I Love You, Honeybear Father John Misty

• 1 I Love You, Honeybear 04:38
• 2 Chateau Lobby #4 (in C for Two Virgins) 02:50
• 3 True Affection 03:56
• 4 The Night Josh Tillman Came To Our Apt. 03:36
• 5 When You're Smiling And Astride Me 04:34
• 6 Nothing Good Ever Happens At The Goddamn Thirsty Crow 04:34
• 7 Strange Encounter 04:19
• 8 The Ideal Husband 03:35
• 9 Bored In The USA 04:22
• 10 Holy Shit 04:01
• 11 I Went To The Store One Day 04:26
• Total Runtime 44:51

Info for I Love You, Honeybear

'I Love You, Honeybear' is the highly-anticipated follow up to his acclaimed debut, 'Fear Fun'. The album, featuring 'Bored In The USA,' 'Chateau Lobby #4 (in C for Two Virgins),' 'True Affection,' and the title track, was produced by Josh Tillman and Jonathan Wilson, mixed by Phil Ek, and mastered by Greg Calbi at Sterling Sound. There's a case to be made that it sounds and acts a bit like solo-era John Lennon, Scott Walker, Randy Newman, Harry Nilsson, and Dory Previn, while taking more than a few cues from Woody Allen, Kurt Vonnegut, Alejandro Jodorowsky and Muhammad Ali. Nearly every tune is augmented by something special, be it orchestral strings, a mariachi band, questionable electronic drum solos, ragtime jazz combos, soul singers, or what have you. 'I Love You, Honeybear' is a concept album about a guy named Josh Tillman who spends quite a bit of time banging his head against walls, cultivating weak ties with strangers and generally avoiding intimacy at all costs. This all serves to fuel a version of himself that his self-loathing narcissism can deal with. We see him engaging in all manner of regrettable behaviour.

“The album progresses, sometimes chronologically, sometimes not, between two polarities: the first of which is the belief that the best love can be is finding someone who is miserable in the same way you are and the end point being that love isn’t for anyone who isn’t interested in finding a companion to undertake total transformation with. I won’t give away the ending, but sex, violence, profanity and excavations of the male psyche abound.

“My ambition, aside from making an indulgent, soulful, and epic sound worthy of the subject matter, was to address the sensuality of fear, the terrifying force of love, the unutterable pleasures of true intimacy, and the destruction of emotional and intellectual prisons in my own voice. Blammo.

“This material demanded a new way of being made, and it took a lot of time before the process revealed itself. The massive, deranged shmaltz I heard in my head, and knew had to be the sound of this record, originated a few years ago while Emma and I were hallucinating in Joshua Tree; the same week I wrote the title track. I chased that sound for the entire year and half we were recording. The means by which it was achieved bore a striking resemblance to the travails, abandon and transformation of learning how to love and be loved; see and be seen. There: I said it. Blammo.” (Josh Tillman, A.K.A. Father John Misty)

Father John Misty

Father John Misty
brings folk into the 21st century with each eclectic element he incorporates into his unique sound, and his charismatic showmanship makes his live shows a must-see. When he's strumming his way through ballads like ìThe Night Josh Tillman Came to Our Apartmentî his emotional vocals and heartbreaking lyrics make alt-country fans feel right at home. But heís just as comfortable strutting his stuff to noisy, spiteful rockers like ìThe Ideal Husbandî and turning out full-blown electronica on tracks like the transcendently beautiful ìTrue Affectionî. With his singular combination of Americana traditions with cutting-edge sounds, Father John Misty is a folk icon for a new generation.

Before making his debut as Father John Misty in 2012, singer-songwriter and multi-instrumentalist Joshua Tillman was busy recording late-night demos in the Seattle-area. After self-releasing two CD-R demos he attracted the attention of Fargo Records, and in 2006 the label released his debut album Minor Works. In 2008 Tillman was tapped by indie darlings Fleet Foxes, who needed a drummer for the recording of their self-titled debut. Though he gained widespread exposure and success with Fleet Foxes, Tillman left to pursue his creative reinvention as Father John Misty in 2012. After a warm reception from critics and fans for his debut album Fear Fun, he set out on his first solo headlining tour. His 2015 follow-up album I Love You, Honeybear was a breakthrough success, appearing on best-of lists from esteemed sources like Pitchfork, Roughtrade, and Stereogum. As he continues to breathe new life into indie folk with his wide-ranging influences and poetic gifts, Father John Mistyís electrifying performances have fans eagerly anticipating whatís next from the innovative troubadour.

This album contains no booklet.