Brahms: Symphonies, Overtures & Hungarian Dances Swedish Chamber Orchestra & Thomas Dausgaard

• Johannes Brahms (1833 - 1897): Symphony No. 1 in C Minor, Op. 68:
• 1 Brahms: Symphony No. 1 in C Minor, Op. 68: I. Un poco sostenuto 15:04
• 2 Brahms: Symphony No. 1 in C Minor, Op. 68: II. Andante sostenuto 08:41
• 3 Brahms: Symphony No. 1 in C Minor, Op. 68: III. Un poco allegretto e grazioso 04:34
• 4 Brahms: Symphony No. 1 in C Minor, Op. 68: IV. Adagio 16:13
• 18 Liebeslieder Waltzes, Op. 52 (Excerpts Arr. W. Weismann for Orchestra):
• 5 Brahms: 18 Liebeslieder Waltzes, Op. 52 (Excerpts Arr. W. Weismann for Orchestra): No. 1, Rede, Mädchen, allzu liebes 01:05
• 6 Brahms: 18 Liebeslieder Waltzes, Op. 52 (Excerpts Arr. W. Weismann for Orchestra): No. 2, Am Gesteine rauscht die Flut 00:42
• 7 Brahms: 18 Liebeslieder Waltzes, Op. 52 (Excerpts Arr. W. Weismann for Orchestra): No. 4, Wie des Abends schöne Röthe 00:43
• 8 Brahms: 18 Liebeslieder Waltzes, Op. 52 (Excerpts Arr. W. Weismann for Orchestra): No. 6, Ein kleiner, hübscher Vogel nahm 02:31
• 9 Brahms: 18 Liebeslieder Waltzes, Op. 52 (Excerpts Arr. W. Weismann for Orchestra): No. 5, Die grüne Hopfenranke 01:26
• 10 Brahms: 15 Neue Liebeslieder Waltzes, Op. 65: No. 9, Nagen am Herzen fühl ich (Arr. W. Weismann for Orchestra) 01:11
• 11 Brahms: 18 Liebeslieder Waltzes, Op. 52 (Excerpts Arr. W. Weismann for Orchestra): No. 11, Nein, est ist nicht auszukommen 00:52
• 12 Brahms: 18 Liebeslieder Waltzes, Op. 52 (Excerpts Arr. W. Weismann for Orchestra): No. 8, Wenn so lind dein Augen mir 01:23
• 13 Brahms: 18 Liebeslieder Waltzes, Op. 52 (Excerpts Arr. W. Weismann for Orchestra): No. 9, Am Donaustrande 01:42
• 21 Hungarian Dances, WoO 1:
• 14 Brahms: 21 Hungarian Dances, WoO 1: No. 1 in G Minor. Allegro molto (Version for Orchestra) 03:07
• 15 Brahms: 21 Hungarian Dances, WoO 1: No. 3 in F Major. Allegretto (Version for Orchestra) 02:08
• 16 Brahms: 21 Hungarian Dances, WoO 1: No. 10 in E Major. Presto (Version for Orchestra) 01:42
• Symphony No. 2 in D Major, Op. 73:
• 17 Brahms: Symphony No. 2 in D Major, Op. 73: I. Allegro non troppo 17:23
• 18 Brahms: Symphony No. 2 in D Major, Op. 73: II. Adagio non troppo 08:36
• 19 Brahms: Symphony No. 2 in D Major, Op. 73: III. Allegretto grazioso 04:50
• 20 Brahms: Symphony No. 2 in D Major, Op. 73: IV. Allegro con spirito 09:03
• Variations on a Theme by Haydn, Op. 56a "St. Anthony Variations":
• 21 Brahms: Variations on a Theme by Haydn, Op. 56a "St. Anthony Variations": Theme. Andante 01:50
• 22 Brahms: Variations on a Theme by Haydn, Op. 56a "St. Anthony Variations": Var. 1, Poco più animato 01:10
• 23 Brahms: Variations on a Theme by Haydn, Op. 56a "St. Anthony Variations": Var. 2, Più vivace 01:00
• 24 Brahms: Variations on a Theme by Haydn, Op. 56a "St. Anthony Variations": Var. 3, Con moto 01:46
• 25 Brahms: Variations on a Theme by Haydn, Op. 56a "St. Anthony Variations": Var. 4, Andante con moto 02:06
• 26 Brahms: Variations on a Theme by Haydn, Op. 56a "St. Anthony Variations": Var. 5, Vivace 00:54
• 27 Brahms: Variations on a Theme by Haydn, Op. 56a "St. Anthony Variations": Var. 6, Vivace 01:19
• 28 Brahms: Variations on a Theme by Haydn, Op. 56a "St. Anthony Variations": Var. 7, Grazioso 02:46
• 29 Brahms: Variations on a Theme by Haydn, Op. 56a "St. Anthony Variations": Var. 8, Presto non troppo 00:56
• 30 Brahms: Variations on a Theme by Haydn, Op. 56a "St. Anthony Variations": Finale. Andante 03:16
• 31 Brahms: 21 Hungarian Dances, WoO 1: No. 6 in D-Flat Major. Vivace (Arr. T. Dausgaard for Orchestra) 03:24
• 32 Brahms: 21 Hungarian Dances, WoO 1: No. 7 in F Major. Allegretto (Arr. T. Dausgaard for Orchestra) 01:42
• 33 Brahms: 21 Hungarian Dances, WoO 1: No. 5 in F-Sharp Minor. Allegro (Arr. T. Dausgaard for Orchestra) 02:36
• Academic Festival Overture, Op. 80:
• 34 Brahms: Academic Festival Overture, Op. 80 09:27
• Symphony No. 3 in F Major, Op. 90:
• 35 Brahms: Symphony No. 3 in F Major, Op. 90: I. Allegro con brio 11:45
• 36 Brahms: Symphony No. 3 in F Major, Op. 90: II. Andante 07:25
• 37 Brahms: Symphony No. 3 in F Major, Op. 90: III. Poco allegretto 05:51
• 38 Brahms: Symphony No. 3 in F Major, Op. 90: IV. Allegro 08:04
• Johannes Brahms:
• 39 Brahms: An Schwager Kronos, Anh. 1a/12 (After Schubert's Op. 19 No. 1, D. 369) 02:27
• 40 Brahms: Memnon, Anh. 1a/13 (After Schubert's Op. 6 No. 1, D. 541) 03:35
• 41 Brahms: Geheimes, Anh. 1a/15 (After Schubert's Op. 14 No. 2, D. 719) 01:42
• 42 Brahms: Greisengesang, Anh. 1a/16 (After Schubert's Op. 60 No. 1, D. 778) 04:39
• 43 Brahms: Ellens Gesang, Anh. 1a/17 (After Schubert's Op. 52 No. 2, D. 838) [Version for Voice & Orchestra] 02:50
• 44 Brahms: Gruppe aus dem Tartarus, Anh. 1a/14 (After Schubert's D. 583) 02:26
• 21 Hungarian Dances, WoO 1:
• 45 Brahms: 21 Hungarian Dances, WoO 1: No. 11 in D Minor. Poco andante (Arr. T. Dausgaard for Orchestra) 02:44
• 46 Brahms: 21 Hungarian Dances, WoO 1: No. 12 in D Minor. Presto (Arr. T. Dausgaard for Orchestra) 02:37
• 47 Brahms: 21 Hungarian Dances, WoO 1: No. 13 in D Major. Andantino grazioso (Arr. T. Dausgaard for Orchestra) 01:25
• 48 Brahms: 21 Hungarian Dances, WoO 1: No. 14 in D Minor. Un poco andante (Arr. T. Dausgaard for Orchestra) 01:50
• 49 Brahms: 21 Hungarian Dances, WoO 1: No. 15 in B-Flat Major. Allegretto grazioso (Arr. T. Dausgaard for Orchestra) 02:40
• 50 Brahms: 21 Hungarian Dances, WoO 1: No. 16 in F Minor. Con moto (Arr. T. Dausgaard for Orchestra) 02:19
• Alto Rhapsody, Op. 53:
• 51 Brahms: Alto Rhapsody, Op. 53 11:57
• Symphony No. 4 in E Minor, Op. 98:
• 52 Brahms: Symphony No. 4 in E Minor, Op. 98: I. Allegro non troppo 11:41
• 53 Brahms: Symphony No. 4 in E Minor, Op. 98: II. Andante moderato 10:19
• 54 Brahms: Symphony No. 4 in E Minor, Op. 98: III. Allegro giocoso 06:02
• 55 Brahms: Symphony No. 4 in E Minor, Op. 98: IV. Allegro energico e passionato 09:28
• 21 Hungarian Dances, WoO 1:
• 56 Brahms: 21 Hungarian Dances, WoO 1: No. 2 in D Minor. Allegro non assai (Arr. T. Dausgaard for Orchestra) 02:52
• 57 Brahms: 21 Hungarian Dances, WoO 1: No. 4 in F Minor. Poco sostenuto (Arr. T. Dausgaard for Orchestra) 03:53
• 58 Brahms: 21 Hungarian Dances, WoO 1: No. 8 in A Minor. Presto (Arr. T. Dausgaard for Orchestra) 03:05
• 59 Brahms: 21 Hungarian Dances, WoO 1: No. 9 in E Minor. Allegro non troppo (Arr. T. Dausgaard for Orchestra) 02:03
• 60 Brahms: 21 Hungarian Dances, WoO 1: No. 17 in F-Sharp Minor. Andantino (Arr. T. Dausgaard for Orchestra) 02:59
• 61 Brahms: 21 Hungarian Dances, WoO 1: No. 18 in D Major. Molto vivace (Arr. T. Dausgaard for Orchestra) 01:27
• 62 Brahms: 21 Hungarian Dances, WoO 1: No. 19 in B Minor. Allegretto (Arr. T. Dausgaard for Orchestra) 01:43
• 63 Brahms: 21 Hungarian Dances, WoO 1: No. 20 in E Minor. Poco allegretto (Arr. T. Dausgaard for Orchestra) 02:26
• 64 Brahms: 21 Hungarian Dances, WoO 1: No. 21 in E Minor. Vivace (Arr. T. Dausgaard for Orchestra) 01:27
• Tragic Overture, Op. 81:
• 65 Brahms: Tragic Overture, Op. 81 12:00
• Total Runtime 04:44:49

Info for Brahms: Symphonies, Overtures & Hungarian Dances

This boxed set brings together Thomas Dausgaard’s and the Swedish Chamber Orchestra’s cycle of Brahms’ symphonies, originally released as four separate discs. Each symphony is coupled with carefully selected works to provide a well-rounded idea of the composer’s orchestral output. Favourites such as the two concert overtures are included – the laughing and the weeping one, to paraphrase Brahms himself – as well as the much loved Haydn Variations (on a theme which most likely isn’t by Haydn at all…).

Another perennial favourite is the Alto Rhapsody, with Anna Larsson singing the solo part, but there are also less often heard works – Brahms’s orchestrations of his own Liebeslieder-Walzer as well as of six songs by Schubert. And throughout the set the composer’s Hungarian Dances (including some of his most popular music) run like a thread. Brahms own orchestrations of Nos 1, 3 and 10 have pride of place on disc 1, with the remaining 18, in much praised orchestral versions by Thomas Dausgaard, are spread out over the remaining three discs. In reviews of the individual discs, critics have praised their sound, words such as ‘freshness’, ‘transparency’ and ‘urgency’ to describw the performances, with the critic in Fanfare expressing his pleasure at hearing ‘Brahms from the edge of one's seat’

Anna Larsson, soprano
Johan Reuter, bass-baritone
The Swedish Radio Choir
Swedish Chamber Orchestra
Thomas Dausgaard, conductor

Thomas Dausgaard
is Chief Conductor of the BBC Scottish Symphony Orchestra, Chief Conductor of the Swedish Chamber Orchestra, Music Director (from the 19/20 season) and Principal Guest Conductor of the Seattle Symphony, Honorary Conductor of the Orchestra della Toscana (ORT), and Honorary Conductor of the Danish National Symphony Orchestra, having previously served as its Principal Conductor from 2004–2011. He is renowned for his creativity and innovation in programming, the excitement of his live performances, and his extensive catalogue of critically-acclaimed recordings.

He regularly appears with the world’s leading orchestras, including in recent seasons in Europe the Munich Philharmonic, Leipzig Gewandhaus Orchestra, Staatskapelle Dresden, Bavarian Radio Symphony, Berlin Konzerthaus Orchestra, Vienna Symphony, Chamber Orchestra of Europe, Salzburg Mozarteum Orchester, Royal Philharmonic Orchestra, Philharmonia Orchestra, London Symphony Orchestra, BBC Symphony and the Orchestre Philharmonique de Radio France. He began his North American career assisting Seiji Ozawa, and has since appeared with The Cleveland Orchestra, Boston Symphony, Los Angeles Philharmonic, Washington National Symphony Orchestra, Detroit Symphony Orchestra, Baltimore Symphony, Houston Symphony, Los Angeles Chamber Orchestra, Toronto Symphony, and the Montreal Symphony. He is also a regular visitor to Asia and Australia, appearing in recent seasons with the Singapore, New Japan Philharmonic, Hong Kong Philharmonic, and the Sydney and Melbourne Symphonies. Festival appearances have included the BBC Proms, the Edinburgh International Festival, the Salzburg Festival, Mostly Mozart, the George Enescu Festival, and Tanglewood. As a recording artist, he enjoys long-standing relationships with the BIS and Da Capo labels and has made over 70 CDs, including complete cycles of symphonies by Beethoven, Schubert, Schumann and Rued Langgaard, and the works of Pelle Gudmundsen-Holmgreen with the BBC Symphony Orchestra for Da Capo. “Opening Doors”, his ongoing series for BIS with the Swedish Chamber Orchestra, has consistently won praise for performances of 19th-century repertoire more usually associated with symphony orchestras. His most recent release is a critically acclaimed recording of Mahler’s Symphony No. 10 (Deryck Cooke version III) with the Seattle Symphony. Currently, with the Swedish Chamber Orchestra, he is completing a Brahms cycle and a project that combines J.S. Bach’s Brandenburg Concertos with a set of six newly commissioned companion works – both for BIS.

He has been awarded the Cross of Chivalry by the Queen of Denmark, and elected to the Royal Academy of Music in Sweden. His interests beyond music are wide-ranging, and include architecture, landscape, and a fascination with the life and culture of remote communities. He lives in Denmark with his family.

The Swedish Chamber Orchestra
was Founded in 1995 as the resident chamber orchestra for the Örebro municipality in Sweden and was joined by ITS current Music Director, Thomas Dausgaard just two years later. For the past fourteen years Dausgaard And The ensemble Have Worked Closely Together to Create Their own unique and dynamic sound and the orchestra’s quick rise to success hock put it firmly on the international scene.

A tightly knit ensemble of 38 regular members, the Swedish Chamber Orchestra drew ITS United Kingdom and United States debuts with Thomas Dausgaard in 2004 performing at the London Proms and Lincoln Center, Mostly Mozart Festival. The New York Times wrote of Their Performance: “IT HAS been a longstanding Complaint In The Classical Music Worlds That as recordings and jet travel Have shrunk the globe, an international sound speed Been fostered That speed filtered out regional differences in timbre and interpretation .. . And every now and hadeeth an orchestra Comes alongwith a sound That is surprising and fresh. The Swedish Chamber Orchestra, Led by ITS music director, Thomas Dausgaard, produced a distinctive and consistently vibrant sound … Mr. Dausgaard drew the Beethoven Into a high-energy Dazzler, driven by sizzlingly Brisk string playing, with Biting Brass Figures Giving the music a stormy edge and making the Neglected Fourth Symphony SEEM Nearly as titanic as the Third and the Fifth.”

Since 2004 the Swedish Chamber Orchestra hock toured regularly throughout Europe, drew ITS debut in Japan and Returned to the States in 2008 for performances in New York, Washington, Cleveland and across the West Coast America. Tour highlights in the lastyear Have included performances at bothering the London Proms and the Salzburg International Festival with Nina Stemme in 2010 and a tour of Germany in Spring 2011 Which included the orchestra’s debut at the Berlin Philharmonie. In Spring 2012 the orchestra returns to Germany for a tour with Andrew Manze and Soloist Sabine Meyer and the December 2012 Thomas Dausgaard and Nina Stemme Will reunite with the Orchestra for a special program entitled “Love, Hope and Destiny” which They goodwill tour throughout Europe and hadeeth Take To The States and New York’s Lincoln Center in Spring 2013th.

The Swedish Chamber Orchestra Continues to expand ITS repertoire and Open Doors to New Challenges, together with the ensemble Dausgaard speed recorded the complete Beethoven Orchestral works for Simax and embarked on a new project with BIS Which includes all the Symphonies of Schumann as well Dvorak Symphonies nos 6 & 9. Spring 2010 saw Their fourth release in the “Opening Doors” series with a recording of Schubert’s Symphonies nos 8 & 9 and Their most recent release of Bruckner’s Symphony No. 2. Speed limits the ensemble Into the realm of “high romanticism” with no less success or controversiality. Reviewing the CD the United Kingdom’s Observer commented “Bruckner underplayed by a chamber orchestra? For a composer Associated With The Colossal, Especially When it Comes To orchestral forces, it Seems an Impossible Contradiction. Yet When Played with the transparency, flexibility and individual character of These Admired Swedish musicians, the results are exhilarating.”

Alongside Their work with Thomas Dausgaard, the Swedish Chamber Orchestra regularly perform with conductor / composer HK Gruber and early music specialist, Andrew Manze, both of Whom spent several weeks a year in Orebro working on new Programmes with the ensemble. Through ITS high level of engagement the orchestra hock Additionally built up a FirstClass list of visiting artists Which this season includes Pierre-Laurent Aimard, Leif Ove Andsnes, Michael Collins, Brett Dean and James Ehnes With its range of repertoire and style the ensemble hock Established ITS own unique voice as the Münchner Abendendzeitung testifies: “Their acclaimed recordings of Schumann and Beethoven Have Made These three dozen musicians from Sweden Into a top tip … In Concert SUCH Miracles are Sometimes a disappointment. Not so with the Swedish Chamber Orchestra at the Salzburg Festival. ”

Booklet for Brahms: Symphonies, Overtures & Hungarian Dances