Lost On The River The New Basement Tapes

• 1 Down On The Bottom 04:29
• 2 Married To My Hack 01:57
• 3 Kansas City 04:04
• 4 Spanish Mary 05:31
• 5 Liberty Street 02:45
• 6 Nothing To It 03:32
• 7 Golden Tom - Silver Judas 02:39
• 8 When I Get My Hands On You 03:10
• 9 Duncan And Jimmy 04:10
• 10 Florida Key 03:19
• 11 Hidee Hidee Ho #11 04:45
• 12 Lost On The River #12 03:42
• 13 Stranger 04:22
• 14 Card Shark 02:36
• 15 Quick Like A Flash 03:17
• 16 Hidee Hidee Ho #16 03:51
• 17 Diamond Ring 02:54
• 18 The Whistle Is Blowing 05:16
• 19 Six Months In Kansas City (Liberty Street) 03:36
• 20 Lost On The River #20 03:47
• Total Runtime 01:13:42

Info for Lost On The River

Lost On The River: The New Basement Tapes is a music event 47 years in the making. It’s an historic album project from five of music’s finest artists — Elvis Costello, Rhiannon Giddens (Carolina Chocolate Drops), Taylor Goldsmith (Dawes), Jim James (My Morning Jacket) and Marcus Mumford (Mumford & Sons) — in unique collaboration with a 26-year-old Bob Dylan.

Produced by project creator T Bone Burnett, the album was recorded in March, 2014 at Capitol Studios in Hollywood, where the artists and Burnett convened for two weeks to write and create music for a treasure trove of long-lost lyrics handwritten by Bob Dylan in 1967 during the period that generated the recording of the legendary Basement Tapes. The collective completed and recorded dozens of songs, the first 20 of which appear on this deluxe edition.

Bob Dylan is universally regarded as one of the world’s most popular and acclaimed songwriters, musicians and performers, having sold more than 125 million albums and performed literally thousands of shows around the world spanning six decades. His influence and impact on our culture is unparalleled, and his artistic output of recordings and songs are both cultural landmarks and the genesis of countless great songwriters and musicians that have emerged in the decades since Dylan exploded onto the global stage.

Among Dylan’s many cultural milestones, the legendary Basement Tapes – dozens of songs written and recorded by Dylan in 1967, backed by members of his touring ensemble who would later achieve their own fame as The Band – have long fascinated and enticed successive generations of musicians, fans and cultural critics alike. Having transformed music and culture during the preceding five years, Dylan had reached unparalleled heights by 1966 through the release of three historic albums, the groundbreaking single, “Like A Rolling Stone,” a controversial and legendary ‘electric’ performance at the Newport Folk Festival and wildly polarizing tours of the United States, Europe and the United Kingdom. Dylan’s mercurial rise and prodigious body of work in that decade came to an abrupt end in July, 1966 when he was reported to be nearly killed in a motorcycle accident in upstate New York.

Recovering from his injuries and away from the public eye for the first time in years, Dylan ensconced himself, along with Robbie Robertson, Rick Danko, Richard Manuel and Garth Hudson (and later, Levon Helm), in the basement of a small house in West Saugerties, New York – dubbed “Big Pink” by the group. This collective recorded more than a hundred songs over the next several months – traditional covers, wry and humorous ditties, off-the cuff performances and, most important, dozens of newly-written Bob Dylan songs, including future classics “I Shall Be Released,” “The Mighty Quinn” and “You Ain’t Going Nowhere.

When rumors and rare acetates of some of these recordings began surfacing, it created a curiosity strong enough to fuel an entirely new segment of the music business: the bootleg record. In 1969 an album mysteriously titled Great White Wonder began showing up in record shops around the country, and the music from that summer of 1967 started seeping into the fabric of our culture and penetrating the souls of music lovers everywhere. With each passing year, more and more fans sought out this rare contraband, desperate to hear new music from the legendary Bob Dylan. The actual recordings, however, remained commercially unavailable until 1975, when Columbia Records released a scant 16 of them on The Basement Tapes album.

Lost On The River: The New Basement Tapes is a music event 47 years in the making. The album celebrates the discovery of never-seen Bob Dylan lyrics from that legendary 1967 period and marks a creative highpoint for the album’s participants – Burnett, Costello, Giddens, Goldsmith, James and Mumford – who have brought them to life nearly 50 years later. As Burnett explains, “What transpired during those two weeks was amazing for all of us. There was a deep well of generosity and support in the studio at all times, which reflected the tremendous trust and generosity shown by Bob in sharing these lyrics with us in the first place.”

Elvis Costello, vocals, guitars, bass, mandocaster, mellotron, organ, ukulele
Rhiannon Giddens, vocals, banjo, fiddle, minstrel banjo
Taylor Goldsmith, vocals, guitars, mellotron, organ, piano
Jim James, vocals, guitars, bass, mellotron, organ, piano, synthesizer
Marcus Mumford, vocals, guitars, drums, mandolin
Jay Bellerose, drums, percussion
T Bone Burnett, guitar

Recorded at Capitol Studios in Hollywood, Calf., in March 2014
Produced by T Bone Burnett

The New Basement Tapes
Recording is nearly complete for Lost On The River: The New Basement Tapes (http://TheNewBasementTapes.com/), an album project from Elvis Costello, Rhiannon Giddens (Carolina Chocolate Drops) Taylor Goldsmith (Dawes), Jim James (My Morning Jacket), Marcus Mumford (Mumford & Sons) and producer T Bone Burnett, who are in Capitol Studios together to create music for two-dozen recently discovered lyrics written by Bob Dylan in 1967 during the period that generated the recording of the legendary Basement Tapes.

The album will be released later this year by Electromagnetic Recordings/Harvest Records (Capitol Music Group), and will be accompanied by a Showtime documentary titled, Lost Songs: The Basement Tapes Continued, directed by Sam Jones (the Wilco documentary, I Am Trying To Break Your Heart). The film will present an exclusive and intimate look at the making of Lost On The River: The New Basement Tapes set against the important and historical cultural backdrop of Bob Dylan’s original Basement Tapes.

Bob Dylan’s original Basement Tapes – recorded by Dylan in 1967 with musicians who would later achieve their own fame as The Band – have fascinated and enticed successive generations of musicians, fans and cultural critics for nearly five decades. This collective recorded more than a hundred songs in the basement of a small house in upstate New York that summer and fall, including dozens of newly-written Bob Dylan future classics such as, “I Shall Be Released,” “The Mighty Quinn,” “This Wheel’s On Fire,” “You Ain’t Going Nowhere” and “Tears Of Rage.”

Lost On The River: The New Basement Tapes celebrates the discovery of new Bob Dylan lyrics from that noted 1967 period and marks a unique creative opportunity for Burnett, Costello, Giddens, Goldsmith, James and Mumford, who are bringing them to life nearly 50 years later. For Burnett, whom Dylan has entrusted with this endeavor, it was imperative to provide an environment in which these artists could thrive. “Great music is best created when a community of artists gets together for the common good. There is a deep well of generosity and support in the room at all times, and that reflects the tremendous generosity shown by Bob in sharing these lyrics with us.”

According to Jones, “The discovery of these previously unknown Bob Dylan songs that were thought lost since 1967 is the stuff of Hollywood fiction and a find of truly historical proportions. It is a unique opportunity to film T Bone and these great artists as they collaborate with a young Bob Dylan, and each other, to create new songs and recordings. These days and nights in the studio have been nothing less than magical.” Jones will weave these studio sessions into a broader narrative that will incorporate the stories behind the original Basement Tapes, expound on their cultural significance and chart their enduring influence.

This album contains no booklet.