Viviane de Farias
Born in Ipanema, Viviane de Farias grew up in Rio de Janeiro and Los Angeles. Her solid classical background, her 'warm and caressing voice', of an 'extremely wide register and deep lyrical emotionality', her 'bewitching refinement' and 'impeccable vocal technique' earned her the reputation of 'one of the top brazilian singers' abroad. As a lyric soprano, she lent her voice to more than many projects in both ancient and contemporary classical music with heavy weights such as Placido Domingo, Kurt Masur and Zubin Mehta. She dedicated herself to folklore, jazz and chanson with the same passion and enthusiasm as to the so-called serious music. Viviane de Farias' interpretations are a mixture of such diverse styles. Her 'dynamic exuberance and elegant phrasing', her 'love and respect for melody' make her an 'interpreter of uncommon expressivity'. A remarkable debut at the State Opera in Rio de Janeiro when she was only twenty years old vaulted her to the forefront of her generation of vocalists in Brazil.
After thirteen years of an impressive career on classical vocal music and interdisciplinary performance, she finally turned to her passion, the vast musical heritage from Brazil. She has been working since then basically with jazz musicians, exploring a repertoire that combines brazilian rhythms and jazzy improvisations. Her first solo album 'Moment of passion' - (A hora da paixão, original song from brazilian legend Johnny Alf) was received with great critical acclaim and was a German critic's award nominee.
As a well respected and highly sought-after guest vocalist, Viviane has worked on various genre-bending collaborations. Her musical activities have taken her all over her native Brazil and to festivals and venues in Germany, Spain, France, Hungary, Austria, Switzerland, Italy, Japan, the USA, South Korea, Africa and Madagascar. Viviane de Farias currently lives in Germany.
is a brazilian bassplayer and drummer from Curitiba. He grew up in a musical family playing percussion and guitar with his older brothers. He switched to the electric bass at the age of sixteen and would soon be playing with several bands in his home town. On December 1989 he was invited to play in Switzerland. He decided to settle down in Europe where he has been working ever since not only as a bass player but also as a drummer and composer on several live music projects and as an arranger as well in countless studio productions. Mauro Martins appeared in major festivals and music clubs in Europe, Asia, South Africa, Madagascar and Brazil such as the Free Jazz São Paulo, Montreux Jazz Festival, Olympia, New Morning and JVC Jazz Festival in Paris, Umbria Jazz, Capetown Jazz, Pataya Jazz, Blue Note NY, Birdland only to name a few. He collaborated with outstanding artists such as, Airto Moreira & Larry Coryell, Luis Eça, Toninho Horta, Phill Collins, Tania Maria, Sebastiao Tapajos, Raul de Souza, Chico Cesar, Richard Galliano, Gregoire Maret & Gene Lake, Marcia Maria, Rosinha de Valença, Jovino Santos Neto and Itibere Zwarg from Hermeto Paschoals band and many others.