Brahms: Clarinet Sonatas, Op. 120 & Piano Pieces, Op. 119 Nicolai Pfeffer & Felix Wahl

• Johannes Brahms (1833 - 1897): Sonata for Clarinet and Piano No. 1 in F Minor, Op. 120:
• 1 I. Allegro appassionato. Sostenuto ed espressivo 07:36
• 2 II. Andante un poco adagio 04:57
• 3 III. Allegretto grazioso 04:14
• 4 IV. Vivace 05:09
• 4 Piano Pieces, Op. 119:
• 5 No. 1. Intermezzo. Adagio in B Minor 03:23
• 6 No. 2. Intermezzo. Andantino un poco aditato in E Minor 04:38
• 7 No. 3. Intermezzo. Grazioso e giocoso in C Major 01:43
• 8 No. 4. Rhapsody. Allegro risoluto in E flat Major 05:06
• Sonata for Clarinet and Piano No. 2 in E-Flat Major, Op. 120:
• 9 I. Allegro amabile 08:01
• 10 II. Allegro appassionato 04:57
• 11 III. Andante con moto. Allegro 07:01
• Total Runtime 56:45

Info for Brahms: Clarinet Sonatas, Op. 120 & Piano Pieces, Op. 119

There is no doubt that we owe the creation of Johannes Brahms' last piano and chamber music works to his meeting with the Meiningen Court Orchestra's exceptional clarinettist Richard Mühlfeld, who inspired Brahms to new heights of creativity. The complementary sonatas op. 120, with their interwoven motifs, are full in equal measure of exuberant joy, driving passion and moments of picturesque calm. A kaleidoscope of emotions, and a sublime, pioneering gift for his admirers and musical successors. In a subtle musical dialogue, Nicolai Pfeffer and Felix Wahl present a refreshing, high-contrast image of this late work, full of powerful yet lyrical nuance.

Placed between the two monumental sonatas, the piano intermezzos offer the listener a breather for introspection and contemplation.“ (The Artists)

Nicolai Pfeffer, clarinet
Felix Wahl, piano

Nicolai Pfeffer
A consummate performer and scholar, Nicolai Pfeffer is hailed for his personal blend of fluid technique and unique musical voice. Even as a student, Pfeffer was described by legendary Viennese clarinetist Alfred Prinz as “...an excellent clarinetist and a fine musician—one who plays with both technical command of the instrument and an engaging musical personality.” Born in Fulda, Germany, his formative studies occurred under the guidance of Bruce Edwards, Sharon Kam, Werner Schwenk, and Jochen Seggelke. Mr. Pfeffer studied at the Cologne University of Music and Dance, where he received both his diploma and a Master’s with Honors in solo and chamber performance under Professor Ralph Manno. Mr. Pfeffer additionally studied at Indiana University in Bloomington, where he completed postgraduate education with Professor Howard Klug. During his studies, Mr. Pfeffer drew great inspiration from his masterclass experiences with Sabine Meyer (Lübeck), Anthony Spiri (Cologne), Karl Leister (Berlin), Alfred Prinz (Vienna), and Sir Alan Hacker (London).

Mr. Pfeffer is the recipient of many prizes, scholarships, and grants, including awards from the Oscar and Vera Ritter Foundation, the Xiao Yi Association, the Horst and Gretl Will Foundation, and the International Richard Wagner Scholarship Foundation. From 2010-2013 he held a fellowship at Yehudi Menuhin’s Live Music Now, during which he was also appointed artistic director of the Papageno School of Music. His orchestral tenures include experience at the Cologne Opera, the Frankfurt Radio Symphony Orchestra and the Bamberg Symphony. As both a soloist and dedicated chamber musician, Nicolai Pfeffer has given guest performances at many major festivals throughout Europe, South America, the United States and the Middle East. He plays regularly with pianist Felix Wahl, with whom he has appeared in concert series such as SpitzenTöne, Mendelssohn Haus Leipzig, Beethovenhaus Bonn, and many others.

The same passion and expertise that drives Mr. Pfeffer’s playing also inspires his musicological research and teaching activities. He is an instructor in high demand at the Grünwald School of Music (Munich), and serves as a clarinet faculty member of the prestigious Cologne Hochschule für Musik , the Pre-College Cologne, and Lars Vogt’s ECHO-prize awarded “Rhapsody in School.” He has given masterclasses and lectures at many universities and conservatories, including the Universities in Cologne, Frankfurt, Michigan- Dearborn, and Troy University. Nicolai Pfeffer is highly involved in the development of new scholarly editions for clarinet chamber music and solo literature. The fruits of these labors are manifested in highly-acclaimed critical editions published by G. Henle Verlag, Breitkopf & Härtel, Pfefferkorn Musikverlag Leipzig, and Edition Peters. He also is a frequent contributor to the international trade journals “The Clarinet,” “Rohrblatt,” and “Clarinet Didactics”—a pedagogy project of the Swiss Musikhochschule Luzern.

Rounding off his wide-ranging activities are masterclasses for the Barenboim Said Foundation and radio and television broadcasts for Germany’s ARD public broadcasting system, West German Broadcasting, and Hessian Broadcasting. Nicolai Pfeffer is a proud Vandoren and Schwenk & Seggelke performing artist.

Booklet for Brahms: Clarinet Sonatas, Op. 120 & Piano Pieces, Op. 119