NAZARENO! Bernstein, Stravinsky, Golijov Katia & Marielle Labèque, Chris Richards, London Symphony Orchestra & Sir Simon Rattle

• Leonard Bernstein (1918 - 1990): Prelude, Fugue and Riffs:
• 1 Bernstein: Prelude, Fugue and Riffs: I. Prelude for the Brass 01:45
• 2 Bernstein: Prelude, Fugue and Riffs: II. Fugue for the Saxes 01:49
• 3 Bernstein: Prelude, Fugue and Riffs: III. Riffs for Everyone 04:23
• Igor Stravinsky (1882 - 1971): Ebony Concerto:
• 4 Stravinsky: Ebony Concerto: I. Allegro moderato 03:03
• 5 Stravinsky: Ebony Concerto: II. Andante 02:32
• 6 Stravinsky: Ebony Concerto: III. Moderato - Con moto - Moderato - Vivo - Same tempo 03:37
• Osvaldo Golijov (b. 1960): Nazareno:
• 7 Golijov: Nazareno: I. Berimbau (Arr. Gonzalo Grau) 03:02
• 8 Golijov: Nazareno: II. Tambor en blanco y negro (Arr. Gonzalo Grau) 03:55
• 9 Golijov: Nazareno: III. Guaracha y Mambo (Arr. Gonzalo Grau) 04:31
• 10 Golijov: Nazareno: IV. Sur (Arr. Gonzalo Grau) 05:39
• 11 Golijov: Nazareno: V. Tormenta y Quitiplá (Arr. Gonzalo Grau) 02:11
• 12 Golijov: Nazareno: VI. Procesión (Arr. Gonzalo Grau) 05:52
• Total Runtime 42:19

Info for NAZARENO! Bernstein, Stravinsky, Golijov

Celebrating the union of classical and jazz, LSO Live’s latest release encapsulates the very best of the two genres with an irresistible selection of works by Bernstein, Stravinsky and Golijov, conducted by Sir Simon Rattle.

Argentinian tango and jazz course through Golijov’s vibrant Nazareno. Superstar piano duo Katia and Marielle Labèque are flanked by brass, percussion and cello in this special arrangement for two pianos and orchestra by Gonzalo Grau.

LSO Principal Clarinettist Chris Richards steps into the spotlight in Stravinsky’s Ebony Concerto. The work is an era-defining amalgamation of jazz and classical, reflecting back the variety of a rapidly changing world, at turns frenetic and agitated, mournful and bluesy. This fluidity extends into Bernstein’s Prelude, Fugue and Riffs—an exuberant display of contrasting musical ideas, harmoniously intertwined together.

Katia Labeque, piano
Marielle Labeque, piano
Chris Richard, clarinet
Gonzalo Grau, percussion
Raphael Seguinier, percussion
London Symphony Orchestra
Sir Simon Rattle, conductor

Katia and Marielle Labèque
are sibling pianists renowned for their ensemble of synchronicity and energy. Their musical ambitions started at an early age and they rose to international fame with their contemporary rendition of Gershwin's Rhapsody in Blue (one of the first gold records in classical music) and have since developed a stunning career with performances worldwide.

They have played with the most prestigious orchestras such as the Berlin Philharmonic, Bayerischer Rundfunk, Boston Symphony, Chicago Symphony, Cleveland Orchestra, Czech Philharmonic, Dresden Staatskapelle, Filarmonia della Scala, Leipzig Gewandhaus, London Symphony, London Philharmonic, Los Angeles Philharmonic, New York Philharmonic , Orchestre de Paris, Philadelphia Orchestra, Royal Concertgebouw Amsterdam , Santa Cecilia and Vienna Philharmonic, under the direction of John Adams ,Semyon Bychkov, Sir Colin Davis, Gustavo Dudamel, Gustavo Gimeno, Mirga Grazinyte-Tyla, Pietari Inkinen, Louis Langrée, Zubin Mehta, Juanjo Mena, Andres Orozco-Estrada, Seiji Ozawa, Antonio Pappano, Matthias Pintscher, Georges Pretre, Sir Simon Rattle, Santtu Matias Rouvali, Esa-Pekka Salonen, Michael Tilson Thomas and Jaap van Zweden.

They have appeared with Baroque music ensembles such as The English Baroque Soloists with Sir John Eliot Gardiner, Il Giardino Armonico with Giovanni Antonini, Musica Antica with Reinhard Goebel, and Venice Baroque with Andrea Marcon, il Pomo d’Oro with Maxim Emelyanichev and also toured with The Age of Enlightenment and Sir Simon Rattle.

Katia and Marielle have had the privilege of working with many composers including Thomas Adès, Louis Andriessen, Luciano Berio, Pierre Boulez, Bryce Dessner, Philip Glass, Osvaldo Golijov, György Ligeti, Nico Muhly and Olivier Messiaen. At Walt Disney Concert Hall in Los Angeles they presented the world premiere of Philip Glass’s new Concerto with the Los Angeles Philharmonic Orchestra under the direction of Gustavo Dudamel, the world premiere of Bryce Dessner’s concerto at Royal Festival Hall with the London Philharmonic Orchestra and John Storgards and the new concerto written by Nico Muhly « in Certain Circles » was premiered by Orchestre de Paris at the Phiharmonie under the direction of Maxim Emelyanychev in july 21 and will have the USA premiere at Carnegie Hall with New York Philharmonie in april 2022 under the direction of Jaap van Zweden.

The Labèques play in festivals and renowned venues worldwide including the Vienna Musikverein, Hamburg Musikhalle, Munich Philharmonie, Carnegie Hall, Royal Festival Hall, La Scala, Berlin Philharmonie, Blossom, Hollywood Bowl, Lucerne, BBC Proms, Ravinia, Tanglewood, and Salzburg. An audience of more than 33,000 attended a gala concert with the Berlin Philharmonic conducted by Sir Simon Rattle at Berlin’s Waldbühne, now available on DVD (EuroArts). A record audience of more than 100,000 attended the Vienna Summer Night Concert in Schonbrunn (now available on CD and DVD by SONY). More than 1.5 million viewers followed the event worldwide on television.

For their own label KML recordings, they have released a CD box Sisters (2014). Previous releases include a Gershwin-Bernstein album, and their project Minimalist Dream House (50 years of minimalist music). The DVD “The Labeque Way, a letter to Katia and Marielle by Alessandro Baricco” produced by El Deseo (Pedro and Augustin Almodovar) and filmed by Felix Cabez is released by EuroArts. Their biography, “Une vie a quatre mains” by Renaud Machart is published by Buchet-Chastel.

The Labèques’ label KML Recordings joined the historical label Deutsche Grammophon and released five albums: "Invocations”, “Love Stories”, "Amoria", “Moondog”, and "El Chan" dedicated entirely to American composer Bryce Dessner . They now have released an album dedicated to the music of Philip Glass "Les Enfants Terribles".

At the invitation of the Philharmonie Hall in Paris for a special « Week End » , attention was focused on “Amoria”, “Invocations” and their new project "Dream House quartet" for two guitars and two pianos with David Chalmin and Bryce Dessner with Thom Yorke as special guest.

They will premiere a new piece by Anna Thorvaldsdottir written for the Dream House quartet at Royal festival Hall London in June 2022. After concerts in Europe next Autumn, the quartet will be touring USA in Spring 2023.

Sir Simon Rattle
was born in Liverpool and studied at the Royal Academy of Music in London.

From 1980 to 1998, Sir Simon was Principal Conductor and Artistic Adviser of the City of Birmingham Symphony Orchestra and was appointed Music Director in 1990. He moved to Berlin in 2002 and held the positions of Artistic Director and Chief Conductor of the Berliner Philharmoniker until he stepped down in 2018. Sir Simon became Music Director of the London Symphony Orchestra in September 2017 and spent the 2017-18 season at the helm of both ensembles.

Sir Simon has made over 70 recordings for EMI record label (now Warner Classics) and has received numerous prestigious international awards for his recordings on various labels. Releases on EMI include Stravinsky’s Symphony of Psalms (which received the 2009 Grammy Award for Best Choral Performance) Berlioz's Symphonie fantastique, Ravel’s L'enfant et les sortileges, Tchaikovsky’s Nutcracker Suite, Mahler’s Symphony No. 2 and Stravinsky’s The Rite of Spring. From 2014 Sir Simon continued to build his recording portfolio with the Berliner Philharmoniker’s in-house label, Berliner Philharmoniker Recordings, which led to recordings of the Beethoven, Schumann and Sibelius symphony cycles. Sir Simon’s most recent recordings include Debussy’s Pelléas et Mélisande, Turnage’s Remembering, and Ravel, Dutilleux and Delage on Blue-Ray & DVD with the London Symphony Orchestra’s record label, LSO Live.

Music education is of supreme importance to Sir Simon, and his partnership with the Berliner Philiharmoniker broke new ground with the education programme Zukunft@Bphil, earning him the Comenius Prize, the Schiller Special Prize from the city of Mannheim, the Golden Camera and the Urania Medal. He and the Berliner Philharmoniker were also appointed International UNICEF Ambassadors in 2004 - the first time this honour has been conferred on an artistic ensemble. Sir Simon has also been awarded several prestigious personal honours which include a knighthood in 1994, becoming a member of the Order of Merit from Her Majesty the Queen in 2014 and most recently, was bestowed the Order of Merit in Berlin in 2018. In 2019, Sir Simon was given the Freedom of the City of London.

From 2013, Sir Simon took up residency at Baden-Baden Osterfestspiele performing Die Zauberflöte and a series of concerts with the Berliner Philharmoniker in his first season. Since then the partnership led to performances of Puccini’s Manon Lescaut, Peter Sellars’s ritualization of Bach’s St. John Passion, Strauss’s Der Rosenkavalier, Berlioz’s La damnation de Faust,Wagner’s Tristan und Isolde and most recently, Parsifal in 2018. For Salzburg Osterfestspiele, Rattle has conducted staged productions of Fidelio, Così fan tutte, Peter Grimes, Pelléas et Mélisande, Salome and Carmen, a concert performance of Idomeneo and many contrasting concert programmes. He has also conducted Wagner's Der Ring des Nibelungen with the Berliner Philharmoniker for Festival d'Aix-en-Provence and Salzburg Osterfestspiele and most recently at the Deutsche Oper Berlin and Wiener Staatsoper. Other recent opera productions for Sir Simon include Pelléas et Mélisande and Dialogues des Carmélites for the Royal Opera House; L'Étoile, Aus einem Totenhaus, Káťa Kabanová and La damnation de Faust for the Deutsche Staatsoper Berlin, and Andrew Norman’s A Trip to the Moon at the Barbican Centre, London.

Sir Simon has longstanding relationships with the leading orchestras in London, Europe and the USA; initially working closely with the Los Angeles Philharmonic and Boston Symphony Orchestra, and more recently with The Philadelphia Orchestra. He regularly conducts the Wiener Philharmoniker, with whom he has recorded the complete Beethoven symphonies and piano concertos with Alfred Brendel and is also a Principal Artist of the Orchestra of the Age of Enlightenment and Founding Patron of Birmingham Contemporary Music Group..

Sir Simon Rattle was knighted in 1994 and in the New Year’s Honours of 2014 he received the Order of Merit from Her Majesty the Queen.

Booklet for NAZARENO! Bernstein, Stravinsky, Golijov