Diamonds On The Inside (Remaster) Ben Harper & The Innocent Criminals

Album info



Label: Capitol

Genre: Rock

Subgenre: Blues-Rock

Album including Album cover

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  • 1With My Own Two Hands04:36
  • 2When It's Good03:05
  • 3Diamonds On The Inside04:26
  • 4Touch From Your Lust04:28
  • 5When She Believes05:20
  • 6Brown Eyed Blues05:45
  • 7Bring The Funk04:09
  • 8Everything03:01
  • 9Amen Omen05:50
  • 10Temporary Remedy03:13
  • 11So High So Low03:55
  • 12Blessed To Be A Witness04:11
  • 13Picture Of Jesus05:46
  • 14She's Only Happy In The Sun03:49
  • Total Runtime01:01:34

Info for Diamonds On The Inside (Remaster)

„Ben Harper is a musical preacher of sorts, never one to be shy in speaking his mind about social conformity. If his first two albums -- Welcome to the Cruel World and Fight for Your Mind -- didn't clue you in, Diamonds on the Inside will definitely do so. Diamonds on the Inside marks Harper's fifth studio effort and this time he's emotionally in touch with what makes his heart burst. This is a passionate album, no doubt. His signature Weissenborn guitar joins him once more and Harper's classic groovy funk is heavy; however, Harper adds worldbeat to his musical plank. From the Marley-esque vibe of 'With My Own Two Hands' to the African soundscapes of Ladysmith Black Mambazo on 'Picture of Jesus,' Harper's purist presentation is smooth. 'When It's Good' gives a little country blues twang, while 'Touch From You Lust' is a sexy haze of writhing riffs. 'Temporary Remedy' follows the funk Lenny Kravitz-style, and Harper's a bit campy. It's a noticeable change from his typically serious stature and a nice shift in personality, too. Diamonds on the Inside is another stunning effort from one of rock's underground heroes. Harper has consistently worked with what appeals to him musically for nearly a decade, ignoring what fits the mainstream. Diamonds on the Inside is Harper's sixth chapter of truth and just one listen to the electric blaze of 'Everything' will convince you.“ (MacKenzie Wilson, AMG)

Ben Harper, organ, guitars, bass, drums, vocals, synthesizer bass
Greg Kurstin, synthesizer, piano, celeste, Hammond organ, electric piano, background vocals, clavinet, mellotron
Greg Leisz, pedal steel
Juan Nelson, bass, background vocals
Josef Zimmerman, upright bass
Nicky Panicci (aka Nicky P.), acoustic guitar, guitar, electric guitar
Al Yasha Anderson, guitar solo on 'With My Own Two Hands'
Leon Mobley, percussion, sound effects, background vocals
Ron Blake, trumpet
Leo Chelyapov, clarinet
David Ralicke, trombone
Darrel Sims, viola
Amy Wilkins, harp
Rebecca Yeh, cello
Timothy Loo, cello
Ladysmith Black Mambazo, vocals
John Ingram, background vocals
Misty Love, background vocals
Carla Benson, background vocals

Produced by Ben Harper

Digitally remastered

Ben Harper
Combining funky, groove-laden soul with handcrafted acoustic folk-rock, Ben Harper enjoyed cult status during the course of the '90s before gaining wider attention toward the decade's end. As a young artist, he drew his influences from classic singer/songwriters, blues revivalists, guitar slingers, and jam bands like Blues Traveler and Phish, which meant he was embraced by critics and college kids alike. Despite finding commercial success with the radio single "Steal My Kisses" in 2000, Harper continued to explore different (and often challenging) musical textures during the 21st century, enjoying a solid fan base at home and a considerable amount of fame in Europe, where was named 2003's Artist of the Year by the French branch of Rolling Stone.

A native of California, Harper grew up listening to blues, folk, soul, R&B, and reggae. He started playing guitar as a child and began to perform regularly as a preteen. During his adolescence, he focused heavily on the acoustic slide guitar, which eventually became his signature instrument. Harper scored a deal with Virgin Records in 1992 after maintaining steady schedule of shows in the L.A. area; two years later, he released his debut album, Welcome to the Cruel World, to positive reviews.

Released in 1995, the politically heavy Fight for Your Mind made for a strong sophomore effort, an obvious growth in musical experimentation and individual declamation. It was also the songwriter's first record to later reach gold status. Harper's third album, 1997's The Will to Live, pushed his blues-oriented alternative folk into the middle mainstream, becoming a mainstay at college radio and making inroads at adult alternative radio. Recorded over two years of touring in support of Fight for Your Mind, The Will to Live also introduced the Innocent Criminals, Harper's longstanding backup band. The Innocent Criminals — bassist Juan Nelson, drummer Dean Butterworth, and percussionist David Leach — helped solidify Harper's musical rhythms and emotional diversity over the years to come.

Harper's career gained momentum during 1998 and 1999. One of his most successful albums to date, 1999's Burn to Shine, blended his fondness of '20s jazz compositions with urban beatboxing, resulting in a clever and passionate collection of songs. "Steal My Kisses" and "Suzie Blue" were radio favorites, landing him two headlining world tours and an opening spot on the Dave Matthews Band's annual summer trek in 2000. The following spring, Harper issued Live from Mars, a double disc of live electric and acoustic material spanning the previous year's tour and including covers of material by Led Zeppelin, the Verve, and Marvin Gaye.

Harper dove into worldbeat on his fifth studio effort, Diamonds on the Inside, which appeared in March 2003. He toured through Europe the following year with the Blind Boys of Alabama, and the two acts entered Capitol Records' basement studios after the tour's commencement to lay down ten tracks together. The resulting collaborative album (issued under the names of both Harper and the Blind Boys of Alabama), There Will Be a Light, was released in September 2004, followed by the concert CD/DVD package Live at the Apollo in 2005.

Eager to release more material, Harper reconvened with the Innocent Criminals and issued the double album Both Sides of the Gun in March 2006. The album reached number seven on the Billboard album charts and rose to number one in Australia. While touring in support of the record, Harper and company began playing a new slew of songs during their evening soundchecks, eventually decamping to Paris and recording the new material within one week. This resulted in two records — Lifeline and Live at Twist and Shout Records — both of which were issued in 2007. For his 2009 album White Lies for Dark Times, Harper recorded with the band Relentless7, the members of whom had previously worked with Harper on the track "Serve Your Soul" from Both Sides of the Gun. Harper and the Relentless7 recorded Live from the Montreal International Jazz Festival in July 2009 and released the album early the following year. Afterwards, Harper began working on his first solo album in years, using Jackson Browne's basement as a recording studio and collaborating with Ringo Starr on two tracks. The album's first single, "Rock n' Roll Is Free," was released during the early spring of 2011, followed two months later by the full-length Give Till It's Gone and in 2012 by the career retrospective By My Side. Harper moved over to Stax and teamed with blues legend Charlie Musselwhite for 2013's collaboratively released Get Up!

This album contains no booklet.

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