Holding Gold Robin Laing

• 1 The Blantyre Overwinding 04:20
• 2 The Ears of the Wolf 04:37
• 3 Tiny Hands 02:51
• 4 Superhero 03:39
• 5 Thank You Whisky Vicar 05:41
• 6 Wedding Song 04:22
• 7 Bruce at Bannockburn 04:43
• 8 I Still Believe in You 03:26
• 9 Picasso Paints Guernica 03:53
• 10 The Lamplighter 02:12
• 11 The Wicker Man 04:03
• 12 To Daffodils 03:32
• 13 Whisky Pilgrims 03:45
• Total Runtime 51:04

Info for Holding Gold

Robin Laing is Scotland’s Whisky Bard. He has written more songs about whisky than anyone on the planet. So far he has released 5 albums of whisky songs – ‘The Angels Share’, ‘The Water of Life’, ‘One for the Road’, ‘Whisky for Breakfast’ and ‘Whisky and Death’. He has also made a number of recordings of non whisky material. This new album is a blend of songs on a variety of subjects, including whisky – a kind of pot-pourri of self-penned songs, reflecting life events, love, history and of course Scotland’s national drink.

Included in this collection is the song Whisky Pilgrims, which was written to show how much the Scots appreciate all those who love Scotch whisky, especially those who are inspired to visit Scotland and discover what else the country has to offer – culture, landscape, history, cuisine, fishing, golf and much more. Scotland is a very welcoming country and this song is an expression of that.

"Holding Gold. For the first time I have decided to produce a CD that has both whisky songs and non whisky songs. Here you will find whisky songs, love songs, family songs and songs telling stories from Scottish history." (Robin Laing)

"We make the best whisky in the world, and for a small country of 5 million people, that is immensely important to us. Whisky is part of our identity, our reputation and our heritage – and it seeps into all aspects of our culture – indeed, with all the millions of maturing casks around the place – it’s in the very atmosphere." (Robin Laing)

Robin Laing,vocals

Robin Laing
is a Scottish folk-singer and songwriter. Robin is originally from Edinburgh, and Edinburgh will always be his spiritual home. His affection for that city and indeed Scotland is evident in the subject matter of many of his songs. Robin now lives in the idyllic setting of rural Lanarkshire. Already he is sniffing out the local songs and finding possible subjects for composition.

Until September 1996, Robin's musical activities were semi-professional and fitted into a life dominated by a busy professional career as Director of a major Scottish mental health charity. Still he managed to do a fair bit of touring and release two solo albums, "Edinburgh Skyline" (1989) and "Walking in Time" (1994). He was also involved in two CD projects - "The Music and Song of Edinburgh", and "The Merry Muses". In September 1996 Robin "downshifted" to a full-time career in music - something he had wanted to do for some time.

Since becoming full-time professional Robin has created a one-man show on the subject of Scotch whisky called "The Angels' Share", has released another album (based on the show) and has toured extensively both in the UK and abroad. He has also been running traditional song classes in Lanarkshire and has become the Convener of a new organization, The New Makars Trust, which aims to promote songwriting in Scotland.

The Angels' Share combined two of Robin's passions - folk song and whisky - a powerful combination! When not exploring the purely cultural aspects of whisky, Robin is sometimes to be found on the Tasting Panel of the Scotch Malt Whisky Society. It's a difficult job, but someone has to do it! During the Edinburgh Festival Fringe he has joined forces with Jim Malcolm to do "Whisky, Women and Song" at the SMWS.

In terms of folk music, Robin's real interest is in folk song and especially the old Scots Ballads, or "Muckle Sangs" as they are sometimes known. However, he also has a tremendous respect for the songs of Robert Burns, (not just the rude ones), and the tradition of Scots fiddle music that has come from people like William Marshall, Scott Skinner and the Gow family. Robin's instrument is the classical guitar and some of these fiddle tunes transfer quite well.

In the folk tradition, Robin's influences are The Corries, Ewan McColl, Lizzie Higgins and Hamish Henderson, all for different reasons. He has many other influences; musically, from classical composers like Bach and Mahler, in poetry from Tennyson and in songwriting terms from Paul Simon and Stan Rogers, to name just a few. All of these influences find their way into the process that produces Robin's own song compositions. They have a variety of styles because of this, and tend to have their main strength in the lyrical side of the composition. The songs are constructed with care and attention and a great deal of selection along the way.

This album contains no booklet.