66 Paul Weller

• 1 Ship Of Fools 02:58
• 2 Flying Fish 04:41
• 3 Jumble Queen 02:34
• 4 Nothing 04:16
• 5 My Best Friend's Coat 02:46
• 6 Rise Up Singing 03:02
• 7 I Woke Up 03:24
• 8 A Glimpse Of You 03:33
• 9 Sleepy Hollow 03:21
• 10 In Full Flight 03:58
• 11 Soul Wandering 03:19
• 12 Burn Out 03:58
• Total Runtime 41:50

Info for 66

Paul Weller - the "Godfather of Brit-Pop" is back with his 17th studio album!

"66" is the name of his new and now 17th studio album, which is being released on his 66th birthday. The cover was designed by Sir Peter Blake. The former singer and guitarist of "The Jam" shows his reflective side on the album, with a lot of melancholy and yet also a positive core.

The 12 songs on "66" were recorded over the course of three years in Weller's Black Barn Studio with a number of guest musicians (Suggs, Noel Gallagher, Bobby Gillespie, Erland Cooper, Duo White Label, Hannah Peel, Christophe Vaillant, Say She She, Dr Robert, Richard Hawley, Steve Brooks, Max Beesley). Paul Weller has been honoured with 4 BRIT Awards, one for "Outstanding Contribution to British Music".

Paul Weller has proven time and time again that he pushes artistic boundaries while staying true to his roots. His newly-announced album "66" promises to be no exception, offering a captivating journey through his ongoing musical evolution.

In the ever-evolving landscape of contemporary music, there are few artists who possess such an enduring influence and innovative spirit as Paul Weller. In a career that began in 1977, he is now releasing his 17th solo album and his 28th album overall.

Weller describes "66" as a very reflective and introspective album that pulls back the camera lens and illuminates the way Weller's creativity interacts with the world around him.

He continues to find new ways to alchemise the wonder of life and the meaning of everything, drawing on fragments of real life, reflections on spirituality and even childhood memories.

Paul Weller

Paul Weller
As the leader of the Jam, Paul Weller fronted the most popular British band of the punk era, influencing legions of English rockers ranging from his mod revival contemporaries to the Smiths in the '80s and Oasis in the '90s. During the final days of the Jam, he developed a fascination with Motown and soul, which led him to form the sophisti-pop group the Style Council in 1983. As the Style Council's career progressed, Weller's interest in soul developed into an infatuation with jazz-pop and house music, which eventually led to gradual erosion of his audience — by 1990, he couldn't get a record contract in the U.K., where he had previously been worshiped as a demigod. As a solo artist, Weller returned to soul music as an inspiration, cutting it with the progressive, hippie tendencies of Traffic. Weller's solo records were more organic and rootsier than the Style Council's, which helped him regain his popularity within Britain. By the mid-'90s, he had released three successful albums that were both critically acclaimed and massively popular in England, where contemporary bands like Ocean Colour Scene were citing him as an influence. Just as importantly, many observers, while occasionally criticizing the trad rock nature of his music, acknowledged that Weller was one of the few rock veterans who had managed to stay vital within the second decade of his career.

Weller's climb back to the top of the charts was not easy. After Polydor rejected the Style Council's fifth, house-influenced album in 1989, Weller broke up the group and lost both his record contract and his publishing deal. Over the next two years, he was in seclusion as he revamped his music. In 1991, he formed the Paul Weller Movement and released "Into Tomorrow" on his own independent label, Freedom High Records. A soulful, gritty neo-psychedelic song that represented a clear break from the Style Council, "Into Tomorrow" reached the U.K. Top 40 that spring, and he supported the single with an international tour, where he worked out the material that comprised his eponymous 1992 solo debut. Recorded with producer Brendan Lynch, Paul Weller was a joyous, soulful return to form that was recorded with several members of the Young Disciples, former Blow Monkey Dr. Robert, and Weller's then-wife, Dee C. Lee. The album debuted at number eight on the U.K. charts, and was received with positive reviews.

Wild Wood, Weller's second solo album, confirmed that the success of his solo debut was no fluke. Recorded with Ocean Colour Scene guitarist Steve Cradock, Wild Wood was a more eclectic and ambitious effort than its predecessor, and it was greeted with enthusiastic reviews, entering the charts at number two upon its fall 1993 release. The album would win the Ivor Novello Award for Outstanding Contemporary Song Collection the following year. Weller supported the album with an extensive tour that featured Cradock as the group's leader; the guitarist's exposure on Wild Wood helped him successfully relaunch Ocean Colour Scene in 1995. At the end of the tour, Weller released the live album Live Wood late in 1994. Preceded by "The Changingman," which became his 17th Top Ten hit, 1995's Stanley Road was his most successful album since the Jam, entering the charts at number one and eventually selling nearly a million copies in the U.K.

By this point, Weller decided to stop attempting to break into the United States market and canceled his North American tour. Of course, he was doing so well in the England that he didn't need to set his sights outside of the U.K. Stanley Road may have been greeted with mixed reviews, but Weller had been re-elevated to his status as an idol, with the press claiming that he was the father of the thriving Brit-pop movement, and artists like Noel Gallagher of Oasis singing his praises. In fact, while neither artist released a new album in 1996, Weller's and Gallagher's influence was felt throughout the British music scene, as '60s roots-oriented bands like Ocean Colour Scene, Cast, and Kula Shaker became the most popular groups in the U.K.

Weller returned in the summer of 1997 with Heavy Soul. Modern Classics: Greatest Hits followed a year later. Heliocentric — which at the time of its release he claimed was his final studio effort — appeared in the spring of 2000. The live record Days of Speed followed in 2001, and he released his sixth studio album, Illumination, in 2002. A collection of covers called Studio 150 appeared in 2004, followed by an all-new studio release, As Is Now, in October of 2005 on Yep Roc. Released in 2006, Catch-Flame! Live at the Alexandra Palace preceded Yep Roc’s mammoth Hit Parade box set. It was followed in 2008 by 22 Dreams, a two-disc studio epic that managed to touch on all of Weller's myriad influences. His tenth solo album, Wake Up the Nation, was released in 2010 and it proved another success, earning a nomination for the Mercury Music Prize. Weller's next album, Sonik Kicks, arrived in the spring of 2012; it debuted at number one in the U.K. and was eventually certified silver. The summer of 2014 brought More Modern Classics, a second solo hits compilation that rounded up the singles Weller released after Heavy Soul. The next spring, Weller returned with his twelfth solo album, Saturns Pattern.

This album contains no booklet.