Viva La Vida Or Death And All His Friends (Remaster) Coldplay

• 1Life in Technicolor02:29
• 2Cemeteries of London03:21
• 3Lost!03:55
• 44203:57
• 5Lovers in Japan / Reign of Love06:51
• 6Yes07:07
• 7Viva La Vida04:01
• 8Violet Hill03:43
• 9Strawberry Swing04:10
• 10Death and All His Friends06:19
• Total Runtime45:53

Info for Viva La Vida Or Death And All His Friends (Remaster)

Viva La Vida Or Death And All His Friends is the critically acclaimed fourth studio album from Coldplay. Released in June of 2008, the album is one of Coldplay’s most successful, selling 8 million copies worldwide and winning three Grammy Awards in 2009. Produced by a number of well-known producers, including the legendary U2 producer, Brian Eno, Viva La Vida Or Death All His Friends brings a more abstract sound to Coldplay’s music. The album produced the smash hits “Violet Hill”, “Viva La Vida”, “Lost!” and “Lovers In Japan”.

„To say there has been a lot of anticipation for Coldplay’s fourth album, Viva La Vida, is an understatement. Having enlisted legendary leftfield producer Brian Eno, borrowed their album title from a painting by renowned Mexican artist Frida Kahlo and made tantalising remarks about sonic reinvention, the world has been curious (to say the least) to hear what the ‘new’ Coldplay might sound like. Viva La Vida definitely makes some departures from the band’s usual formula, which happens to be one of the most commercially successful rock-pop blueprints of recent years. The plangent chords, emotive melodies, stadium-rock rhythms and universal lyrical concerns remain, but Martin and co. have gone out on several limbs here, incorporating instrumental tracks ("Life In Technicolour"), using subtle North African and Latin elements ("Yes", "Strawberry Swing"), and overhauling previously strict verse-chorus-verse structures in favour of slightly more avant arrangements. The old Coldplay still shine through (see tracks like "Violet Hill" and the title song) but even their classic sound feels more muscular and confident. The band’s new flourishes, cosmetic and self-conscious as they may be, are enough to make Viva La Vida a welcome break from the old routine.“ (Danny McKenna)

Chris Martin, vocals, guitar, piano, keyboards
Jonny Buckland, guitar
Guy Berryman, bass
Will Champion, drums


Engineered and mixed by Rik Simpson, Michael Brauer, Markus Dravs, Andy Wallace
Produced by Markus Dravs, Brian Eno, Rik Simpson

Digitally remastered

Coldplay
After surfacing in 2000 with the breakthrough single "Yellow," Coldplay quickly became one of the biggest bands of the new millennium, honing a mix of introspective Brit-pop and anthemic rock that landed the British quartet a near-permanent residence on record charts worldwide. The group's emergence was perfectly timed; Radiohead had just released the overly cerebral Kid A, while Oasis had ditched two founding members and embraced psychedelic experimentation on Standing on the Shoulder of Giants. U.K. audiences were hungry for a fresh-faced rock band with big aspirations and an even bigger sound, and Coldplay were more than happy to take the reins. Parachutes went multi-platinum in several countries and earned the band its first Grammy, but Coldplay continued to grow into the 2000s, topping their debut album's success with higher record sales and an increased public profile.

Chris Martin (vocals/piano), Jon Buckland (guitar), Will Champion (drums), and Guy Berryman (bass) were all born into musical households. Martin, the eldest of five, began playing the piano as a young child and later took solace in the work of Tom Waits. Buckland, on the other hand, grew up with the heavy guitar sounds of Eric Clapton and Jimi Hendrix. Scotland native Berryman preferred funk to indie rock, thereby leaving him to play bass, while multi-instrumentalist Champion didn't plan to be a drummer until he joined Coldplay's lineup. The bandmates came together in 1996 while attending the University College of London, and the Safety EP was issued shortly after their first gig at a Manchester festival for unsigned bands. The release only saw 500 pressings, as did the subsequent Brothers & Sisters EP. Nevertheless, it was enough to win the band a U.K. deal with Parlophone Records in April 1999, and the five-track Blue Room EP arrived that fall. With nods from the media, Coldplay were hailed as the next Travis, thanks to their simple acoustics and charming personas.

Parlophone ushered Coldplay into Parr St. Studios in Liverpool, where they recorded the bulk of their debut album. Parachutes was released in July 2000 and became a swift hit on the strength of four U.K. singles, several of which enjoyed popularity in America as well. With "Yellow" climbing the charts on both sides of the Atlantic, Parachutes was released in the U.S. in November, where its sales soon rivaled — and eventually surpassed — those in the U.K.

Riding on the strength of their universally popular debut, Coldplay headed back into the studio in fall 2001 to work on a sophomore album. They emerged with A Rush of Blood to the Head, releasing the album worldwide in August 2002 and embarking on a global concert tour soon after. "The Scientist" enjoyed regular radio rotation, while both "Clocks" and "In My Place" won Grammy Awards. The CD/DVD package Live 2003 was issued to highlight the group's popular tour, and Martin specifically earned a higher notch on the celebrity scale by marrying actress Gwyneth Paltrow in December 2003. Paltrow gave birth to the couple's daughter Apple the following April.

Fatherhood didn't stop Martin from working, as Coldplay began recording material for a third album within weeks. Previously recorded material with longtime producer Ken Nelson was scrapped early on, while Danton Supple (Morrissey, the Cure) joined Coldplay to complete the recording of X&Y. "Speed of Sound" marked Coldplay's first single from their long-awaited third effort in spring 2005; the album followed in June, topping charts around the world and selling more than eight million copies during its first year.

Such success put Coldplay on the same commercial level as U2, and Coldplay retreated to the studio in late 2006 to work with famed producer Brian Eno (who had teamed up with U2 several times in the past). Recording sessions with Eno were completed within one year, followed by several months of mixing and growing anticipation from the band's audience. Viva la Vida — also known by its extended name, Viva la Vida or Death and All His Friends — ultimately arrived in June 2008. Worldwide sales for the album had approached six million by November, when Coldplay released several new recordings (including a collaboration with hip-hop mogul Jay-Z) as part of the Prospekt's March EP.

Preceded by first single "Every Teardrop Is a Waterfall," Coldplay's fifth studio album, 2011's Mylo Xyloto, was produced by Markus Dravs, Daniel Green, and Rik Simpson (the official press release adds "with enoxification and additional composition by Brian Eno"). Live 2012, the band's second concert film/recording, followed in 2012 after a hugely successful world tour, which included a special performance at the London Paralympics closing ceremony. Work began on their sixth album in late 2012 at their Bakery and Beehive studios in North London, where longtime producers Paul Epworth, Daniel Green, and Rik Simpson joined them for sessions. As the recording progressed, other producers, including Avicii and Timbaland, were brought in, making the resulting Ghost Stories quite different from its predecessors in that there were many producers instead of a handful.

Coldplay began promoting Ghost Stories in March 2014, two months prior to its May release, playing a showcase concert at the iTunes Music Festival which was held during the 2014 South by Southwest Festival in Austin, Texas. Around the time of the concert, it was revealed that Martin was separating from his wife. This news was counterbalanced by the announcement Martin was going to act as an advisor on the U.S. series of singing competition The Voice. Additional television duties for the band included a concert called Coldplay: Ghost Stories on NBC — the same network that aired The Voice — aired on May 18, the Sunday prior to the release of Ghost Stories.

This album contains no booklet.