Berio: Sinfonia - Berio & Mahler: Frühe Lieder Matthias Goerne

• 1 VI. Ablösung im Sommer 01:37
• 2 V. Zu Straβburg auf der Schanz 03:49
• 3 VIII. Nicht wiedersehen! 04:32
• 4 I. Um schlimme Kinder artig zu machen 01:49
• 5 II. Erinnerung 02:47
• 6 Hans und Grete 02:03
• 7 II. Ich ging mit Lust 04:26
• 8 I. Frühlingsmorgen 01:59
• 9 V. Phantasie aus Don Juan 02:24
• 10 VII. Scheiden und Meiden 02:38
• 11 I. 05:56
• 12 II. O King 04:33
• 13 III. In ruhig fliessender Bewegung 12:23
• 14 IV. 03:14
• 15 V. 07:11
• Total Runtime 01:01:21

Info for Berio: Sinfonia - Berio & Mahler: Frühe Lieder

This release is dedicated to the pioneer of Italian modernism Luciano Berio. His 5-movement 'Sinfonia', is undoubtedly his most well-known work, written for the New York Philharmonic and dedicated to Leonard Bernstein. It has become one of the key works and principle musical manifestations of the 1960s bringing together collage technique and modernism.

A few years later, Berio went on to orchestrate a number of songs on texts from 'Des Knaben Wunderhorn', which Mahler had scored for piano and voice, as if they had been written at the time of the later 'Kindertotenlieder'. A symphonic backcloth tailor-made for the great baritone voice of Matthias Goerne [whose 'Knaben Wunderhorn' songs are already available on DVD, with Andris Nelsons, from Lucerne]. His warm, dark voice allows him to capture the sombre and tragic atmosphere of this music like no one else.

'Since it was first performed in 1969, Luciano Berio's Sinfonia has become a classic, certainly the most widely known of all his works and arguably the most successful concert piece by a composer of his generation.' The Guardian

Matthias Goerne, baritone
Synergy Vocals
BBC Symphony Orchestra
Josep Pons, conductor

Matthias Goerne
is one of the most internationally sought-after vocalists and a frequent guest at renowned festivals and concert halls. He has collaborated with leading orchestras all over the world. Conductors of the first rank as well as eminent pianists are among his musical partners.

Since his opera début at the Salzburg Festival in 1997 (Papageno), Matthias Goerne has appeared on the world’s principal opera stages, including the Royal Opera House, Covent Garden; Teatro Real, Madrid; Paris National Opera; Vienna State Opera; and the Metropolitan Opera, New York. His carefully chosen roles range from Wolfram, Amfortas, Kurwenal and Orest right up to the title roles in Alban Berg’s Wozzeck, Bartók’s Duke Bluebeard’s Castle, Paul Hindemithʼs Mathis der Maler and Aribert Reimann’s Lear. Goerne’s artistry has been documented on numerous recordings, many of which have received prestigious awards. He is currently recording a series of selected Schubert songs (The Goerne/Schubert Edition – 11 CDs) for Harmonia Mundi.

From 2001 through 2005 Matthias Goerne taught as an honorary professor of song interpretation at the Robert Schumann Academy of Music in Düsseldorf. In 2001, he was appointed an Honorary Member of the Royal Academy of Music in London. Born in Weimar, he studied with Hans-Joachim Beyer in Leipzig, and with Elisabeth Schwarzkopf and Dietrich Fischer-Dieskau.

Highlights of the 2011/12 season included a tour with the Vienna Philharmonic, appearances at the Vienna State Opera and the Saito Kinen Festival (Bluebeard with Seiji Ozawa) and song recitals with Christoph Eschenbach and Leif Ove Andsnes in Paris, Vienna and New York (Carnegie Hall).

In 2012/13, Matthias Goerne sings Wolfram at the Bavarian State Opera and Amfortas in concert with the Teatro Real in Madrid. Concert highlights include appearances with the Orchestre de Paris (Bluebeard), Berlin Philharmonic (War Requiem), Leipzig Gewandhaus Orchestra (Beethoven’s Ninth Symphony), Filarmonica del Teatro alla Scala (Mahler Lieder) and San Francisco Symphony (Wagner arias) as well as song recitals with Pierre-Laurent Aimard and Schubert cycles with Christoph Eschenbach at the Vienna Musikverein.

Booklet for Berio: Sinfonia - Berio & Mahler: Frühe Lieder