patrick Stearns (Philadelphia Inquirer) sums up his review about Ms Fialkowska’s latest CD release (Chopin’s piano concertos, a live recording with the Vancouver Symphony under Bramwell Tovey): “Among recent Chopin concerto discs, this is among the best.” 

Other highlights of the Chopin year included the world premiere of a Chopin inspired piano concerto by John Burge written for Janina Fialkowska and her triumphant period instrument debut playing Chopin’s e Minor concerto on an historic Pleyel 1848 piano with the Tafelmusik Orchestra in Toronto ("Most memorable classical concert of the year", The Toronto Star). In Germany Ms Fialkowska gave her debut at the famed Schleswig Holstein Festival (with immediate reengagement for 2011) and hosted her first “International Piano Academy” which was held in the Bavarian town of Marktoberdorf. 

Ms Fialkowska celebrated the Liszt anniversary 2011 on concert stage ("Virtuosa assoluta", Munich Merkur) as well as on CD. Her CD "Liszt Recital" was hailed as "The most beautiful Liszt CD of this decade" (Frankfurter Allgemeine Zeitung) and the London Times stated: "... the playing is magical." She also shared her Liszt expertise in several master classes around the world, including at her own "International Piano Academy" in Bavaria and at the Schleswig Holstein Music Festival. 

During the 2012- 2013 season Ms Fialkowska was heard in concert on tour in the United Kingdom with the Royal Philharmonic orchestra including a performance in London, in recital at Wigmore Hall in London as well as performances in Montreal, Toronto, Houston and New York City. She also made her Berlin recital debut at the Berlin Klavierfestival held at the venerable Berlin Konzerthaus. 

In April she received the coveted "Instrumentalist of the year" award from the BBC Music Magazine for her recording “Chopin Recital No.2”. 

In October of 2013 Ms Fialkowska will be giving the Canadian premiere of Witold Lutoslawski's brilliant piano concerto with the Toronto Symphony Orchestra. 

Ms Fialkowska and her husband, cultural manager Harry Oesterle, reside in Bavaria, Germany. 

Booklet for Mozart: Concertos Nos. 13 & 14 (chamber version)