Django (Remastered) Joe Beck & Ali Ryerson

Album info

Album-Release:
2001

HRA-Release:
25.09.2020

Label: DMP

Genre: Jazz

Subgenre: Fusion

Artist: Joe Beck & Ali Ryerson

Album including Album cover

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FLAC 88.2 $ 14.50
DSD 64 $ 14.50
  • 1People Make the World Go 'Round!05:03
  • 2Laura04:35
  • 3Django04:44
  • 4Carioca Blue04:12
  • 5When I Fall in Love04:55
  • 6Spain04:34
  • 7Come Toghether / Alone Togehter04:20
  • 8Tenderly03:50
  • 9Hobo04:01
  • 10It Takes Two03:03
  • 11O Barquinho04:52
  • 12Nardis03:47
  • 13Danny Boy03:31
  • Total Runtime55:27

Info for Django (Remastered)



With the name Django, one would assume this album is in honor of guitarist Django Reinhardt. Instead, the set is dedicated to the members of the Modern Jazz Quartet, who pioneered chamber jazz, the style that dominates this session with flautist Ryerson. Ryerson's passion for Brazilian music is well known. Jazz veteran Joe Beck, one of the first to mix jazz and rock guitar, uses an alto guitar which he invented. It provides a strong harmonically mellow and rhythmic cushion upon which Ryerson carries the melody line with her expressive, buoyant flute. If anything, this album is epitomized by some striking improvising. The two generally take one chorus, stating the melody, and then let their collective imagination take over. That they play together rather than separately when they extemporize makes this album distinctive. And they do it successfully whether the tune be one by Miles Davis or Johnny Mercer. With just the two instruments, their inventive way of collaborating makes sure that the listener's attention will not drift away.

"Joe Beck and Ali Ryerson have been working as a team for more than four years, playing concerts and other gigs under the name Duo. This is their second album, and, with the name Django, one would assume it is in honor of guitarist Django Reinhardt. Instead, the set is dedicated to the members of the Modern Jazz Quartet, who pioneered chamber jazz, the style that dominates this session with flautist Ryerson. John Lewis' "Django" is one of the tunes on the agenda that they play within the chamber style. Ryerson's passion for Brazilian music is documented on her six albums for Concord Jazz. She gets to show her mastery of this tempo on "Carioca Blue" and "O Barquinho." Jazz veteran Joe Beck, one of the first to mix jazz and rock guitar, uses an alto guitar which he invented. It provides a strong harmonically mellow and rhythmic cushion upon which Ryerson carries the melody line with her expressive, buoyant flute. Their mutual comfort is evident on such tunes as the medley "Come Together"/"Alone Together" and expresses itself on a haunting rendition of "Tenderly." If anything, this album is epitomized by some striking improvising. The two generally take one chorus, stating the melody, and then let their collective imagination take over. That they play together rather than separately when they extemporize makes this album distinctive. And they do it successfully whether the tune be one by Miles Davis or Johnny Mercer. With just the two instruments, their inventive way of collaborating makes sure that the listener's attention will not drift away. Recommended." (Dave Nathan, AMG)

Joe Beck, guitar
Ali Ryerson, alto flute

Recorded live on February 8-10, 2001 to 6 channel and 2 channel DSD at Ambient Recording, Stamford, CT.

Digitally remastered

No biography found.

This album contains no booklet.

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