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- 2Made Of Glass03:29
- 4These Walls04:05
- 5Still Frame04:31
- 7The Game05:04
- 8When All Is Said And Done04:16
- 11New Beginning09:12
Info for Trapt
Bridging the gap between nu metal and alternative hard rock, Trapt capitalize on the momentum of said genres early-'00s success with their self-titled major label debut. With roots that reach to early-'90s hard rock (Metallica/Soundgarden) and branch into contemporary music (311, Hoobastank, Korn), TRAPT offers a diverse rock palette. Control room whiz/creative speller GGGarth (Rage Against The Machine, Chevelle) dials in chunky low-register guitar tones and punchy drum sounds that convey Trapt's songs with the perfect balance of polish and grit. Radio-made single 'Headstrong,' catchy-as-hell 'Still Frame,' and the metallic Foo Fighters-riffy 'Hollowman' are the album's obvious standout tracks.
Compulsively, uncompromisingly original, Trapt is aggressive, young and fearless, with the band's self-titled major-label debut album under the helm of producer Garth Richardson (Rage Against The Machine, Nickelback).
It has taken California's Trapt a long time to get where they are today (on the brink of superstardom apparently) after endless touring, overcoming conflict with record companies and even losing a founding member. It's just a shame they didn't have time to write some decent material along the way. In fact, it can only be assumed that their homonymous name is derived from their feelings of being stuck in such an uninventive genre and that this has compelled them to produce this dreary debut album.
Opening track and lead single Headstrong does set a promising tone, with crunching riffs, lashing beats and Chester Bennington-esque vocals. Despite sounding terribly analogous to other recent US exports such as Hoobastank or 3 Doors Down, Trapt seem to be firm believers in the 'if it ain't broke don't fix it' mentality. After all, the bands they are emulating have shifted truckloads of albums across the pond with their Hootie And The Blowfish meets poppy, alternative rock hybrid jingles.
The following tracks, Made Of Glass and Hollow Man, are mediocre, angst-filled songs, which at times seem to dip into the boy band arena, and at others seek to imitate nu-metal, but ultimately fail to find a happy medium in between (if such a place exists!).
Trapt's true colours certainly shine through on These Walls, Still Frame and Echo, which to be frank, are little more than middle of the road AOR with distorted guitars. Picture a really cheesed off Matchbox Twenty and you're getting close.
Perhaps the biggest surprise Trapt have to offer is that their major label debut was produced by GGGarth Richardson (of Rage Against The Machine fame) who is renowned for his raw, vigorous style. However this album seems to have no composite mix; instead there is a clinical separation throughout, with vocals layered on top of the guitars, then drums, and bass buried far underneath lacking any power or definition. This gives a mixed-for-radio, lifeless feel to even the heavier riffs.
The metal breakdown bridges on tracks like The Game have little authenticity about them at all. You can picture the writing sessions as one bright spark thought, 'Ok dude, this is where we wanna go like totally heavy man!' Goodness, when they get really angry, they even throw in the odd four letter expletive too. Shocking.
Nevertheless, taking off my musical integrity hat and replacing it with the bonnet of commercial success, there is no reason why Trapt shouldn't explode in their homeland, where predictable radio-friendly rock acts are as common as bubblegum pop over here (sigh). Is there no justice in the world? (musicOMH)
Chris Brown, vocals & guitar
Simon Ormandy, guitar
Peter Charell, bass
Aaron 'Monty' Montgomery, drums
Anthony 'Fu' Valcic, programming
Ben Kaplan, programming
Recorded at: Warehouse Studios, Vancouver, British Columbia, Canada.
No biography found.
This album contains no booklet.