Berlioz: Requiem, Op. 5, H. 75 & La mort d'Orphée, H. 25 (Live) Seattle Symphony Orchestra & Ludovic Morlot

Cover Berlioz: Requiem, Op. 5, H. 75 & La mort d'Orphée, H. 25 (Live)

Album info

Album-Release:
2018

HRA-Release:
13.09.2018

Album including Album cover Booklet (PDF)

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  • Hector Berlioz (1803-1869): Grande messe des morts, Op. 5, H. 75 "Requiem":
  • 1I. Requiem et kyrie. Introït (Live)09:23
  • 2II. Dies iræ. Prose - Tuba mirum (Live)11:09
  • 3III. Quid sum miser (Live)02:59
  • 4IV. Rex tremendæ (Live)05:36
  • 5V. Quærens me (Live)04:23
  • 6VI. Lacrimosa (Live)09:59
  • 7VII. Offertoire. Chœur des âmes du purgatoire (Live)08:28
  • 8VIII. Hostias (Live)03:29
  • 9IX. Sanctus (Live)09:45
  • 10X. Agnus Dei (Live)10:42
  • La mort d'Orphée, H. 25:
  • 11La mort d'Orphée, H. 2512:55
  • Total Runtime01:28:48

Info for Berlioz: Requiem, Op. 5, H. 75 & La mort d'Orphée, H. 25 (Live)



Renowned for his interpretation of the French repertoire, Seattle Symphony Music Director Ludovic Morlot and the orchestra are joined by acclaimed tenor Kenneth Tarver, a voice of considerable beauty and freedom (Washington Post) in a masterful performance of Hector Berlioz s momentous Requiem. The first performance of Hector Berlioz s Grande messe des morts, or Requiem, took place in Paris in 1837. It was one of the high points of its author s career, but this triumph did not come easily. Still in his early 30s, Berlioz was widely considered the untamed radical among French composers, and the conservative bureaucrats who controlled the Paris Opera, the Conservatoire and other musical institutions saw fit to place obstacles in his path whenever they could. Kenneth Tarver is considered one of the outstanding Bel Canto tenors of his generation, acknowledged for his beauty of tone, virtuosic technique, extensive and even vocal range, coupled with an attractive and elegant stage presence.

Kenneth Tarver, tenor
Seattle Symphony Chorale
Seattle Pro Musica
Seattle Symphony
Ludovic Morlot, conductor


Seattle Symphony Orchestra
under the leadership of Music Director Ludovic Morlot, is a vital part of the Pacific Northwest cultural scene and is recognized for its extraordinary performances, programming, recordings and community engagement. With a dedicated subscriber base of more than 25,000 patrons, the Symphony performs or presents over 200 performances annually to an audience of more than 290,000 people.

Since its first performance on December 29, 1903, the Seattle Symphony has held a unique place in the world of symphonic music. During its formative years, it was the charismatic Sir Thomas Beecham who most developed the Orchestra's skill and reputation. In 1954 Milton Katims began his 22-year tenure as Music Director, greatly expanding the Symphony's education programs. Rainer Miedél, Music Director from 1976 until his death in 1983, led the Orchestra on its first European tour in 1980. Gerard Schwarz was appointed Music Advisor in 1983, and Music Director in 1985. During his 26-year tenure, the Seattle Symphony made more than 140 recordings and garnered 12 Grammy nominations and two Emmy Awards.

The Orchestra is now under the artistic leadership of Ludovic Morlot, one of the leading conductors of his generation. During 2011–2012, Morlot’s inaugural season, the Symphony enjoyed critical acclaim for its blockbuster performances of Stravinsky’s The Rite of Spring, Berlioz’s The Damnation of Faust, and Hols’s The Planets; the inaugural presentation of Sonic Evolution, a commissioning project designed by Morlot to feature new works honoring Seattle’s musical heritage; and a season-long exploration of the music of French composer Henri Dutilleux. Morlot’s second season, 2012–2013, was marked with further critical success, including sell-out performances of Britten’s War Requiem, RachFest, an immensely popular cycle of Rachmaninov’s Piano Concertos, and the Seattle Symphony’s first-ever performance of Messiaen’s Turangalîla.

In 1998 the Seattle Symphony inaugurated its new home, Benaroya Hall, noted for its architectural and acoustical splendor. Three years later, the Orchestra opened Soundbridge Seattle Symphony Music Discovery Center, where people of all ages explore the world of symphonic music through exhibits, classes and live music presentations. The Symphony’s education programs, alongside its nationally recognized community engagement programs, bring classical music to nearly 50,000 people of all ages each year.

Ludovic Morlot
As the Seattle Symphony’s Music Director, Ludovic Morlot has been received with extraordinary enthusiasm by musicians and audiences alike, who have praised him for his deeply musical interpretations, his innovative programming and his focus on community collaboration. Morlot is also Chief Conductor of La Monnaie, one of Europe’s most important opera houses.

In the U.S. Morlot has conducted the Boston Symphony Orchestra, Chicago Symphony Orchestra, Los Angeles Philharmonic, New York Philharmonic, Philadelphia Orchestra and Pittsburgh Symphony. Additionally, he has conducted the BBC Scottish Symphony Orchestra, Czech Philharmonic, Dresden Staatskapelle, Israel Philharmonic, Montreal Symphony Orchestra, Orchestre National de France, Royal Concertgebouw Orchestra, Rundfunk- Sinfonieorchester Berlin, Saito-Kinen Festival Orchestra and Tonhalle Orchestra (Zürich).

Trained as a violinist, Morlot studied conducting at the Royal Academy of Music in London and then at the Royal College of Music as recipient of the Norman del Mar Conducting Fellowship. Morlot was elected an Associate of the Royal Academy of Music in 2007 in recognition of his significant contributions to music. He is Chair of Orchestral Conducting Studies at the University of Washington School of Music.

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Booklet for Berlioz: Requiem, Op. 5, H. 75 & La mort d'Orphée, H. 25 (Live)

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