Back Home (Remastered) Eric Clapton
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- 1So Tired04:48
- 2Say What You Will04:35
- 3I'm Going Left04:03
- 4Love Don't Love Nobody07:13
- 6Love Comes To Everyone04:35
- 7Lost And Found05:22
- 8Piece Of My Heart04:23
- 9One Day05:20
- 10One Track Mind05:04
- 11Run Home To Me06:18
- 12Back Home03:33
Info for Back Home (Remastered)
Eric Clapton's first album of mostly original material since 2001, BACK HOME, as the title implies, finds the revered British guitarist/vocalist in a comfortable, confident setting. Here Clapton's signature blues-rock sound is the order of the day, as exemplified by the easy-going 'Revolution,' which riffs on the lyrics of the Beatles song of the same name, and conjures up the reggae-tinged vibe of EC's famous rendition of Bob Marley's 'I Shot the Sheriff.' Clapton's Beatles connection also pops up on a gentle cover of 'Love Comes to Everyone' by his friend George Harrison. In addition to his longtime bandmates Doyle Bramhall II and Andy Fairweather Low (guitar), Nathan East (bass), and Steve Gadd (drums), who have an almost telepathic connection with Clapton, BACK HOME features contributions by John Mayer, Billy Preston, Steve Winwood, Vince Gill, and Robert Randolph. However, these artists never distract from Clapton, who is clearly playing to the strengths of his more pop-oriented side.
Any time Eric Clapton releases an album there is a lot of anticipation and excitement. Clapton’s life continues to evolve and so does his recording career. An album, interpreted as a mirror image of a current life situation is a common occurrence. The one factor drives us to feel the way we do is our life stories and the daily developments that go along with it. Clapton is no different; with the exception of the fact, the he is a legendary iconic figure in the world of music.
Back Home is a personal statement for Clapton. The warmth and positive vibe of this album is a result of his life at home with his young family. He, like many other aging rock stars, married a girl much younger and started another family. This seems to invigorate and renew people in music and with good reason surely. When you have young kids your entire life changes and with that, your motivation for success revolves around them. The entire album is about his relationship with his other half and his children. I found his words to be very touching while also validating in my life as well. Being a father of two young children makes it easy to understand his viewpoint.
After each listen to this album, it grew on me, for both the meaning and the music. The music is a vigorous combo of blues, rock and pop, and very well produced. The people that perform on the album are an impressive cast-Billy Preston, Doyle Bramhall II, Steve Winwood, Vince Gill and more. Clapton does not need this kind of talent to support him but it never hurts to get the cream of the crop to come out a play with the king of the hill. Clapton can still play up a storm and belt out a song with as much feeling and emotion as he ever has. This solid album has an array of styles for listeners to enjoy.
The title track leads off with a catchy hook filled rhythm that sets you up nicely for the rest of the tracks. All of the trademark blues-rock licks are plentiful throughout the album. 'Say What You Will' has 'I Shot The Sheriff' reggae sound while 'Lost and Found' brings the house down. It sizzles with bursts of energy and enthusiasm; it is the kind of Clapton song that you want to hear and entire album of. That does not happen because there are too many references to tenderness and love of family and the rockin’ style just would not fit some of lyrics. This all works very well though, as his diversity and control of his phrasing and guitar work highlight the album from start to finish.
This is Eric Clapton 2005; do not expect the all blues or Derek and The Dominoes sound from this album. He has aged very well and obviously he has an entirely different outlook on life today then what he had 20 years ago and his music is a direct manifestation of that. Blues purists will scoff at this recording and wonder where the great bluesman is, well, he still with us, its just a little more deep emotionally with some more pop gloss spread around to make it more accessible. (Morrice Blackwell, Jazz Review)
'One of the earliest statements I made about myself was back in the late '80s with Journeyman. (Back Home) completes that cycle in terms of...my whole journey as an itinerant musician and where I find myself now.' (Eric Clapton)
Eric Clapton, vocals & guitar
Doyle Bramhall II, guitar
John Mayer, guitar
Andy Fairweather Low, guitar
Robert Randolph, dobro
Nick Ingman, strings
Gavyn Wright, strings
Isobelle Griffiths, strings
Annie Whitehead, horns
Roddy Lorimer, horns
Simon Clarke, horns
Tim Sanders, horns
Paul Spong, horns
Simon Climie, keyboards
Billy Preston, keyboards
Steve Winwood, synthesizer
Nathan East, bass
Pino Palladino, bass
Nicky 'Misschief' Shaw, drums & percussion
Abe Laboriel, Jr., drums
Steve Gadd, drums
Sharon White, background vocals
Lawrence Johnson, background vocals
Michelle John, background vocals
Nick Ingman, String arrangements
Eric Patrick Clapton
was born on 30 March 1945 in his grandparents’ home at 1 The Green, Ripley, Surrey, England. He was the son of 16-year-old Patricia Molly Clapton (b. 7 January 1929, d. March 1999) and Edward Walter Fryer (b. 21 March 1920, d. 1985), a 24-year-old Canadian soldier stationed in England during World War II. Before Eric was born, Fryer returned to his wife in Canada.
It was extraordinarily difficult for an unmarried 16-year-old to raise a child on her own in the mid-1940s. Pat’s parents, Rose and Jack Clapp, stepped in as surrogate parents and raised Eric as their own. Thus, he grew up believing his mother was his sister. His grandparents never legally adopted him, but remained his legal guardians until 1963. Eric’s last name comes from Rose’s first husband and Pat’s father, Reginald Cecil Clapton (d. 1933).
Eric’s mother, Pat, eventually married and moved to Canada and Germany as her husband, Frank MacDonald, continued his military career. They had two girls and a boy. Eric’s half-brother, Brian, was killed in a road accident in 1974 at the age of 26. His half-sisters are Cheryl (b. May 1953) and Heather (b. September 1958).
Eric was raised in a musical household. His grandmother played piano and his uncle and mother both enjoyed listening to the sounds of the big bands. Pat later told Eric’s official biographer, Ray Coleman, that his father was a gifted musician, playing piano in several dance bands in the Surrey area. Quiet and polite, he was characterized as an above-average student with an aptitude for art. But, from his earliest years in school, he realized something was not quite right when he wrote his name as “Eric Clapton” and his parents’ names as “Mr. and Mrs. Clapp”. At the age of nine, he learned the truth about his parentage when Pat returned to England with his six-year-old half brother for a visit. This singular event affected him deeply and was a defining moment in his life. He became moody and distant and stopped applying himself at school. Emotionally scarred by this event, Eric failed the all-important 11 Plus Exams. He was sent to St. Bede’s Secondary Modern School and two years later, entered the art branch of Holyfield Road School. By 1958, Rock and Roll had exploded onto the world. For his 13th birthday, Eric asked for a guitar. Finding the inexpensive German-made Hoyer difficult to play - it had steel strings - he put it aside. In 1961, when he was 16, Eric began studying at the Kingston College of Art on a one-year probation. He was expelled at the end of that time for lack of progress as he had not submitted enough work. The reason? Guitar playing and listening to the blues dominated his waking hours.
In October 1963, Keith Relf and Paul Samwell-Smith recruited him to become a member of The Yardbirds because Clapton was the most talked about guitar player on the R&B pub circuit. During his 18-month tenure with The Yardbirds, he earned his nickname, Slowhand, and recorded his first albums: Five Live Yardbirds and Sonny Boy Williamson and The Yardbirds. The band also recorded the single, “Good Morning Little Schoolgirl”. But, Eric had not abandoned his serious research into the American Blues. When The Yardbirds began moving towards a more commercial sound with “For Your Love”, he quit. His path in music was the blues.
In April 1965, John Mayall invited Eric to join his band, John Mayall’s Bluesbreakers. With this group, Clapton established his reputation as a guitarist and earned his second nickname: “God”. It came from an admirer’s graffiti on the wall of London’s Islington Tube Station that boldly proclaimed “Clapton is God.” Eric’s time with the band was turbulent and he left for a while to tour Greece with friends. Upon his return from Greece, Eric rejoined the Bluesbreakers. It was during this time that the now classic Blues Breakers With Eric Clapton was recorded. While with the Bluesbreakers, Eric also recorded a one-off four-track session with a band dubbed “The Powerhouse”. This studio band included John Paul Jones, Steve Winwood and Jack Bruce.
After leaving the Bluesbreakers for a second and final time in July 1966, Eric teamed up with Jack Bruce and Ginger Baker to form Cream. Extensive touring in the U.S. and three solid albums - Fresh Cream, Disraeli Gears, and Wheels of Fire - brought the band worldwide acclaim. While a member of Cream, he cemented his reputation as rock’s premier guitarist and was elevated to superstar status. Although Cream was together for only two years, they are considered one of the most influential rock groups of the modern era. Clapton was unique because he did not simply replicate the blues riffs he heard on records. He incorporated the emotion of the original performances into his own style of playing, thus expanding the vocabulary of blues guitar. Cream crumbled beneath the weight of the member’s egos and constant arguing. They disbanded after two final performances at London’s Royal Albert Hall on 26 November 1968. Following Cream’s break-up, Clapton founded Blind Faith - rock’s first “supergroup” - with Steve Winwood, Ginger Baker, and Rick Grech. Disbanding after one album and a disastrous American tour, Eric tried to hide from his growing fame by touring as a sideman with Delaney & Bonnie & Friends. While with this outfit, Eric was encouraged to sing by Delaney Bramlett. He also began composing more. A live album from the Delaney & Bonnie tour was released in 1970. Clapton’s self-titled debut was released that same year.
In the summer of 1970, Eric formed Derek and the Dominos with Jim Gordon, Carl Radle and Bobby Whitlock from Delaney & Bonnie’s band . The Dominos would go on to record the seminal rock album, Layla and Other Assorted Love Songs. A concept album, its theme revolved around Clapton’s unrequited love for George Harrison’s wife, Patti. The band would drift apart following an American tour and a failed attempt at recording a second album. Hit hard by the break up of The Dominos, the commercial failure of the Layla album and his unrequited love, Eric sunk into three years of heroin addiction. Although he rarely emerged from his Surrey Estate, he filled box upon box with tapes of songs. He kicked his drug addiction and re-launched his career in January 1973 with two concerts at London’s Rainbow Theater organized by his friend, Pete Townshend (The Who). The concerts represented a turning point in his career. In 1974, he reappeared with a new style and sound with 461 Ocean Boulevard. Eric had become an assured vocalist and composer in addition to a guitar hero.
With each album after 461 Ocean Boulevard, Eric reinvented himself musically. Throughout the 1970s and early 1980s, albums and tours would follow year in and year out. In 1985, Clapton found a new audience following his performance at the worldwide charity concert, Live Aid. Annual stands at the Royal Albert Hall and successful albums like August, Journeyman and the Crossroads box set kept him well in the public mind. In the late 80s, he carved out a second career as the composer of film scores. His career went from strength to strength and reached new heights in 1992 with the release of Unplugged and the Grammy winning single, “Tears In Heaven.”
In 1994, Eric returned to his blues roots with the release of From The Cradle. The album was Clapton’s tribute to his musical heroes and contained cover versions of blues classics. 1997 brought an excursion into electronica with the release of TDF’s Retail Therapy . Eric posed as X-Sample in the studio “band” TDF. In 1998, he released the soul-influenced Pilgrim, his first album of all new material in nine years. In 2000, he continued his love affair with the blues when he recorded an album with American blues legend, B.B. King. Riding With The King was released in June and within three weeks of release, was certified gold.
Shortly after the release of Riding With The King, Clapton was back in the studio recording his next solo project. Reptile was released in March 2001. In late 2002, he began to record a new studio album. Work continued through the summer of 2003 and enough material was recorded for two albums. In addition to new solo material, Eric recorded covers of Robert Johnson songs during these sessions. The Johnson songs were assembled and in March 2004, Eric’s tribute album, Me and Mr. Johnson was released. The solo material recorded during these sessions was released in 2005 on Back Home. In 2005, Eric also revisted the past. He, Ginger Baker and Jack Bruce re-formed Cream for four very special reunion shows at London’s Royal Albert Hall. The concerts took place at the venue where their farewell shows took place 37 years earlier, in November 1968. In October 2005, the men performed three further concerts at New York’s Madison Square Garden. The London shows were released on CD and DVD in late 2005.
Eric’s next recording project was to be produced by one of the architects of the “Tulsa Sound,” J.J. Cale. Eric had long admired Cale’s work, having recorded cover versions of “After Midnight,” “Cocaine,” and “Travelin’ Light.” After working in the studio a short time, it turned into a collaborative effort. The Road To Escondido was released on 7 November 2006 to critical acclaim. It won the Grammy Award for Best Contemporary Blues Album (Vocal or Instrumental) at the 50th Annual Awards Ceremony in Los Angeles on 10 February 2008.
In his more than 40 year career, Eric Clapton has received many awards. He is the only triple inductee into the Rock & Roll Hall Of Fame (as a member of both the Yardbirds and Cream and as a solo artist). He has also won or shared in eighteen Grammy Awards.
Eric has also contributed to numerous artists’ albums over the decades. The most well known session occurred in September 1968, when he added guitar to George Harrison’s composition, “While My Guitar Gently Weeps.” It is on the album, The Beatles (best known as “The White Album”). He can also be heard on albums by Aretha Franklin, Steven Stills, Bob Dylan, Elton John, Plastic Ono Band (John Lennon and Yoko Ono), Ringo Starr, Sting, and Roger Waters. Eric has always toured extensively performing thousands of concerts around the globe. Recent solo world tours took place in 2001, 2004 and 2006 / 2007 and a 27 date Summer Tour in 2008 which visited the eastern U.S., Canada and Europe. Additionally, in February 2008 Eric performed three concerts with long-time friend Steve Winwood at New York’s Madison Square Garden. In 2009, Eric will again be on the road with his band visiting Japan, New Zealand and Australia before returning home for a 11 night stand at London’s Royal Albert Hall in May. After conquering his heroin addiction in the early 70s, Eric replaced it with an addiction to alcohol. Throughout the remainder of the decade and into the 1980s, his life and work suffered due to his alcoholism. In January 1982, Eric entered the Hazelden Foundation, a rehabilitation facility in the United States. He did backslide but entered rehab a second time a few years later. He has been sober since 1987 through the 12 steps of Alcoholics Anonymous. Since that time, Eric has been committed to working with others who suffer from addictions to drugs and alcohol.
In February 1998, Eric announced the opening of Crossroads Centre, a rehabilitation facility for drug and alcohol abuse on the island of Antigua. One of its principles is to provide subsidized care for some of the poorest people of the Caribbean who can not afford such care on their own. A foundation was established to provide “scholarships” for these individuals. On 24 June 1999, Clapton auctioned 100 of his guitars, including “Brownie” (the guitar on which he recorded “Layla”), at Christie’s Auction House / New York. The 1999 auction netted almost $5 million (US) for the foundation. On 30 June 1999, Clapton hosted a concert to benefit the Centre at New York City’s Madison Square Garden. Proceeds from its airing on America’s VH1 and DVD and video sales benefited the Centre. Five years later, Eric planned the second and final major fundraising effort for the Centre. On 4, 5 and 6 June 2004, he hosted the First Crossroads Guitar Festival in Dallas, Texas. The three day event presented the cream of the world’s guitarists in a benefit event for the Centre. The event was filmed and proceeds from the sale of the DVD also benefit the foundation. Additionally, a second guitar auction took place on 24 June 2004. It raised an additional $6 million for the foundation and included the sale of “Blackie”, his legendary Fender Stratocaster and a cherry red Gibson ES335, known as “The Cream Guitar”. The Second Crossroads Guitar Festival, with proceeds again benefitting the Crossroads Centre Foundation, took place on 28 July 2007 in Chicago, Illinois. The event was filmed and a DVD was released on 6 November 2007.
In October 2007, Eric’s autobiography, Clapton, was published. It is available in twelve languages and topped the best-seller lists around the world.
Eric is married. He and his wife, Melia, have three daughters - Julie Rose (b. June 2001), Ella Mae (b. January 2003) and Sophie (b. February 2005). The couple married on 1 January 2002. Eric’s eldest child is his daughter, Ruth (b. January 1985). His son, Conor (b. August 1986), died on 20 March 1991 when he fell from a window in his mother’s New York City apartment. Conor’s mother is Lori del Santo, a film actress / television personality.
Eric married his first wife, Pattie Boyd Harrison on 27 March 1979. They had no children and divorced in 1989. (Source: Warner Music)