Vaughan Williams: Job & Symphony No. 9 Bergen Philharmonic Orchestra & Sir Andrew Davis
- Ralph Vaughan Williams (1872 - 1958): Job:
- 1Job: Scene 1a, Introduction05:33
- 2Job: Scene 1b, Sarabande of the Sons of God03:43
- 3Job: Scene 2, Satan's Dance of Triumph03:18
- 4Job: Scene 3, Minuet of the Sons of Job & Their Wives04:10
- 5Job: Scene 4, Job's Dream03:54
- 6Job: Scene 5, Dance of the 3 Messengers04:43
- 7Job: Scene 6, Dance of Job's Comforters04:47
- 8Job: Scene 7a, Elihu's Dance of Youth & Beauty03:57
- 9Job: Scene 7b, Pavane of the Sons of the Morning01:50
- 10Job: Scene 8a, Galliard of the Sons of the Morning02:20
- 11Job: Scene 8b, Altar Dance02:28
- 12Job: Scene 9, Epilogue02:55
- Symphony No. 9 in E Minor:
- 13Symphony No. 9 in E Minor: I. Moderato maestoso09:03
- 14Symphony No. 9 in E Minor: II. Andante sostenuto07:35
- 15Symphony No. 9 in E Minor: III. Scherzo. Allegro pesante05:39
- 16Symphony No. 9 in E Minor: IV. Andante tranquillo11:07
Info for Vaughan Williams: Job & Symphony No. 9
The projected complete cycle of Vaughan Williams’s symphonies started by the late Richard Hickox has left a precious heritage in the discography of the composer.
Now, conducting the Bergen Philharmonic Orchestra, that other expert in British repertoire, Sir Andrew Davis, takes on the challenge of completing the series with idiomatic interpretations of two masterpieces: the final Symphony (No. 9) and the ballet Job.
The score of Job places an emphasis on tableau-like scenes, dances, and mime, linking it to a tradition of English ballet with dances from the seventeenth century, including the saraband, pavane, and galliard. In this masterly score, Vaughan Williams captures the conflict between good and evil, between the spiritual and the material. Job shows a strength, beauty, nobility, and visionary power which unite the many different facets of Vaughan Williams’s musical style. The poignant and musically enigmatic Symphony No. 9 marks ‘the end of Ralph’s life and [is] a turning point. It is leading out into another place. It is extraordinary’, as the composer’s wife stated after one of the early performances.
The subtle direction of Sir Andrew Davis combined with the pure sound quality of this HiRes recording does full justice to Hickox’s great enterprise and promises a powerful conclusion of this already acclaimed recorded cycle.
"a performance of striking composure, lustre and palpable dedication. Not only do the Bergen Philharmonic respond with notable poise and eagerness (solo contributions are of the highest quality throughout), Davis conducts with unobtrusive authority as well as a sure hand on the structural tiller, uncovering a wealth of telling harmonic and textural detail along the way." (Gramophone Magazine)
"The versatile Bergen band clearly revel in the expansive, unmistakably “English” tunes and the sometimes exotic orchestration...Davis today has no peers in this repertoire, which, added to Chandos’s brilliantly “present” sound engineering, makes this a self-recommending issue." (Sunday Times)
Bergen Philharmonic Orchestra
Sir Andrew Davis, conductor
Bergen Philharmonic Orchestra
One of the world's oldest orchestras, the Bergen Philharmonic Orchestra dates back to 1765 and is celebrating its 250th anniversary in 2015. Edvard Grieg had a close relationship with the Orchestra, serving as its artistic director during the years 1880-82. Edward Gardner, the acclaimed Music Director of the English National Opera, has been appointed Chief Conductor for a three-year tenure starting in October 2015, in succession to Andrew Litton, the Orchestra's Music Director since 2003. Under Litton's direction the Orchestra has raised its international profile considerably, through recordings, extensive touring, and international commissions. During the last few seasons the orchestra has played in a series of prestigious venues, including the Concertgebouw, Amsterdam, the BBC Proms in the Royal Albert Hall, the Wiener Musikverein and Konzerthaus, Carnegie Hall, New York, the Philharmonie, Berlin, Usher Hall, Edinburgh and Bridgewater Hall, Manchester. Upcoming tours include returns to several of these venues.
The Orchestra has an active recording schedule, and recent and ongoing recording projects include Messiaen's Turangalîla-Symphony, ballets by Stravinsky, and a complete version of Prokofiev's symphonies. The Orchestra's recording of the complete orchestral music of Edvard Grieg remains the reference point in a competitive field. Under Neeme Järvi Tchaikovsky's three great ballets has been recorded for Chandos. The Orchestra has also recorded four volumes of orchestral works by Johan Halvorsen. A series of the orchestral music of Johan Svendsen has met with similar enthusiasm. With Sir Andres Davis the orchestra has recorded music by Berlioz, Delius, Sibelius and Elgar, and other projects will follow. The first collaboration on disc between Edward Gardner and the Orchestra was a recording of orchestral realisations by Luciano Berio, and a string of new recordings with Gardner are now in progress. Volume 1 in a series of Janáček's orchestral works has already been released.
Sir Andrew Davis
Maestro Davis is conductor laureate of the Toronto Symphony Orchestra (having previously served as principal conductor), conductor laureate of the BBC Symphony Orchestra (having previously had the longest tenure as chief conductor since BBCSO founder Sir Adrian Boult) and former music director of Glyndebourne Festival Opera. Sir Andrew serves as artistic advisor to the Besançon International Music Festival and is president of the jury for that festival’s 52nd International Competition for Young Conductors.
In the 2011-2012 season Maestro Davis conducts Boris Godunov, Ariadne auf Naxos, and The Magic Flute at Lyric Opera of Chicago. His engagements elsewhere in 2011-12 include the Besançon Festival, Melbourne Symphony Orchestra, Toronto Symphony Orchestra, Royal Scottish National Orchestra, Rotterdam Philharmonic, London’s Philharmonia Orchestra,the Bamberg Symphony Orchestra, the Metropolitan Opera (Don Giovanni), BBC Symphony Orchestra, The Santa Fe Opera, Canadian Opera Company (Eine florentinische Tragödie and Gianni Schicchi), Santa Fe Opera (Arabella), the Bergen Festival (La damnation de Faust), and the opening of the Edinburgh Festival. In addition, Sir Andrew will spend several weeks recording for Chandos Records with various orchestras.
In the 2010-11 season Sir Andrew conducted The Mikado (new production), The Girl of the Golden West, and Lohengrin at Lyric Opera of Chicago. He was seen on the podium with the Chicago Symphony Orchestra, the Cleveland Symphony Orchestra, and the Montreal Symphony Orchestra. Sir Andrew also returned to the BBC Symphony Orchestra at the Proms in London and to the Toronto Symphony Orchestra, where he led performances of his own new orchestration of Handel’s Messiah. Maestro Davis made return appearances with the Metropolitan Opera (Capriccio), the Canadian Opera Company (Ariadne auf Naxos), the Royal Opera House, Covent Garden (Peter Grimes), and Glyndebourne Festival Opera (Rusalka).
With the BBC Symphony Orchestra, Maestro Davis has led concerts at the Proms and on tour to Hong Kong, Japan, the U.S., and Europe. He has conducted all of the world’s major orchestras, from the Chicago Symphony Orchestra to the Berlin Philharmonic and the Royal Concertgebouw, as well as at opera houses and festivals throughout the world, including the Metropolitan Opera, La Scala, and the Bayreuth Festival.
Maestro Davis has a massive discography on the Chandos, Decca, Deutsche Grammophon, Warner Classics International, Capriccio, EMI, and CBS labels, among others. Sir Andrew currently records exclusively for Chandos Records. His first Chandos recording, Elgar’s “Crown of India,” was released in 2010. His recordings of Holst’s “Beni Mora,” “Japanese Suite,” and “The Planets,” and of York Bowen’s Symphonies No. 1 and 2 with the BBC Philharmonic; and of Delius’s “Appalachia” and “Song of the High Hills” with the BBC Symphony Orchestra, were issued in the first half of 2011.
In 2008, Sir Andrew released Elgar’s Violin Concertos, featuring violinist James Ehnes and London’s Philharmonia Orchestra (Onyx Classics), which won Gramophone’s coveted “Best of Category – Concerto” Award. Recordings in 2007 included Beethoven’s Violin Concerto with violinist Min-Jyn Kim and the Philharmonia Orchestra (Sony); a solo recital of operatic favorites sung by soprano Nicole Cabell with the London Philharmonic Orchestra (Decca), which in 2008 won the Solti Prize from the French Académie du Disque Lyrique; and Liszt’s Piano Concerto No. 1 and Chopin’s Piano Concerto No. 1 with pianist Yundi Li and the Philharmonia Orchestra (Deutsche Grammophon).
In 1992, Maestro Davis was created a Commander of the British Empire for his services to British music, and in 1999 he was made a Knight Bachelor in the New Year Honours List. In 1991, he received the Royal Philharmonic Society/Charles Heidsieck Music Award.
Born in 1944 in Hertfordshire, England, Maestro Davis studied at King’s College, Cambridge, where he was an organ scholar before taking up the baton. His diverse repertoire ranges from Baroque to contemporary, and his vast conducting credits span the symphonic and operatic and choral worlds. Sir Andrew is a great proponent of twentieth-century works including those by Janácek, Messiaen, Boulez, Elgar, Tippett, and Britten, in addition to the core symphonic and operatic composers’ works.
Maestro Davis and his wife, soprano Gianna Rolandi, reside in Chicago where she is the director of The Patrick G. and Shirley W. Ryan Opera Center at Lyric Opera of Chicago.