Massenet: La Navarraise (Remastered) Antonio De Almeida

Album info

Album-Release:
1975

HRA-Release:
02.03.2018

Label: Sony Classical

Genre: Classical

Subgenre: Opera

Artist: Antonio De Almeida

Composer: Jules Massenet

Album including Album cover

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  • Jules Massenet (1842-1912): La Navarraise:
  • 1Prélude02:55
  • Act I:
  • 2L'assaut a coûté cher, messieurs!01:57
  • 3Capitaine, je vois que vous appartenez au régiment de la Biscaye...02:49
  • 4Je ne pensais qu'à toi02:41
  • 5Araquil! Mon père01:37
  • 6Depuis deux ans je l'aime!01:44
  • 7Ah! Mariez donc son coeur avec mon coeur!02:25
  • 8Êtes-vous de la compagnie01:25
  • 9Morts! Les vieux compagnons03:23
  • 10Crénelons les maisons donnant sur la campagne01:10
  • 11Ô bien aimée, pourquoi n'es-tu pas la?01:28
  • 12Anita, la Navarraise?01:59
  • 13J'ai trois maisons dans Madrid02:31
  • 14Nocturne02:35
  • Act II:
  • 15Alerte! Alerte!00:21
  • 16Mon argent, mes deux mille douros!02:33
  • 17Voici ma dot! Qu'on me le donne!00:50
  • 18La Navarraise: Act II: Blessé, mourant, j'espère! Car je mourrai par toi!00:47
  • 19Mourir! Mourir par moi!03:03
  • 20Mon fils! Père!... Le prix du sang! Horreur!01:01
  • 21Merci, la bonne Vierge, elle nous a bénis...01:14
  • Total Runtime40:28

Info for Massenet: La Navarraise (Remastered)



Sony Classical announces a further batch of complete recordings from the CBS/Sony and RCA Victor catalogues. The newest installment of this popular series features some unusual repertoire as well as documents of the New York Metropolitan Opera in its postwar heyday. French opera is represented by a rarity, the first recording of Massenet’s La Navarraise, which has been described as a cross between Carmen and Cavalleria rusticana. Written as a response to the success of Mascagni’s opera, it actually surpasses its model in musical quality. In the title role of this 1975 performance, with the London Symphony Orchestra conducted by Antonio de Almeida, the beloved soprano Lucia Popp gives “a remarkable performance … urgent and intense (Gramophone). “At the very end, when in the face of the hero’s death, her mind snaps and demented laughter begins, she is spine-chilling. … In its way the result is as powerful as the close of Tosca, which musically it resembles in the final bars. … Alain Vanzo, one of the most satisfying of French tenors … does very well by the hero. … The orchestra plainly relishes every detail of the score, and the recording does full justice to the finesse of Massenet’s brilliant orchestration.”



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