Schumann: Symphonies Nos. 1 & 3 London Symphony Orchestra & Sir John Eliot Gardiner

• Robert Schumann (1810 - 1856): Symphony No. 1 in B-Flat Major, Op. 38:
• 1 Symphony No. 1 in B-Flat Major, Op. 38: I. Andante un poco maestoso - Allegro molto vivace 10:53
• 2 Symphony No. 1 in B-Flat Major, Op. 38: II. Larghetto 05:47
• 3 Symphony No. 1 in B-Flat Major, Op. 38: III. Scherzo: Molto vivace - Trio I. Molto più vivace - Trio II - Coda. Come sopra ma un poco più lento - Quasi presto - Meno presto 05:23
• 4 Symphony No. 1 in B-Flat Major, Op. 38: IV. Allegro animato e grazioso 08:07
• Manfred, Op. 115:
• 5 Manfred, Op. 115: Overture 11:08
• Symphonie No. 3 in E-Flat Major, Op. 97:
• 6 Symphonie No. 3 in E-Flat Major, Op. 97: I. Lebhaft 09:22
• 7 Symphonie No. 3 in E-Flat Major, Op. 97: II. Scherzo. Sehr mäßig 06:11
• 8 Symphonie No. 3 in E-Flat Major, Op. 97: III. Nicht schnell 04:42
• 9 Symphonie No. 3 in E-Flat Major, Op. 97: IV. Feierlich 04:26
• 10 Symphonie No. 3 in E-Flat Major, Op. 97: V. Lebhaft [ ] 05:37
• Total Runtime 01:11:36

Info for Schumann: Symphonies Nos. 1 & 3

The second album in Sir John Eliot Gardiner's Schumann series with the London Symphony Orchestra travels from glorious fanfare to dream-like passages with the lively Spring and Rhenish symphonies.

From the dramatic first trumpet-call which awakens the frozen landscape, the First Symphony is a celebration of spring. It moves through the season and a gruff folk-song Scherzo until finally a jubilant conclusion dances into summer.

Desperate, heartfelt and elegant, the Manfred Overture opens with an urgent impetus that only increases through the work, displaying the intense strife which lies ahead for its protagonist.

Schumann’s Third is one of the composer’s most impressive, painting a euphoric picture of the German Rhineland in broad Beethovenian style and closing with an exhilarating finale.

"They are lively and vigorous shots that please because of their richness of detail, their inner flexibility and their transparency." (Pizzicato)

London Symphony Orchestra
Sir John Eliot Gardiner, conductor

John Eliot Gardiner
Regarded as one of the most versatile conductors of our time, John Eliot Gardiner appears regularly with such leading symphony orchestras as the London Symphony Orchestra, Royal Concertgebouw Orchestra, Bavarian Radio Symphony and Czech Philharmonic. Formerly artistic director of Opéra de Lyon, Gardiner has, since 2006, conducted new productions of Carmen, Pelléas et Mélisande, Chabrier’s L’Etoile and the Weber-Berlioz Le Freyschutz at the Opéra Comique in Paris. This March and April, he conducted Rigoletto at the Royal Opera House, Covent Garden. In June, Gardiner leads the Monteverdi Choir in a program of English polyphony on tour in the U.K. and France, along with a July performance at the Salzburg Festival. He conducts Berlioz’s Grande Messe des morts at the Festival de Saint-Denis in June with the Monteverdi Choir and Orchestre National de France. At London’s Royal Albert Hall in July, Gardiner conducts a concert performance of Pelléas et Mélisande with the Monteverdi Choir and, in a first for London with the opera, the period-instrument Orchestre Révolutionnaire et Romantique. Also in July at the Salzburg Festival, he leads the Monteverdi Choir and English Baroque Soloists in Haydn’s The Creation.

Acknowledged as a key figure in the early-music revival of the past four decades, Gardiner is the founder and artistic director of the period-instrument Orchestre Révolutionnaire et Romantique and English Baroque Soloists, as well as the Monteverdi Choir. With these ensembles, he has undertaken a number of ambitious large-scale tours; upcoming projects include a musical journey in 2014 that retraces the old pilgrimage route from Canterbury to Rome – the Via Francigena – with a cappella music of the 15th & 16th centuries. The extent of Gardiner’s repertoire is illustrated by more than 250 recordings he has made for major labels and by numerous international awards, including Gramophone magazine’s Special Achievement Award for his live recordings of J.S. Bach’s sacred cantatas. As the recipient of more Gramophone Awards than any other living artist, Gardiner was recently inducted as one of the 50 inaugural members of the Gramophone Hall of Fame.

In recognition of his work, Gardiner has received several international prizes, along with honorary doctorates from the University of Lyon, the New England Conservatory of Music and the University of Cremona. In 1992, he became an Honorary Fellow of both King's College London and the Royal Academy of Music, and he was made a Visiting Fellow of Peterhouse, Cambridge in 2007-2008. In 1990, he was made a Commander of the Order of the British Empire (CBE) and then a Knight Bachelor in the 1998 Queen's Birthday Honours List. In 2008, he was awarded the Royal Academy of Music / Kohn Foundation's prestigious Bach Prize. He was named Commandeur dans l'ordre des Arts et des Lettres in France in 1996 and was made Chevalier de la Légion d'Honneur in 2010.

Booklet for Schumann: Symphonies Nos. 1 & 3