Album info

Album-Release:
2017

HRA-Release:
26.04.2017

Label: Erased Tapes

Genre: Electronic

Subgenre: Experimental

Album including Album cover

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Formats & Prices

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FLAC 44.1 $ 15.00
  • 1Opening03:34
  • 2We're Here04:17
  • 3Winding and Unwinding03:12
  • 4Eisenach05:19
  • 5An Infinite Day03:20
  • 6Opening Light02:37
  • 7Aalystice04:30
  • 8Inside Air04:13
  • 9After Our Efforts04:26
  • 10Reaching Light03:53
  • 11Empenular04:26
  • 12Cellulous03:46
  • 13Kryssene03:55
  • 14Carbonata04:06
  • 15Hydorre03:34
  • 16Bolomic05:22
  • 17Bangular04:11
  • 18Blink05:02
  • 19Wyte04:17
  • 20Erid03:15
  • 21Varena04:45
  • 22Nursery04:29
  • 23Human Array05:02
  • 24Glacial Sunbeam04:49
  • 25Blue Light03:38
  • 26Still Flight04:10
  • 27Euroma Opid04:07
  • 28Growing Grid03:42
  • 29Valley of the Moon03:56
  • 30Roving Dunes03:37
  • 31Seifreida04:31
  • 32A Certain Light04:29
  • 33Stone Pillars05:15
  • 34A Quiet Invitation04:25
  • 35Lima Perosoidal07:01
  • 36Weathered Peaks03:56
  • 37Emergent Globes07:49
  • 38A Greater Pattern05:17
  • 39It Keeps Going03:46
  • 40No Where07:55
  • 41Here and There04:09
  • 42Under and Over04:32
  • 43You're Everything02:35
  • Total Runtime03:09:10

Info for Everything



Game creator David OReilly has built an interactive world for you to explore at your choosing. Whether you decide to take the role of a microbe inside a plant in the desert, or a star in the furthermost galaxy, each layer of the game is coated with ambience which takes the simulation even further into the limitless boundaries of each world. Composers Ben Lukas Boysen and Sebastian Plano have shaped this experience with their intricate 4-hour soundscape, alongside the continuous narration by philosopher Alan Watts.

Though the score has an important part to play in heightening the atmosphere of the game, it has the capability of being a standalone album – carefully sequenced down to a 10-track selection by label founder Robert Raths. There is a considerably therapeutic quality about it, allowing the audience to transcend into a meditative state, which is what makes it a perfect partner for Everything. The music is a whole world of its own, yet part of the game’s universe.

The cover image features multiple components of the Everything universe, meticulously pieced together by David OReilly himself, in collaboration with designer Torsten Posselt at FELD.

“Creating the score for Everything was a colossal undertaking. Its scope is as wide as the game itself. The music encompasses a vast range of sound and texture, held together by the immense skill and talent of Ben Lukas Boysen & Sebastian Plano. Together they created an extraordinary library of music which gives this game great dignity and depth, and elevate the experience beyond what I could have imagined.” — David OReilly

“Composing something quite modular yet coherent that connects with the idea and fabric of the game was quite a task. We discussed many approaches, from really mathematical and direct, to abstract and philosophical, and we ended up with a mixture of both. Every element depends and builds on another and connects to previous and following songs. May it be on a compositional or on an abstract and conceptual level, the game and the music follow the same path and shares almost the same inspirational DNA.“ — Ben Lukas Boysen

"Working on the soundtrack has been a truly inspiring collaboration. What fascinates me about the game is the self-exploratory approach it allows the player to experience; there is no purpose other than just being. This concept gave us wonderful freedom in searching for sounds and ideas that would fit the game. Throughout the score there is a subtle level of drama which gives depth to the game, yet the music never becomes predominant taking the player away from the main experience of being anything. Honest, simple and beautiful, Everything has been a rewarding creative journey to contribute to." — Sebastian Plano

Ben Lukas Boysen, producer, sound design, programming
Sebastian Plano, producer, sound design, programming



David OReilly
(b. Ireland, 1985) is a filmmaker and artist based in Los Angeles. Creator of the influential short films ‘Please Say Something’ and ‘The External World’, his animation work has won numerous awards and been the subject of several international retrospectives. He has lectured at Pixar, Harvard, Yale, USC, CalArts and at many other conferences and festivals around the world. He has written for Adventure Time & South Park, and created fictional video games in Spike Jonze’s Academy Award winning film 'Her'.

Sebastian Plano
Born into a musical family in Argentina, Sebastian Plano is a classically-trained contemporary music composer / multi-instrumentalist.

There are classical musicians who embrace the modern world we live in today and that is what Sebastian Plano does. Already with the first release of his debut album "Arrhythmical Part of Hearts", Plano has gained international acclaim, placing him as one of the pioneering artists combining classical and electronic elements. His new and second full length album is entitled "Impetus" - a moving force, stimulation and momentum that originated right after completion of his debut album.

Sebastian Plano's music draws from a wide pool of influences. Indeed, it is influenced by much of classical music, but we also find similarities to some soundtrack composers, as well as certain musicians such as Ólafur Arnalds, Sigur Rós, Arvo Pärt, Nils Frahm or Max Richter. Sebastian has recently collaborated with ex-Kronos Quartet's cellist Jeffrey Zeigler, who takes part in his forthcoming EP album called "Novel".

"Impetus" has been released in September 2013 by Denovali Records. The release was accompanied by a re-release of Sebastian Plano's debut "Arrhythmical Part of Hearts" with entirely new artwork and worldwide distribution.

Ben Lukas Boysen
Berlin-based composer, producer and sound designer Ben Lukas Boysen joined Erased Tapes in 2016 with the re-release of his debut album Gravity and new album Spells. Spells merges programmed piano pieces with live instruments, combining the controllable technical world and the often unpredictable aspects of live improvisation. In some ways it continues where his underground debut Gravity left off, though a lot of weight is lifted, making room for a lighter and more energetic listen. Friend and fellow Erased Tapes artist Nils Frahm mixed and mastered both albums. Ben is not a master pianist like his dear friend, but his sound collages are so meticulously designed that after hearing the result an impressed Nils declared: “from now on, if anyone asks — this is a real piano.”

His intricate, humanised programming — enhanced by drummer Achim Färber, cellist Anton Peisakhov and harpist Lara Somogyi, and a considerate selection of echoes, delays and compressors — has been used to create a hybrid sound that intends to deceive, question and challenge existing listening habits. Utilising the contrast between reduction and decoration, Spells can be seen as a quest to find out how much or how little composition is required to constitute a song. Why the ear can and should be deceived about the authenticity of instruments. What significance these instruments have within this process, and why the personal perception of balance and sound exclude ultimate truths.

Linking the two albums are the four movements of Nocturne, an ever-developing conversation that on occasion flirts with the grandeur of compressed rock drums. The lead single, Golden Times 1, received a world premiere by BBC 6 Music’s Mary Anne Hobbs, proclaiming it as “incredible.” An alternative version of Sleepers Beat Theme — composed for the soundtrack to a short film about the Trans-Siberian Express — opened Jon Hopkins’ Late Night Tales album from 2015, who noted “I thought it was such a calming and sensitive piece that sounded to me like the beginning of something...the warmth and depth of the sound entrances me every time.”

Though Spells and Gravity are his first albums recorded under his own name, as acclaimed electronic producer HECQ he’s released nine albums since 2003, exploring everything from ambient to breakcore. He has simultaneously established himself as a trusted composer and sound designer, working for a wide array of clients including Amnesty International and Marvel Comics; composing for feature films, games, art installations and convention opening titles.

After embracing this demanding line of work, in 2010 Ben felt the need to explore his roots and early education, which inspired these albums under his own name. Born in 1981 as the third child of opera singer Deirdre Boysen and actor Claus Boysen, his classical music training on piano and guitar began when he was seven years old; the works of Bruckner, Wagner and Bach laid an important foundation. Rediscovering this music shared with his parents — united with the sounds of Autechre, Cristian Vogel and Jiri.Ceiver to Pink Floyd and Godspeed You! Black Emperor — brought back an understanding of why he wanted to write music in the first place.

This album contains no booklet.

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