Le cueur vous demeure: Leuven Chansonnier, Vol. 3 & 4 Sollazzo Ensemble & Anna Danilevskaïa

• Anonymous, Antoine Busnois (1430 - 1492): Leuven Chansonnier:
• 1 Anonymous, Busnois: Leuven Chansonnier: No. 29, Le corps s'en va et le cueur vous demeure 06:11
• Anonymous: Leuven Chansonnier:
• 2 Anonymous: Leuven Chansonnier: No. 38, Ha, cueur perdu et desole (Instrumental Version) 03:31
• Anonymous, Hayne van Ghizeghem (1445 - 1497): Leuven Chansonnier:
• 3 Anonymous, Ghizeghem: Leuven Chansonnier: No. 16, De touz biens plaine est ma maistresse 07:31
• Anonymous: Leuven Chansonnier:
• 4 Anonymous: Leuven Chansonnier: No. 15, Puis qu'a vous servir me suis mis 05:03
• 5 Anonymous: Leuven Chansonnier: No. 36, La plus dolente qui soit nee (Instrumental Version) 02:24
• Anonymous, Barbingant (1445 - 1460), Johannes Ockeghem (n.a. - 1497): Leuven Chansonnier:
• 6 Anonymous, Ockeghem: Leuven Chansonnier: No. 23, Au travail suis que peu de gens croiroient 03:46
• Anonymous: Leuven Chansonnier:
• 7 Anonymous: Leuven Chansonnier: No. 48, Vraiz amans pour dieu suppliez 03:01
• Anonymous, Gilles Binchois (1400 - 1460): Leuven Chansonnier:
• 8 Anonymous, Binchois: Leuven Chansonnier: No. 20, Comme femme desconfortee (Instrumental Version) 02:05
• Anonymous, Johannes Ockeghem: Leuven Chansonnier:
• 9 Anonymous, Ockeghem: Leuven Chansonnier: No. 6, La despourveue et la bannye 07:32
• Anonymous, Firminus Caron (1460-75 - n.a.): Leuven Chansonnier:
• 10 Anonymous, Caron: Leuven Chansonnier: No. 7, Le despourveu infortuné 05:04
• Jean Meschinot (1420 - 1491), Barbingant, Johannes Fedé (1415 - 1477): Leuven Chansonnier:
• 11 Meschinot, Fedé: Leuven Chansonnier: No. 8, L'omme banny de sa plaisance 03:14
• Anonymous, Walter Frye (n.a. - 1475), Gilles Binchois: Leuven Chansonnier:
• 12 Anonymous, Binchois: Leuven Chansonnier: No. 27, Tout a par moy affin qu’on ne me voye 09:47
• Anonymous: Leuven Chansonnier:
• 13 Anonymous: Leuven Chansonnier: No. 34, Si vous voullez que je vous ame 04:58
• Anonymous, Firminus Caron, Antoine Busnois: Leuven Chansonnier:
• 14 Anonymous, Busnois: Leuven Chansonnier: No. 19, Cent mil escuz quant je vouldroye 04:19
• Anonymous, Robert Morton (1430 - 1483): Leuven Chansonnier:
• 15 Anonymous, Morton: Leuven Chansonnier: No. 2, N'araige jamais mieulx que j'ay 04:16
• Anonymous, Antoine Busnois: Leuven Chansonnier:
• 16 Anonymous, Busnois: Leuven Chansonnier: No. 41, Quant j’ay au cueur aulcun contraire (Instrumental Version) 04:12
• Anonymous: Leuven Chansonnier:
• 17 Anonymous: Leuven Chansonnier: No. 18, Oubli, oublie oublie oublie oublie 03:26
• 18 Anonymous: Leuven Chansonnier: No. 5, Les trevez d’amours et de moy 05:36
• Charles d’Orléans (1394 - 1465), Anonymous: Leuven Chansonnier:
• 19 d’Orléans, Anonymous: Leuven Chansonnier: No. 47, Quant je fus prins au pavillon (Instrumental Version) 01:56
• Jean Molinet (1435 - 1507), Anonymous: Leuven Chansonnier:
• 20 Molinet, Anonymous: Leuven Chansonnier: No. 14, Aime qui vouldra 03:09
• Anonymous, Convert (1460-70 - n.a.): Leuven Chansonnier:
• 21 Anonymous, Convert: Leuven Chansonnier: No. 22, Se mieulx ne vient, d'amours peu me contente 03:30
• Alain Chartier (1385 - 1430), Antoine Busnois: Leuven Chansonnier:
• 22 Chartier, Busnois: Leuven Chansonnier: No. 42, Est il mercy de quoy l’on sceust finer 03:11
• Jean Molinet, Anonymous: Leuven Chansonnier:
• 23 Molinet, Anonymous: Leuven Chansonnier: No. 24, Nul ne me doit de ce blasmer (Instrumental Version) 01:29
• Anonymous: Leuven Chansonnier:
• 24 Anonymous: Leuven Chansonnier: No. 44, En atendant vostre venue 02:36
• Total Runtime 01:41:47

Info for Le cueur vous demeure: Leuven Chansonnier, Vol. 3 & 4

The magnificent Leuven song manuscript, written at the French court between 1470 and 1475, contains fifty pieces by great Franco-Flemish composers of the 15th century, such as Johannes Ockeghem, Antoine Busnoys and Firminus Caron, as well as twelve recently rediscovered works that are not to be found in any other known manuscript. With the present volumes 3 and 4, PASSACAILLE presents the conclusion of the highly commendable and much-acclaimed complete recording of this fascinating manuscript with the Sollazzo Ensemble.

Sollazzo Ensemble
Anna Danilevskaïa, viola da gamba, conductor

Sollazzo Ensemble
brings together musicians with a keen interest in late medieval and early renaissance music. Founded in 2014 by Anna Danilevskaia, the ensemble benefits from the diverse musical backgrounds of its members, who not only not work in the early music field but also modern classical, folk and jazz music.

Critically acclaimed for their highly expressive delivery, the group rely on historical repertoires and informed performance criteria in order to convey feelings they have personally experienced, or to make statements that are meaningful to them. This process of appropriation is the basis of their communication with the public, as they aim to give every piece a strong, timeless identity which goes beyond purely musical intentions.

Since 2014, Sollazzo have won many prestigious competitions and awards including – York Early Music Competition and are recipients of the NCEM Prize in addition to the Cambridge Early Music Price. They were beneficiaries of the eeemerging Young Artists program – supported by Creative Europe – followed by a collaboration with the CCR d’Ambronay as associated ensemble between 2017 and 2020.

Since their discographic debut (« Parle qui veut – Moralizing songs in the middle ages ») the ensemble has published several CDs dedicated to repertoires reaching from the 13th to the 15th centuries, receiving accolades such as the Diapason d’Or, Disc of the Year by The Art Desks, Editor’s Choice by Grammophone, Critic’s Choice by De Standaard, CD of Choice by BBC Magazine, as well as the Diapason d’Or de l’Année for the years 2017 and 2021. They are currently involved in the recording of the complete Leuven Chansonnier collection for Passacaille Records and Ambronay Editions.

Sollazzo leads an active concert schedule, performing throughout Europe, USA and Asia.

Anna Danilevskaia
fiddle and Renaissance viol player, specialist in repertoires from the fourteenth to the seventeenth centuries, was born into a family of musicians. She grew up surrounded by early music, specifically medieval repertoires, in Metz, France, and began her musical training at the age of six playing different instruments. At the age of fifteen she started to play the fiddle and, shortly after, the viola da gamba.

She studied with Pedro Memelsdorff in Barcelona, and later at the Schola Cantorum Basiliensis, focusing on medieval fiddle. She then completed her studies with a master’s degree in early viols with Paolo Pandolfo.

In 2014 she founded her own group, Sollazzo, dedicated to the music of the Middle Ages and the early Renaissance. This first project as an ensemble director led Anna to explore different ways of approaching her chosen repertoire and allowed her to develop a musical language which has been called “unique, daring and yet respectful” by critics.

Booklet for Le cueur vous demeure: Leuven Chansonnier, Vol. 3 & 4