Songplay Joyce DiDonato

• Alessandro Parisotti (1853 - 1913), Salvatore Rosa (1615 - 1673): Arie Antiche, Book 1:
• 1 Parisotti & Rosa / Arr Terry: Arie Antiche, Book 1: "Se tu m'ami" / "Star vicino" 06:33
• Giuseppe Torelli (1658 - 1709):
• 2 Torelli / Arr Terry: "Tu lo sai" 04:48
• Allie Wrubel (1905 - 1973):
• 3 Wrubel / Arr Terry: (I'm Afraid) The Masquerade is Over 07:24
• George Shearing (1919 - 2011):
• 4 Shearing / Arr Terry: "Lullaby of Birdland" 04:18
• Jerry Bock (1928 - 2010): She Loves Me, Acte 1:
• 5 Bock / Arr Terry: She Loves Me, Acte 1: "Will He Like Me?" (Amalia) 04:00
• Giulio Caccini (1551 - 1618): Le nuove musiche:
• 6 Caccini / Arr Terry: Le nuove musiche: VIII. "Amarilli, mia bella" 03:27
• Gene Scheer (b. 1958):
• 7 Scheer / Arr Thomas & Terry: Lean Away 04:44
• Antonio Vivaldi (1678 - 1741): Arsilda, regina di Ponto, RV 700, Act 1:
• 8 Vivaldi / Arr. Terry: Arsilda, regina di Ponto, RV 700, Act 1: "Col piacer della mia fede" (Nicandro) 05:05
• Giustino, RV 717, Act 1:
• 9 Vivaldi / Arr. Terry: Giustino, RV 717, Act 1: "Vedrò con mio diletto" (Anastasio) 05:30
• Duke Ellington (1899 - 1974):
• 10 Ellington / Arr Terry: (In My) Solitude 05:21
• Francesco Bartolomeo Conti (c. 1681/2 - 1732): Doppo tante e tante pene:
• 11 Conti / Arr Terry: Doppo tante e tante pene: XVII. "Quella Fiamma" 04:08
• Giuseppe Giordani (1751 - 1798):
• 12 Giordani / Arr Terry: Caro mio ben 03:45
• Giovanni Paisiello (1740 - 1816): L'amor contrastato, R. 1. 76, Act 2:
• 13 Paisiello / Arr Terry: L'amor contrastato, R. 1. 76, Act 2: "Nel cor più non mi sento" (Rachelina) 03:12
• Richard Rodgers (1902 - 1979): Spring Is Here:
• 14 Rodgers / Arr Terry: Spring Is Here: With a Song in My Heart 08:25
• Total Runtime 01:10:40

Info for Songplay

Joyce DiDonato greets you with a song in her heart and twinkle in her eye. The American mezzo-soprano’s album Songplay unites world-class musicians from the varied worlds of opera, jazz and tango in the pure pleasure of improvisation, experimentation and exchange. Together they create their own musical language, surprising listeners with timeless melodies transformed and universal stories retold over centuries; songs in English, in Italian and – naturally – in the universal language of music.

On Songplay, along with her hand-picked band led by pianist and arranger Craig Terry, Joyce draws inspiration from Cavalli and Chet Baker in equal measure. The languishing heart in Giordani’s Caro mio ben is as emotionally charged as Jerry Bock’s hopeful Will he like me?. Perhaps the most compelling reminder of how the music of Songplay breaks down divides is from DiDonato’s experience leading vocal and composition workshops in the New York prison Sing Sing, where one of the men who is incarcerated was particularly moved upon hearing her rendition of Caro mio ben: ‘I feel like I've known this song my whole life.’

Joyce DiDonato, vocals
Charlie Porter, trumpet
Lautaro Greco, bandoneon
Craig Terry, piano, harpsichord
Chuck Israels, double bass
Jimmy Madison, drums

Joyce DiDonato
Winner of the 2012 Grammy Award for Best Classical Vocal Solo, Kansas-born Joyce DiDonato entrances audiences and critics alike across the globe, and has been proclaimed ‘perhaps the most potent female singer of her generation’ by The New Yorker. With a voice ‘nothing less than 24- carat gold’ according to the Times, DiDonato has soared to the top of the industry as both a performer and a fierce arts advocate, gaining international prominence in operas by Rossini, Handel and Mozart, as well as through her wide-ranging, acclaimed discography. Her signature parts include the bel canto roles of Rossini, leading the Financial Times to declare her Elena La Donna del Lago, ‘simply the best singing I've heard in years’.

Much in demand on the concert and recital circuit, DiDonato holds residencies this season at both the Carnegie Hall, New York and the Barbican Centre, London. Recently she completed an acclaimed recital tour of South America, and has appeared in concert and recital in Berlin, Vienna, Milan, Toulouse, Mexico City and Aspen, in addition to appearing as guest singer at the BBC’s Last Night of the Proms at the Royal Albert Hall, London.

In opera she appeared last season as Cendrillon at the Liceu Barcelona, Sesto La Clemenza di Tito at the Lyric Opera Chicago, Angelina La Cenerentola at the Metropolitan Opera, and the title role of Donizetti’s Maria Stuarda at the Royal Opera House. Highlights this season include Romeo I Capuleti e i Montecchi in her native Kansas City, Elena La donna del lago at the Metropolitan Opera, Maria Stuarda in Barcelona, the title role of Alcina with the English Concert, and Marguerite La damnation de Faust with the Berlin Philharmonic and Sir Simon Rattle.

An exclusive recording artist with Erato/Warner Classics, DiDonato’s most recent recording, Stella di Napoli, is a sumptuous bel canto banquet including little-known gems alongside music by Bellini, Rossini and Donizetti. Her Grammy-Award-winning recording Diva Divo comprises arias by male and female characters, celebrating the rich dramatic world of the mezzo-soprano. The following recording Drama Queens was exceptionally well received, both on disc and on several international tours. A retrospective of her first ten years of recordings entitled ReJoyce! was released last year.

Other honours include the Gramophone Artist of the Year and Recital of the Year awards, a German Echo Klassik Award as Female Singer of the Year, and an induction into the Gramophone Hall of Fame.

Antonio Pappano
Currently Music director of the Royal Opera House, Covent Garden and the Orchestra of the Accademia Nazionale di Santa Cecilia in Rome, Antonio Pappano was born in London of Italian parents. At the age of 13 he moved with his family to the United States, where he continued his studies in piano, composition and conducting. Work as a repetiteur and assistant conductor rapidly led to his engagement in theatres throughout the world: New York City Opera, Gran Teatro del Liceu (Barcelona), Frankfurt Opera, Lyric Opera of Chicago and the Bayreuth Festival, where he was assistant to Daniel Barenboim for Tristan und Isolde, Parsifal and the Der Ring des Nibelungen.

In 1987 Pappano made his debut as an opera conductor with La Bohème at Den Norske Opera in Oslo and was appointed Music Director there in 1990. During this period, he also made his conducting debuts at Covent Garden (La Bohème, June 1990), English National Opera, San Francisco Opera, Lyric Opera of Chicago, Théâtre du Châtelet and Berlin Staatsoper.

At the age of 32 Pappano was named Music Director of the Théâtre Royal de la Monnaie and remained in this post for ten years. In 1993, Pappano made a notable debut at the Vienna Staatsoper, replacing Christoph von Dohnànyi at the last minute in a new production of Wagner’s Siegfried, for which he received unanimous acclaim. He made his debut at the Metropolitan Opera, New York, in 1997 with a new production of Eugene Onegin and in 1999 at the Bayreuth Festspiele conducting a new production of Lohengrin. From 1997 – 99 he was Principal Guest Conductor of the Israel Phiharmonic Orchestra.

Pappano has also conducted the Chicago Symphony, the Philadelphia Orchestra, the Cleveland Orchestra, the Boston Symphony, the New York Philharmonic Orchestra, the London Symphony Orchestra, the Philharmonia Orchestra, the Vienna Philharmonic, the Münchner Philharmonie, the Berlin Philharmonic Orchestra, the Royal Concertgebouw Orchestra and the Orchestra de Paris.

He has recorded Don Carlo for EMI Classics (CD and DVD, which received the “Performance of Year Award” from Gramophone) as well as La Bohème, Guillaume Tell, La Rondine (awarded Best Recording of the Year by Gramophone Magazine), Il Trittico, Massenet’s Werther and Manon, Madama Butterfly, Tosca, Il Trovatore, Tristan und Isolde and the Verdi Requiem. His orchestral recordings with the orchestra of Santa Cecilia include Tchaikovsky Symphonies 4, 5 & 6 and Respighi’s Roman Trilogy, Rossini’s Stabat Mater (“Editor’s Choice Award” from Gramophone) and he has also partnered Hanna Chang, Leif Ove Andsnes and Maxim Vengerov in concerto recordings and Ian Bostridge in recital. Antonio Pappano’s Roman orchestra, the Academia di Santa Cecilia, have won Critics’ Choice at the Classical BRIT Awards for their recording of the Verdi Requiem. A more complete discography can be found on the IMG Artists website.

He was awarded ‘Artist of the Year 2000’ by Gramophone, the 2003 Olivier Award for Outstanding Achievement in Opera and the Royal Philharmonic Society Music Award 2004. In May 2012 Antonio Pappano was made a Cavaliere di Gran Croce by of the Republic of Italy. He was recently awarded the Bruno Walter prize by the Académie du Disque Lyrique in Paris.

In recent seasons, Antonio Pappano made his operatic debut at the Salzburg Festival (Don Carlo) and the Teatro alla Scala (Les Troyens) as well as new productions of Parsifal, Les Vêpres Siciliennes and Manon Lescaut at the Royal Opera House.

This coming season, he conducts both the London Symphony Orchestra and the Accademia di Santa Cecilia on tours in Europe and Japan. At the Royal Opera House, he conducts new productions of Guillaume Tell and King Roger.

In January 2012 Antonio Pappano received a Knighthood for his services to music.

Booklet for Songplay