Nocturnal Studnitzky

• 1 Abyss 02:43
• 2 Lucine 04:55
• 3 Aria 04:31
• 4 Auriel 07:18
• 5 Omara 08:00
• 6 Flusso 05:29
• 7 Dusk 08:43
• 8 Raz 05:12
• 9 BREATH 06:14
• 10 MIA 06:10
• 11 Solitude 03:11
• Total Runtime 01:02:26

Info for Nocturnal

There’s a heavy-heart feeling that touches every track on ‘Nocturnal’, Sebastian Studnitzky’s latest album. Not quite dark enough to characterize a melancholy, rather the album unfolds a gentle blend of blues and serenity that’s most common on Sunday evenings or during creative insomniac spells at dawn. “All of these songs were composed, produced, and finalized at night time,” notes Studnitzky, who for six months live-streamed midnight sessions of his improvisations to an audience of fellow night owls. Nocturnal captures Studnitzky’s solo introspection during these late sessions of playing the trumpet, piano and electronics, but more than just retaining the gloom of his surroundings, this music also expresses many of the unique feelings associated with the after-hours; haziness and obscurity dabbed with lucid insights, peaceful meditations punctured with quiet longings.

It was from these contrasting feelings of connection and isolation that Nocturnal was born. Perhaps no other track on the album best captures this polarity than ‘Flusso’, where fast-paced and intense percussion runs parallel to melancholic piano keys. Momentarily throughout the track these two universes collide, and as they synchronize the air is filled with poignancy and momentum.

“I like to limit my tools, it makes me more creative. Most songs consist of just a few tracks, and most of these tracks were kind of jammed and recorded as a first take,” says the musician. This lack of polishing also makes Flusso an incredibly personal and relatable journey, as Studnitzky himself puts it, “This album is just a documentation of my process. It’s not really a classical album, where you go to the studio, record, mix and finish the work. It’s more of a compilation of the journey of my last year. It’s not very controlled and I’m not interested in it being perfect.” (Sebastian Studnitzky)

Sebastian Studnitzky, trumpet

Sebastian Studnitzky
has always been a traveller between the realms of jazz, classical and electronic music. He is an internationally acclaimed performer from Germany, with exceptional trumpet and piano skills. Few instrumentalists of his generation have appeared on the stages of so many clubs and festivals all over the world. He has performed with musicians such as Nils Landgren’s Funk

Unit, Jazzanova, Mezzoforte and Wolfgang Haffner. STUDNITZKY appears on the tracks of Nightmares on Wax, Moritz von Oswald, Mezzoforte, Dominic Miller, Bodek Janke. In 2012 he founded Contemplate, his own record label and network. In 2014 he initiated the XJAZZ Festival Berlin and took charge as its musical director. It has immediately become Berlin’s largest jazz festival and turned the German jazz scene on its head.

Since September 2014 Sebastian Studnitzky has been a professor at the Dresden University of Music. The German music association, Bundesverband Musikindustrie, honoured STUDNITZKY with the ECHO Jazz 2015. In 2020 he was awarded with the OPUS Klassic prize for the duo projekt "A Bernstein Story" with Sebastian Manz.

This album contains no booklet.