The Marvin Gaye Collection Marvin Gaye

Album info



Label: Motown Records

Genre: R&B

Subgenre: Classic Soul

Artist: Marvin Gaye

Album including Album cover

I`m sorry!


due to territorial constraints and also different releases dates in each country you currently can`t purchase this album. We are updating our release dates twice a week. So, please feel free to check from time-to-time, if the album is available for your country.

We suggest, that you bookmark the album and use our Short List function.

Thank you for your understanding and patience.

Yours sincerely, HIGHRESAUDIO

  • 1Ain't That Peculiar03:03
  • 2It Takes Two03:00
  • 3Ain't No Mountain High Enough02:30
  • 4Your Precious Love03:05
  • 5Ain't Nothing Like The Real Thing02:18
  • 6I Heard It Through The Grapevine03:17
  • 7What's Going On03:55
  • 8Mercy Mercy Me (The Ecology)03:16
  • 9Trouble Man03:52
  • 10Let's Get It On04:54
  • 11Distant Lover04:15
  • Total Runtime37:25

Info for The Marvin Gaye Collection

If James Brown is indeed the Godfather of Soul, then Marvin Gaye is surely soul music's counterpart to Ol' Blue Eyes, Frank Sinatra. (Gaye in fact began his career singing Sinatra/Nat Cole-type standards.) Like Sinatra, Gaye could inhabit a song, make it his own, and transform ballads into preludes to seduction ('Your Precious Love,' 'Let's Get It On'). Unlike Sinatra, Gaye wrote many (very fine, classic R&B) songs and could get very funky ('Trouble Man').

The Marvin Gaye Collection is a nice primer to Gaye's biggest hits (including some duets with Tammi Terrell), and is sure to make you crave more.

Marvin Gaye, vocals, drums
Dennis Coffey, guitar
Eddie Willis, guitar
Robert White, guitar
Melvin 'Wah Wah' Raging, guitar
Joe Messina, guitar
Larry Nozero, saxophone
Teddy Buckner, saxophone
Marcus Belgrave, trumpet
Bob Babbitt, bass
James Jamerson, bass
Andrew Smith, drums
Benny Benjamin, drums
Richard 'Pistol' Allen, drums
Uriel Jones, drums
Eddie 'Bongo' Brown, percussion
Jack Ashford, percussion

Produced by Smokey Robinson, Micky Stevenson, Henry Cosby, Harvey Fuqua, Marvin Gaye

Digitally remastered

Marvin Gaye
Brilliant, enigmatic, and headstrong, Marvin Gaye was an innovator. In 2009, he would have been 70 years old, and it has been 25 years since his tragic death. But today Marvin remains as influential and exciting as ever: Rolling Stone recently named him one of the greatest singers of all time.

He was born Marvin Pentz Gay Jr. on April 2, 1939, in Washington, D.C., where he dreamed of singing before large crowds; he joined a co-founded a local doo-wop group, the Marquees, who were spotted by Harvey Fuqua, who made them his new Moonglows. Marvin arrived in Detroit on tour with the Moonglows and stayed, as did Harvey, and Marvin was signed to Motown just based on raw singing talent. He was also a songwriter, an OK drummer-and handsome as hell. He wanted to sing jazz, to croon Tin Pan Alley standards, but that didn’t pan out. Motown founder Berry Gordy encouraged Marvin to sing R&B, and once Gaye sang the soulful (and autobiographical) “Stubborn Kind Of Fellow” in 1962, stardom enveloped him. The incendiary “Hitch Hike,” “Pride And Joy,” and “Can I Get A Witness” sold like crazy in 1963, and Marvin oozed silky sexiness on the 1965 classics “How Sweet It Is (To Be Loved By You),” “I’ll Be Doggone” and “Ain’t That Peculiar.”

By 1968′s immortal “I Heard It Through The Grapevine,” and on a series of electrifying duets with Mary Wells, Kim Weston (“It Takes Two”), and his ultimate singing partner, the ravishing but ill-fated Tammi Terrell (“Ain’t No Mountain High Enough,” et al), Gaye was a commercial force. He soon became recognized as an artistic one as well.

At decade’s turn, Marvin seized full control of his output with the deeply personal, socially aware 1971 masterpiece What’s Going On, which produced three hit singles: the title track, “Inner City Blues (Make Me Wanna Holler)” and “Mercy Mercy Me (The Ecology).” He defied expectations again with “Trouble Man,” a 1972 hit single featured in his haunting, jazzy score of the movie of the same name. He zoomed to the top of the charts with his passionate Let’s Get It On, while delivering a pop confection in Diana and Marvin, his duet album with Motown’s queen, Diana Ross. I Want You, released in 1976, was another sensual masterwork, a meditation on obsessive love that was also No. 1. Marvin made his personal life public through his songs, and it was never more evident in 1978′s Here, My Dear, a sprawling double-album chronicling his divorce from Anna Gordy, Berry’s sister. Even his No. 1 dance classic from 1977, “Got To Give It Up,” a studio cut added to flesh out the double-LP Live At The London Palladium, was about the singer’s reluctance to get loose on the dance floor.

Marvin left Motown in 1981, with the politically tinged album In Our Lifetime. He fled to London, then Belgium, where he created for Columbia Records “Sexual Healing,” his first Grammy® winner. But another hit was not salvation from his demons. On April 1, 1984, one day before his 45th birthday, Marvin was shot to death by his father.

Marvin’s influence reaches across the generations. He was rightfully among only the second group of artists honored with induction into the Rock and Roll Hall of Fame, in 1987. More recently, Marvin was No. 6 on Rolling Stone’s list of the 100 Greatest Singers Of All Time. “Motown Week” on American Idol 2009 (Season 8) featured remaining contestants singing not one but two of Marvin’s songs. His records-and his ringtones and his DVDs-are still going gold.

This album contains no booklet.

© 2010-2023 HIGHRESAUDIO