there is no Other (with Francesco Turrisi) Rhiannon Giddens
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- 1Ten Thousand Voices (with Francesco Turrisi)02:57
- 2Gonna Write Me a Letter (with Francesco Turrisi)04:03
- 3Wayfaring Stranger (with Francesco Turrisi)04:47
- 4there is no Other (with Francesco Turrisi)02:25
- 5Trees on the Mountains (with Francesco Turrisi)05:15
- 6Pizzica di San Vito (with Francesco Turrisi)02:07
- 7Brown Baby (with Francesco Turrisi)05:07
- 8Briggs' Forró (with Francesco Turrisi)04:03
- 9Little Margaret (with Francesco Turrisi)03:03
- 10Black Swan (with Francesco Turrisi)04:17
- 11I'm On My Way (with Francesco Turrisi)02:57
- 12He Will See You Through (with Francesco Turrisi)03:59
Info for there is no Other (with Francesco Turrisi)
Rhiannon Giddens’ latest album there is no Other, recorded with Italian multi-instrumentalist Francesco Turrisi, is set for May 3 release on Nonesuch Records. Produced by Joe Henry and tracked over an intensely productive five-day period in Dublin, Ireland, there is no Other is at once a condemnation of “othering” and a celebration of the spread of ideas, connectivity, and shared experience.
Tracing the overlooked movement of sounds from Africa and the Arabic world and their influence on European and American music, there is no Other illuminates the universality of music and the commonality of the human experience. It primarily features only Giddens and Turrisi playing one or two instruments together. The album comprises a mix of original songs penned by Giddens and a diverse set of interpretations ranging from Ola Belle Reed’s “I’m Gonna Write Me a Letter,” and Oscar Brown, Jr’s “Brown Baby” to the Italian traditional “Pizzica di San Vito.”
Giddens recently told the Irish Times: “It’s all about movement, for both of us…movements of human beings and how we affect each other. If you just look at our range of instruments, where they’ve come from and how they’ve travelled across the world, it’s pretty amazing. The way that both of us approach music is very similar because we’re both educated about where the music is coming from. But when it comes to playing, we’re both just playing what we feel.”
there is no Other was recorded with little editing and overdubbing. Giddens sings and plays minstrel banjo, octave violin, and viola. Turrisi plays piano, accordion, frame drum, tamburello, lute, cello banjo, daf, and colascione. They are joined on four songs by Kate Ellis on cello and viola. The array of instruments reveal the sonic ties that bind between African, Arabic, European, and American cultures.
Giddens and Turrisi will debut a number of songs from the album at the Big Ears Festival in Knoxville, TN this Friday, March 22. She is also a panelist at the festival, and the ballet she and Turrisi scored, Lucy Negro Redux, will be performed twice at Big Ears as well. (Giddens and Turrisi play the score live on stage. Lucy Negro Redux was recently deemed a “miracle” by the New York Times.)
Rhiannon Giddens is a celebrated artist who excavates the past to reveal bold and candid truths about our present. A MacArthur “Genius” Grant recipient, she has performed for the Obama’s at the White House and acted in two seasons of the hit television series Nashville. She has been profiled by CBS Sunday Morning, the New York Times, and NPR’s Fresh Air, among others. Her acclaimed solo albums, Tomorrow is My Turn (along with the EP Factory Girl, produced by T Bone Burnett) and Freedom Highway, received 3 GRAMMY nominations; her work with the Carolina Chocolate Drops (which she co-founded) received a Grammy in 2010. Giddens is also featured in Ken Burns’ Country Music series coming to PBS this fall and will perform at concerts tied to the series in Nashville and New York City. Songs of Our Native Daughters, a collaborative album featuring Giddens that tells the stories of historic black womanhood and survival, was released on Smithsonian Folkways last month to rave reviews.
Italian multi-instrumentalist Francesco Turrisi defies easy categorization. Called “a musical alchemist” by the Irish Times, Turrisi is a Turin–born musician whose Dublin base reflects his global sensibilities. With his unique ability to fold early music, pan-Mediterranean modal melodies, and European flavored jazz into a single repertoire, Turrisi has developed a musical style that crisscrosses cultures and forges musical alliances that are, at once, old and familiar and startlingly brand new. He has performed and recorded with Bobby McFerrin, jazz icon Dave Liebman, early music group l’Arpeggiata, contemporary ensemble Bang on a Can, Irish sean-nós singer Roisin El Safty, and tarantella specialist Lucilla Galeazzi.
Singer and multi-instrumentalist Rhiannon Giddens is best known as the frontwoman of African-American string band the Carolina Chocolate Drops, whose 2010 album Genuine Negro Jig earned them a Grammy Award for Best Traditional Folk Album. Raised in Piedmont, North Carolina, Giddens studied opera at the Oberlin Conservatory before relocating back home, where she became immersed in the rural musical traditions of that region.
A chance meeting with future bandmates Justin Robinson and Dom Flemons at the 2005 Black Banjo Gathering in Boone, North Carolina resulted in the formation of their first folk project, Sankofa Strings. Originally an outlet to perform various early African-American musical styles like blues, country, hot string jazz, and Caribbean, the bandmembers ended up learning much of their early repertoire from legendary old-time fiddler Joe Thompson. Adopting the name the Carolina Chocolate Drops, the group released four eclectic and well-respected albums before signing with Nonesuch Records to release its wildly successful 2010 breakthrough album. Following the success of Genuine Negro Jig, the band continued to tour and record with an ever-evolving lineup that remained centered around Giddens' powerful vocals and fiddle/banjo playing.
Drafted by producer T-Bone Burnett to perform solo at the 2013 Another Day, Another Time concert (celebrating the musical era of the film Inside Llewyn Davis) in New York, she gave a show-stopping performance of the Odetta classic "Waterboy," which was widely considered the highlight of the evening. Just a few months later in early 2014, she again worked with Burnett on the collaborative New Basement Tapes recording project, which featured Elvis Costello, Jim James (My Morning Jacket), Marcus Mumford (Mumford & Sons), and Taylor Goldsmith (Dawes) writing new music to recently discovered Bob Dylan lyrics.
Her own Burnett-produced solo debut, Tomorrow Is My Turn, was released a year later in February 2015.
This album contains no booklet.