Emergenz Jazzrausch Bigband
- 1Go! Go! Go!02:57
- 2Five Dice03:16
- 3As Darkness Fell04:20
- 4Plagwitz Calling03:28
- 6Emergent Evolution02:57
- 7Channel 2301:09
- 8Ticking Time Bomb03:39
- 9Rote Kammer02:52
- 10Money Talks03:12
- 12Present Tense03:03
- 15Have You Heard03:12
Info for Emergenz
German Jazzrausch Bigband stands for a truly unique concept: jazz meets techno meets big band. After the powerful, song-like album "techné" from 2021, which featured a cast of prominent musical guests, the new release "Emergenz" focuses on the core line-up of the band. And a more subtle, yet broader approach, which incorporates elements of minimal music, drum'n'bass, literature and stronger jazz influences. But of course without giving up the trademark of the band; pulsating grooves and powerful horn arrangements.
Jazz meets techno meets big band. It really shouldn't work...and yet, as anyone who has ever heard or seen the Jazzrausch Bigband will know, the reality of the band in action firmly knocks that idea on the head. Ever since Jazzrausch started in 2014, it has been on an unstoppable path of growth and development which has been very much on the band’s own terms. Jazzrausch first came to attention as the house band at the legendary Munich techno club "Harry Klein" – currently threatened with closure, incidentally – where the recordings for the new album "Emergenz" were made. Since then, the band’s growing renown has taken it to Germany’s great temples of classical music: the Elbphilharmonie in Hamburg, the Isarphilharmonie in Muich and the Berlin Philharmonie... and a buzz has been building internationally too. What is Jazzrausch Bigband all about? Putting a couple of exceptional and unconventional musical brains in charge, letting their sense of what is serious and what is banging prevail, and then seeing how much it can appeal to both younger and older audiences. Jazzrausch has dealt with the whole idea of ‘no can do’. By hitting it out of the ballpark.
The fact that Jazzrausch works so well is attributable to three factors which have remained constant. First there is Roman Sladek: this bandleader/organiser/mover/shaker is a strong-toned, and classically-trained trombonist...who also has a background in heavy metal. Second, there is composer/ electronic musician Leonhard Kuhn: the fact that Jazzrausch Bigband also functions like a classical orchestra is down to him. Each "season" they devote themselves to one or more new themes. They take a classical composer like Beethoven, Bruckner or Shostakovich, or they put their minds to trends in philosophy, literature or the natural sciences. Or they’ll concoct a swinging Christmas programme, and (as happened with one project) they’ll completely turn their backs on techno. None of this would be possible without the thirty or so musicians who make up the Jazzrausch Big Band. Each of them is a genuine and individual character with a clear identity, stage personality and her or his uniquely diverse musical background.
The theme of the new album is "Emergenz" (emergence), a term from philosophy and systems theory which describes new properties which occur in a system as a result of the interaction of its individual elements. It serves well as a metaphor for Jazzrausch Bigband, a living and constantly changing organism. Comparing "Emergenz" with earlier albums, what is most striking is how the band's expressive palette has become even more differentiated and refined. The moments when the energy levels are at their highest are still dominated by techno jazz, which is only to be expected. But, in between, the regular four-on-the-floor pulse of the bass drum is increasingly frequently suspended, so there are sections where the forward momentum comes from intricate interlocked horn parts, or just from voices. Influences from minimal music and bouncy drum'n'bass are audible too. Fragments from poems by Gertrude Stein ("Go!Go!Go!", "Present Tense") are present, as is the music of Wayne Shorter ("Orbits"). On "As Darkness Fell“, the Armenian-born trumpeter Angela Avetisyan whispers of a time when things became quiet and no music could be heard. The ballad "Five Dice" tells the true story of a woman who, after separating from her partner, keeps five dice as a memento of him. The nervously upbeat "Ticking Time Bomb" describes the feeling of being overwhelmed by one's own feelings and thoughts, and almost bursting out of oneself as a result of a sheer overload of impressions.
Of course it is of some help to be aware of all of these factors which have influenced the lives and thought processes of the participants. But, in the end, there is really only one way to get to the bottom of the Jazzrausch Big Band phenomenon, and the fascination and success which there clearly is around it. And that is to hear their music first-hand, to be affected, touched and inspired by it. The different external factors unite organically, and what emerges is completely new and utterly compelling. This is music which takes hold of the listener’s heart and head. Say it again: it really shouldn’t work. But it truly, definitely does.
The Jazzrausch Bigband
is the world's first resident big band of a world-renowned techno club. Founded 2014 in Munich, this big band has been quietly revolutionizing the German club scene with endlessly inventive performances. Their schedule includes more than 100 annual concerts and has already taken them to the Lincoln Center NYC, the JZ Festival in Shanghai, the Munich Philharmonic Hall and the Festival Da Jazz in St. Moritz. At their live big band techno shows, it comes to a musical meltdown, where the creativity and sound diversity of a jazz big band meets the impressive clarity of a techno club – always surprising, always danceable! Composer and arranger of the music is Leonhard Kuhn. Bandleader and manager of the Jazzrausch Bigband is Roman Sladek. With German fans already won over, the band has now begun to attract an international audience.
„They validated their reputation as one of the world’s most distinctive and adrenalizing dance outfits. What was shocking, and gloriously refreshing right from the first hammerhead beats of the kickdrum, was that this band swings. Which completely sets them apart from the machines and the would-be cyborgs who man them. If this is the future of EDM, it’s this band’s ODM that’s going to replace it – that’s a big O for Organic.“ – The New York Music Daily about US debut of the Jazzrausch Bigband at the Lincoln Center in NYC.