American Head The Flaming Lips

• 1 Will You Return/When You Come Down 05:21
• 2 Watching The Lightbugs Glow 02:53
• 3 Flowers Of Neptune 6 04:31
• 4 Dinosaurs On The Mountain 03:38
• 5 At The Movies On Quaaludes 03:41
• 6 Mother I've Taken LSD 03:48
• 7 Brother Eye 04:23
• 8 You N Me Sellin' Weed 04:57
• 9 Mother Please Don't Be Sad 03:36
• 10 When We Die When We're High 03:39
• 11 Assassins Of Youth 04:12
• 12 God And The Policeman 02:28
• 13 My Religion Is You 03:33
• Total Runtime 50:40

Info for American Head

The album is comprised of thirteen new cinematic tracks, produced by longtime collaborator Dave Fridmann and The Lips. Among them, “God and the Policeman” featuring backing vocals from country superstar Kasey Musgraves. American Head takes on a welcome temporal shift that occupies a similar space to that of The Soft Bulletin or Yoshimi Battles The Pink Robots and just may be their most beautiful and consistent work to date.

American Head finds The Flaming Lips basking in more reflective lyrical places as Wayne Coyne explains in a longer form story titled “We’re An American Band.”

"On American Head, the Flaming Lips use their storytelling skills to their fullest, combining some of their purest moods and most beautiful melodies with some of their most overtly autobiographical songwriting. Drawn from Wayne Coyne's memories of growing up in early '70s Oklahoma with his freewheeling brothers and their biker friends -- as well as his imagined version of Mudcrutch, the precursor to Tom Petty & the Heartbreakers that honed their chops in Tulsa around that time -- the album's concept is one of the band's richest in some time. At the time of American Head's release, the band compared it to Yoshimi Battles the Pink Robots and The Soft Bulletin, and it's true that the album's scope and depth of feeling put it on that level. However, American Head still bears the scars of albums like The Terror, which brought a weight to the Flaming Lips' music that works especially well on these meditations on the loss of innocence. The band couples the album's frank emotions with frank depictions of drugs. Though their music has evoked altered states since the beginning, they've rarely mentioned drugs directly. They're portrayed as powerful agents of escape and change, particularly on American Head's pair of songs about LSD. "Flowers of Neptune 6" sets a moment of pure epiphany to a lush swath of trumpets, tympani, strings, and the sugared twang of Kacey Musgraves' backing vocals (one of several appearances the country star makes on the album) that calls to mind early '70s AM pop. On "Mother, I've Taken LSD," the dawning awareness of life's beauty and pain, and their intrinsic connections, feels like crossing a threshold from which there is no return. The Lips give equal time to drugs' transcendent and destructive qualities on "At the Movies on Quaaludes" and the hallucinatory "You n Me Sellin' Weed," and moments like these are grounded in just enough realism to make American Head's music that much more transporting. Cocooned in harmonies, "Will You Return/When You Come Down" begins the album with a fragile reflection on the loneliness of surviving that's a perfect example of the Lips' inimitable ability to sound massive and close-up at the same time. Later, the cascading psych-pop epic "Assassins of Youth" serves as a reminder that they're as good at distilling disillusionment as they are at capturing joy. Even American Head's brightest moments are shadowed with sorrow, whether it's the knowledge that the untainted childhood wonder of "Dinosaurs on the Mountain'' is fleeting, or that by the album's end, there's just enough hope left to love someone unquestioningly on "My Religion Is You." Far from a rehash of the band's previous glories, American Head feels transformational; at once magical and down-to-earth, it's the album the Flaming Lips needed to make and fans needed to hear at this point in their career." (Heather Phares, AMG)

The Flaming Lips
Guests:
Kacey Musgraves, vocals (tracks 2, 3, 12)
Micah Nelson, vocals (track 1), guitar (track 1)

The Flaming Lips are an American rock band, formed in Norman, Oklahoma in 1983.

Melodically, their sound contains lush, multi-layered, psychedelic rock arrangements, but lyrically their compositions show elements of space rock, including unusual song and album titles—such as "Psychiatric Explorations of the Fetus with Needles", "Free Radicals (A Hallucination of the Christmas Skeleton Pleading with a Suicide Bomber)" and "Yeah, I Know It's a Drag... But Wastin' Pigs Is Still Radical". They are also acclaimed for their elaborate live shows, which feature costumes, balloons, puppets, video projections, complex stage light configurations, giant hands, large amounts of confetti, and frontman Wayne Coyne's signature man-sized plastic bubble, in which he traverses the audience. In 2002, Q magazine named The Flaming Lips one of the "50 Bands to See Before You Die".

The group recorded several albums and EPs on an indie label, Restless, in the 1980s and early 1990s. After signing to Warner Brothers, they scored a hit in 1993 with "She Don't Use Jelly". Although it has been their only hit single in the U.S., the band has maintained critical respect and, to a lesser extent, commercial viability through albums such as 1999's The Soft Bulletin (which was NME magazine's Album of the Year) and 2002's Yoshimi Battles the Pink Robots. They have had more hit singles in the UK and Europe than in the U.S. In February 2007, they were nominated for a 2007 BRIT Award in the "Best International Act" category. By 2007, the group garnered three Grammy Awards, including two for Best Rock Instrumental Performance.

On October 13, 2009 the group released their latest studio album, titled Embryonic. On December 22, 2009, the Flaming Lips released a remake of the 1973 Pink Floyd album The Dark Side Of The Moon. In 2011, the band announced plans to release new songs in every month of the year, with the entire process filmed.

This album contains no booklet.