Brahms: Choral Works Cappella Amsterdam & Daniel Reuss
Album info
Album-Release:
2014
HRA-Release:
17.11.2014
Label: harmonia mundi
Genre: Classical
Subgenre: Choral
Artist: Cappella Amsterdam & Daniel Reuss
Composer: Johannes Brahms (1833-1897)
Album including Album cover Booklet (PDF)
- 1 I. Warum ist das Licht gegeben. Langsam und ausdrucksvoll 05:17
- 2 II. Lasset uns. Wenig bewegter 01:16
- 3 III. Siehe, wir preisen. Langsam und sanft 02:47
- 4 IV. Mit Fried und Freud. Choral 01:24
- 5 Intermezzo, Op. 119/1 04:04
- 6 I. Nachtwache I 02:36
- 7 II. Nachtwache II 01:24
- 8 III. Letztes Glück 02:15
- 9 IV. Verlorene Jugend 02:03
- 10 V. Im Herbst 05:04
- 11 Schicksalslied, Op. 54 (mit Klavier zu vier Händen) 14:59
- 12 I. Ich aber bin elend 03:20
- 13 II. Ach, arme Welt 01:58
- 14 III. Wenn wir in höchsten Nöten sein 03:38
- 15 Drei Quartette, Op. 112/1: Sehnsucht 02:57
- 16 Drei Quartette, Op. 92/3: Abendlied 02:37
- 17 Drei Quartette, Op. 112/2: Nächtens 01:49
- 18 I. Unsere Väter hofften auf dich 02:30
- 19 II. Wenn ein starker Gewappneter 02:59
- 20 III. Wo ist ein so herrlich Volk 05:00
Info for Brahms: Choral Works
Daniel Reuss and his Cappella Amsterdam are focussing on Brahms’ later choral works with this album. The famous German Requiem must not be allowed to overshadow the wide variety of choral music Brahms wrote throughout his career. Daniel Reuss and his Cappella Amsterdam are our expert guides in a programme that takes in sacred a cappella motets by turns austere (opp.74 and 110) and resplendent (op.109), secular quartets with piano (opp.92 and 112), and songs for six-part unaccompanied chorus (op.104).
The crowning glory is a dramatic masterpiece for chorus and four-hand piano, the Song of Destiny after Hölderlin.
The influence of renaissance composers, but above all Heinrich Schütz on Brahm’s style can be heard clearly on this recording. Apart from the by turns austere and resplendent motets, like the famous Warum ist das Licht gegeben dem Muhseligen?, also secular works such as Schicksalslied in a version for choir and piano has been recorded, accompanied by Philip Mayers and Angela Gassenhuber. This cd lights out a lesser know side of Brahms with works that have the same quality as his famous symphonies.
The choir’s chief conductor and artistic leader Daniel Reuss about the recording: “It’s a dream to have been able to record these works, which I have already been performing for thirty years. With this recording we want to listener to experience Brahms’ strictness, as well as his warmth, in all simplicity.”
Philip Mayers, piano
Angela Gassenhuber, piano
Cappella Amsterdam
Daniel Reuss, conductor
Daniel Reuss
studied with Barend Schuurman at the Rotterdam Conservatory. In 1990, he became director of Cappella Amsterdam, which he turned into a full-time professional ensemble that is now one of the most sought after in the Netherlands.
From 2008 till 2013 he was also the artistic director/chief conductor of the Estonian Philharmonic Chamber Choir.
In 2010, he was nominated for a Grammy "best choral performance" for the cd he made with the two choirs together (Frank Martins Golgotha).
From 2003 until 2006 he was chief conductor of the RIAS Kammerchor in Berlin, with whom he recorded a number of successful CDs. Their CD with works by Martin and Messiaen (released by Harmonia Mundi) won both the "Diapason d'or de l'année 2004" and the "Preis der Deutschen Schallplattenkritik". The CD's Les Noces, Le vin Herbé and Händels Solomon have also been critically acclaimed.
In summer 2006, at the invitation of Pierre Boulez, Daniel Reuss teached and conducted at the summer 2006 Lucerne Festival Academy.
In February 2007, Reuss made his debut at the English National Opera, with Händel's Agrippina. In 2008 he directed at De Munt/La Monnaie in Bruxelles, with the Dido & Aeneas-production of stage director Sasha Waltz.
From 2008 till 2013 he was the artistic director/chief conductor of the Estonian Philharmonic Chamber Choir. In 2010, he was nominated with the Estonian Philharmonic Orchestra together with Cappella Amsterdam for a Grammy for best choral performance for the recording of Martin's Golgotha (harmonia mundi). The two choirs also worked together in a recording of Stabat Mater and Sept Répons de Ténèbres (Francis Poulenc), released in 2014 by Harmonia Mundi.
In September 2014 the cd Warum, choral works of Brahms, sang by Cappella Amsterdam was released. It won the Preis der deutschen Schallplattenkritik beginning 2015.
Daniel Reuss has been invited to conduct chamber ensembles and orchestras throughout Europe. Among these may be mentioned the Akademie für Alte Musik Berlin, MusikFabrik, Scharoun Ensemble and the Radio Chamber Philharmonic.
From 2015 Daniel Reuss is chief conductor of Ensemble Vocal Lausanne.
Cappella Amsterdam
Cappella Amsterdam was established by Jan Boeke in 1970 and has, since 1990, been under the artistic leadership of Daniel Reuss. In recent years the choir has occupied a prominent position in the field of Dutch music and has also enjoyed great success in Europe and beyond. Cappella Amsterdam has thus played a vital role in the European Tenso Network of choirs.
Cappella Amsterdam is renowned for its homogenous, refined consonance and its extraordinary versatility. The choir excels in both modern repertoires as in music by the old masters and especially embraces the works of Dutch composers.
Cappella doesn’t only have success with its own productions but also with collaborations with other renowned choirs, ensembles and orchestras. Harmonia mundi released several CDs by Cappella Amsterdam, which were all praised. ‘Lux Aeterna’, for instance, which include works by Görgy Ligeti and Robert Heppener, was crowned with the ‘Diapason d’Or de l’année 2009’. The productions of Sweelinck and Frank Martin’s Golgotha (released by the same label in 2010) also welcomed rave revues.
In November of 2009 Cappella Amsterdam won the VSCD Klassieke Muziekprijs in the category ‘most impressive achievement of a small (chamber) ensemble’. The choir has again been recognised in 2010 and was shortlisted for the Amsterdam prize for the Arts, the Edison Classical Listeners award and the VSCD Classical Music award. For a recording of Martin's Golgotha, conducted by Daniel Reuss, the choir was nominated together with the Estonian Philharmonic Orchestra for a Grammy for best choral performance. In September 2014 the new cd ‘Warum ist das Licht gegeben den Mühseligen‘ with exceptional choral works by Johannes Brahms (1833-1897) was released in the Netherlands. Daniel Reuss and his Cappella Amsterdam are focussing on Brahms’ later choral works.
Booklet for Brahms: Choral Works