Mendelssohn & Enescu: String Octets Lorenzo Gatto & Miguel Da Silva

• Felix Mendelssohn (1809 - 1847): String Octet, Op. 20:
• 1Mendelssohn: String Octet, Op. 20: I. Allegro moderato con fuoco14:25
• 2Mendelssohn: String Octet, Op. 20: II. Andante06:32
• 3Mendelssohn: String Octet, Op. 20: III. Scherzo. Allegro leggierissimo04:37
• 4Mendelssohn: String Octet, Op. 20: IV. Presto06:09
• George Enescu (1881 - 1955): Octet in C Major, Op. 7:
• 5Enescu: Octet in C Major, Op. 7: I. Très modéré12:15
• 6Enescu: Octet in C Major, Op. 7: II. Très fougueux07:47
• 7Enescu: Octet in C Major, Op. 7: III. Lentement10:02
• 8Enescu: Octet in C Major, Op. 7: IV. Mouvement de Valse bien rythmée08:13
• Total Runtime01:10:00

Info for Mendelssohn & Enescu: String Octets

Emerging from the pandemic like a bubble of oxygen from the ocean depths, this recording project is built around two ideas that lie at the heart of the Chapelle Musicale Reine Elisabeth. On one hand it perfectly embodies the ideal of a continuing relationship between masters and artists in residence by bringing together three generations of musicians with Miguel da Silva, Lorenzo Gatto and the young artists currently in residence at the Chapel, providing an opportunity for the former to pass on their mastery and knowledge to the latter. On the other, it also fulfils a desire to bring together a number of artists in an ensemble that unites chamber music with a string orchestra for major works. The string octet, a form made even more attractive by its rarity, was adopted by two composers of genius: Mendelssohn and Enescu. These youthful works, nonetheless mature and filled with musical riches, echo each other here by highlighting their contrasts.

Emmanuel Coppey, violin
Anna Egholm, violin
Lorenzo Gatto, violin
Luka Ispir, violin
Amia Janicki, violin
Liu Pelliciari, violin
Karen Su, violin
Edoardo Zosi, violin
Benedetta Bucci, viola
Miguel da Silva, viola
Violaine Despeyroux, viola
Riana Anthony, cello
Stefano Cerrato, cello
Zachary Mowitz, cello

Lorenzo Gatto
was born in Brussels in December 1986. He started playing the violin at the age of five with Dirk van de Moortel. At eleven years old, he enters the Brussels Royal Conservatoire of Music in the class of Veronique Bogaerts, where he graduates at seventeen only with the highest honour.

He then studied with Herman Krebbers in the Netherlands, Augustin Dumay at the Queen Elisabeth Music Chapel in Belgium and he finishes his academic journey by studying four years with Boris Kuschnir in Vienna. His work and determination are brilliantly rewarded as he won both the Second Prize and the Public’s Prize at the Queen Elisabeth Competition in 2009.

‘Above all, I want to sound honest. There is fragility in my tone, it is a reflection of who I am as a person. That is what music is to me: an expression of human fragility.’

His nomination as a ‘Rising Star’ in 2010 allows Lorenzo to make his recital debut on major European stages including the Amsterdam Concertgebouw, the Vienna Musikverein, the Cité de la Musique in Paris and many others. It further expanded the possibilities of collaboration with orchestras and conductors such as Philippe Herreweghe, Vladimir Spivakov, Walter Weller, Jan Willem de Vriend, Jaap van Zweden, Martin Sieghart, Angrey Boreyko and Yannick Nézet-Séguin.

In chamber music, Lorenzo shared the stage with, amongst others, Maria João Pires, Mischa Maisky, Martha Argerich, Menahem Pressler, Jean-Claude Vanden Eynden, Frank Braley and Gérard Caussé.

In 2015, Lorenzo started collaborating with the talented Belgian pianist Julien Libeer. Together, they recorded all of Beethoven sonatas and released a disc that was awarded with a Diapason d’Or of the year.

Lorenzo Gatto plays the ‘Joachim’ Stradivari from 1698.

In his spare time, Lorenzo enjoys a lifelong passion for everything that flies. Look up and see if you can spot him high in the sky, arriving at a concert flying a small plane or even a paraglider.

Miguel Da Silva
Franco-Swiss musician, Miguel da Silva was born in Reims in 1961. He started studying at the Conservatoire of his native city before moving to Paris where he was a student at the Conservatoire National Supérieur de Musique with Serge Collot. He was awarded first prize in chamber music and also for viola (unanimously with special vote by the jury). In 1985 he won the first Prize of the International chamber music competition in Paris (sonata).

His passion for string quartet led him to found the Ysaÿe Quartet with 3 of his friends. The Ysaÿe Quartet has then studied with the Amadeus String Quartet. After winning the first prizes in Evian, the members of the Ysaÿe Quartet soon started an international career that led them throughout the world, from Japan to America. This brillant thirty year carrer was brought to an end in January 2014, after a major series of concerts, with a special emphasis on the music of Beethoven.

In the past few years, engagements either as a solo player or with his quartet have led him to the Wigmore Hall in London and most of the greatest concert halls in Europe (Munich/Herkulesaal, Venice/Teatro della Fenice, Copenhague, Helsinki, Amsterdam/Concertgebouw, Hannover, Basel, Baden-Baden, Salzburg/Festspielhaus, Leipzig ) and he has toured in Belgium, USA, Japan and Italy.

Miguel da Silva has appeared as a soloist with the Paris Chamber Orchestra, the Polish Chamber Orchestra, the Orchestre d’Auvergne, the Franz-Liszt orchestra of Budapest, the Orchestra de Bretagne, and the Orchestre “Les Siecles”. As a very sought for chamber music player, his partners are Michel Portal, Jean-Claude Pennetier, Paul Meyer, Leonidas Kavakos, Pierre Amoyal, Augustin Dumay, Nikita Boriso-Glebksy, Antonio Meneses, Jean-François Heisser, Truls Mork, Henri Demarquette, Gary Hoffmann, Emmanuel Pahud, Christophe Coin…

Parallelly to his Cds with the Ysaÿe Quartet, Miguel da Silva has recorded under the labels Accord, Valois-Auvidis, Philips, Harmonia Mundi etc… He also founded his own record company : Ysaÿe Records, and under the label Nascor, offers young musicians the opportunity to make their very first recording.

In 1994, he started a class of string quartets (premiere in France !) and has since then been teaching a whole new generation of french and european quartets and chamber music groups at the Conservatoire National de Région in Paris. In 2008, he was appointed as a professor in Luebeck’s Musikhochschule (Germany)- where he took over Walter Levine’s position, as a tutor at the European Chamber Music Academy (ECMA) and for Vienna Music University’s Summer Academy (ISA). In 2009, he joined Geneva’s Haute Ecole de Musique (Switzerland) as a viola and chamber music teacher, and became the artistic director of Villecroze’ Académie musicale (France).

He is Master in Residence at the Queen Elisabeth Music Chapel in Belgium, where he joins Jose van Dam (barytone), Augustin Dumay (violin), Louis Lortie (piano), Gary Hoffman (cello), and the Artemis Quartet.

This album contains no booklet.