Moods (Remastered) Neil Diamond

Album info

Album-Release:
1972

HRA-Release:
20.10.2016

Label: Geffen Records

Genre: Pop

Subgenre: Adult Contemporary

Album including Album cover

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  • 1Song Sung Blue03:16
  • 2Porcupine Pie02:05
  • 3High Rolling Man02:35
  • 4Canta Libre04:48
  • 5Captain Sunshine03:25
  • 6Play Me03:52
  • 7Gitchy Goomy03:53
  • 8Walk On Water03:05
  • 9Theme01:38
  • 10Prelude In E Major00:33
  • 11Morningside04:25
  • Total Runtime33:35

Info for Moods (Remastered)

Moods is the eighth studio album by Neil Diamond, released by Uni Records in 1972. It contained the second of his #1 songs, 'Song Sung Blue', and was something of a follow-up in style to the highly experimental Tap Root Manuscript.

Billboard praised Moods highly, saying it contained 'brilliant, diversified material.' This album, and its follow-up live album Hot August Night, are generally acknowledged to be the two most important recording projects of Diamond's career in terms of defining his signature sound for the future.[citation needed] Within the music industry and among music professionals this is considered one of Diamond's better and more creative recordings. It received a Grammy Award nomination for Album of the Year for 1972. Song Sung Blue was nominated for Record of the Year and Song of the Year. Lee Holdridge was the arranger and conductor of the orchestra.

Engineered by Armin Steiner
Produced by Tom Catalano, Neil Diamond

Digitally remastered


Neil Diamond
For Neil Diamond, it’s always started with a song. Over the course of his astonishing career, Neil has sold more than 128 million albums worldwide. He’s charted 56 songs on the Billboard Hot 100, including 12 top 10 hits, and has released 16 Top 10 albums. He’s a member of the Rock and Roll Hall of Fame and the Songwriters Hall of Fame, and in 2011, he was honored by the Kennedy Center for his lifetime of contributions to American culture. Neil has been nominated for three Golden Globes, 13 Grammys, and was named NARAS’ MusiCares Person of the Year in 2009. His 2008 album, Home Before Dark, debuted in the US and UK at #1, and his songs have been covered by artists ranging from Elvis Presley to Andrea Boccelli. But he never would have reached the world, from sold-out concerts to seventh-inning stretches, without his love for songwriting.

In June, after more than forty years as a Columbia recording artist, Neil signed with Capitol Records and moved his back catalogue to Universal, Capitol’s parent company. He has history with both: his earliest hits were on Bang, a Universal imprint, and Capitol released the multi-platinum soundtrack for The Jazz Singerin 1980, which earned Neil three Top 10 singles. Melody Road, his first new original studio album since Home Before Dark, is Neil’s debut as a Capitol artist, and while it represents a new chapter for him, it also reconnects him with his past.

Neil describes Melody Road as a homecoming. It brings him back to the start of his musical journey and the early influence of artists like the Weavers and Woody Guthrie. The songs on the album reflect his lifelong love of folk music. The vocals were recorded live, in much the same way they would have been if the album had been created decades ago, and while the instrumentation is lush, the arrangements are traditional. Like the best folk songs, each of the album’s tracks tells a story, most pointedly on “Seongah and Jimmy,” a song about Neil’s American brother-in-law and Korean sister-in-law, who met and fell in love before they had learned to speak each other’s languages. Despite the specificity of the song, it addresses a universal theme. Melody Road is largely autobiographical, but the stories Neil tells are not his alone.

Neil began working on Melody Road with several new songs, as well as a few that he’d struggled to complete for more than ten years. He couldn’t find the motivation, or the willingness to address the subject matter that initially inspired them, or – in Neil’s words – they weren’t yet ready to be born. With an emotional assist from his wife Katie, he completed those tracks. By the time he was ready to record he had an album’s worth of songs ready to go. The record unfolds story by story, and song by song – the final sequence is exactly the same as the order of Neil’s original demos for the album.

Co-Produced by Don Was (who’s worked with Bob Dylan and The Rolling Stones) and Jacknife Lee (R.E.M., U2), Melody Road was made with a masterful group of musicians, including pedal steel player Greg Liesz, keyboardist Benmont Tench, guitarist Smoky Hormel, and vocalists the Waters Family. Built on guitars, it’s true to the origin of folk, but it’s not defined by it; it was recorded with keyboards, flutes, horns, and, on “Seongah and Jimmy,” “The Art of Love,” and “Nothing But A Heartache,” a full string section. Yet, for all of its expansiveness and rich production, Melody Road is ultimately all about the songs. Neil’s come full circle. He’s brought five decades of extraordinary craftsmanship with him, but he’s returned to where he started, propelled by the simple joy of translating life into song.

This album contains no booklet.

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