I'm All Smiles (Remastered) Hank Jones & Tommy Flana

• 1 Relaxin' At Camarillo 05:20
• 2 In a Sentimental Mood 07:37
• 3 Some Day My Prince Will Come 06:54
• 4 Afternoon in Paris 04:29
• 5 Au privave 06:20
• 6 I'm All Smiles 05:04
• 7 Rockin in Rhythm 04:48
• 8 Con Alma 06:45
• Total Runtime 47:17

Info for I'm All Smiles (Remastered)

„Although Tommy Flanagan tended to refer to two-piano dates as a gimmick, that's hardly the case during this superb 1983 concert in Germany with Hank Jones. The two pianists have the kind of feel for one another's playing that avoids the crash of egos and instead inspires the give and take necessary for each performance to reach its full potential. Immediately, the two veterans captivate their audience with a stunning aggressive improvisation upon Charlie Parker's 'Relaxin' at Camarillo,' then immediately quiet them with a soft, lyrical interpretation of the gorgeous ballad 'In a Sentimental Mood.' They're clearly having a lot of fun during their upbeat waltz through the popular ballad 'Someday My Prince Will Come.' The rest of the concert is every bit as fulfilling, with an inspired treatment of 'Rockin' in Rhythm' getting the nod as the highlight of a memorable evening.“ (Ken Dryden, AMG)

Hank Jones, piano
Tommy Flanagan, piano

Digitally remastered

Hank Jones a member of the famous jazz family that includes brothers cornetist Thad and drummer Elvin, served as a pianist in a vast array of settings, always lending a distinctive, swinging sensibility to the sessions. Although born in Mississippi, Jones grew up in Pontiac, Michigan, listening to such performers as Earl Hines, Fats Waller, and Art Tatum. A performer by the time he was 13, Jones played with territory bands that toured Michigan and Ohio. In one such band he met saxophonist Lucky Thompson, who got him a job in the Hot Lips Page band in 1944, prompting Jones' move to New York.
Once in New York, Jones became exposed to bebop, embracing the style in his playing and even recording with Charlie Parker. Meanwhile, he took jobs with such bandleaders as John Kirby, Coleman Hawkins, Andy Kirk, Billy Eckstine, and Howard McGhee. He toured with Norman Granz's Jazz at the Philharmonic from 1947-51. As a result, he became Ella Fitzgerald's pianist, touring with her from 1948-53. These experiences served to broaden his musical palette and sophistication.
A consummate freelancer, Jones found work with artists such as Benny Goodman, Artie Shaw, Milt Jackson, and Cannonball Adderley. The versatility Jones acquired through such affiliations served him well when he joined the staff of CBS as a studio musician, remaining for 17 years. Although his studio work found him working on productions like the Ed Sullivan Show, Jones continued his touring and recording experiences in a variety of settings. His broad range and ability to fit in different settings also landed him in Broadway stage bands, where he served as pianist and conductor for such shows as Ain't Misbehavin'.
Jones was the first regular pianist in brother Thad's co-led orchestra with Mel Lewis, beginning in 1966. Throughout the 1970s, 1980s, and 1990s, Jones continued to be much in demand for record dates and tours. Among his affiliations was the Great Jazz Trio, a cooperative unit with Ron Carter and Tony Williams, who were later supplanted by Buster Williams and Ben Riley. Jones has also experienced his share of piano duos, with the likes of Tommy Flanagan -- with whom he became acquainted when both were developing around the Detroit area -- George Shearing, and John Lewis.
In 2008, Jones received the National Medal of Arts and the following year the Grammy Lifetime Achievement Award. As a leader and valued sideman, Jones can be found on thousands of recordings.

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