Karl Larson
is a Brooklyn-based pianist and specialist in the music of our time. A devoted supporter of contemporary composers and their craft, Larson has built a career grounded in commissioning and long-term collaborations. He frequently performs in a variety of chamber music settings, most notably with his trio, Bearthoven, a piano / bass / percussion ensemble focussed on cultivating a diverse new repertoire for their instrumentation. As a soloist, Larson is known for championing the works of his peers and the recent canon alike, often gravitating towards long-form, reflective works of the 20th and 21st centuries. Through his work with Bearthoven, collaborations with a wide variety of chamber musicians, and his solo projects, Larson has helped to generate a large body of new work, resulting in world premiere performances of pieces by notable composers including David Lang, Sarah Hennies, Christopher Cerrone, and Michael Gordon.

A sought after collaborator, Larson has performed with many leaders in the field, including the Bang on a Can All-Stars, the International Contemporary Ensemble (ICE), Ensemble Signal, the American Composers Orchestra, Maya Bennardo (violin), Ashley Bathgate (cello), and Ken Thomson (clarinets/saxophones). Larson’s recent performances include notable appearances at Carnegie Hall’s Zankel Hall, EMPAC, the Guggenheim Museum, MoMA, MASS MoCA, and the Teatro General San Martín in Buenos Aires, Argentina.

Karl received a Doctor of Musical Arts in Contemporary Music and a Master of Music in Piano Performance from Bowling Green State University, where he studied with Dr. Laura Melton. Larson completed his undergraduate degree at Luther College in Decorah, Iowa as a pupil of Dr. John Strauss. His recordings can be heard on Cantaloupe Music, New Amsterdam Records, New World Records, New Focus Recordings, and GALTTA Media.

Scott Wollschleger
Wollschleger’s music has been highly praised for its arresting timbres and conceptual originality. Wollschleger (b. 1980) “has become a formidable, individual presence” (The Rest Is Noise, Alex Ross) in the contemporary musical landscape. His distinct musical language explores themes of art in dystopia, the conceptualization of silence, synesthesia, and creative repetition in form and has been described as “apocalyptic,” “distinctive and magnetic,” possessing a “hushed, cryptic beauty,” (The New Yorker, Alex Ross) and as “evocative” and “kaleidoscopic” (The New York Times).

His concert works have been performed across the US and the world, including the Turner Contemporary in Margate, England, the NOW! Festival in Graz Austria, MATA Festival Interval Series, Bowerbird in Philadelphia, and the Bang on a Can Festival at MASS MoCa. Mr. Wollschleger has received support from a variety of organizations including, The New York Foundation for the Arts, New Music USA, BMI and the Yvar Mikhashoff Trust for New Music. Mr. Wollschleger was a Co-Founder and Co-Artistic Director of Red Light New Music, a 501c(3) non-profit organization dedicated to presenting and crafting contemporary music. His debut album, Soft Aberration, was released on New Focus Recordings in 2017 and was named a “Notable Recording of 2017” in The New Yorker. His second album, American Dream, written for the trio, Bearthoven, was released on Cantaloupe Music in 2019. This album, Dark Days, was released by New Focus Recordings in 2021. Wollschleger’s work is published by Project Schott New York.