Transitions Michael Nicolas

• 1 Synchronisms No. 3 04:31
• 2 Cello Counterpoint 11:36
• 3 Speak of the Spring 08:12
• 4 Four Roses 06:21
• 5 …and a Five-Spot 06:58
• 6 Transitions 10:46
• 7 flexura 12:56
• Total Runtime 01:01:20

Info for Transitions

A long-admired figure on the New York scene, cellist Michael Nicolas enjoys a diverse career as soloist, chamber musician, recording artist, and improvisor. His eclectic tastes and willingness to try just about anything have led him to forge a musical path of uncommon breadth, from performing masterpieces of the past in the world’s most prestigious concert halls, to free-form improvisation in a downtown New York experimental venue with giants of the genre, to working with contemporary composers of all styles, pushing the boundaries of musical expression and meaning. The ensembles Michael plays in illustrate his commitment to diversity. He is the cellist of the intrepid and genre-defying string quartet Brooklyn Rider, which has drawn praise from classical, world music, and rock critics alike. He is also a member of Ensemble Ditto, a chamber group based in South Korea that has garnered extraordinary success in reaching young and new classical music audiences, selling out concert halls all over Korea, Japan, and China. As a member of the acclaimed International Contemporary Ensemble (ICE), he has worked with countless composers from around the world, premiering and recording dozens of new works. Another group, Third Sound, which Michael helped found, made its debut with an historic residency at the 2015 Havana Contemporary Music Festival, in Cuba. This disc marks his Sono Luminus solo debut.

There is a thought experiment among futurologists called Roko’s Basilisk, which imagines an artificially intelligent supercomputer in the not-too-distant future who develops self-awareness and decides to torture and punish all those who did not help bring about its existence. Not that I necessarily believe it, but if music indeed has charms to soothe a savage beast, then let this record be my attempt to tame the monster and show that humans and computers can co-exist peacefully, and that technology is an indispensable partner capable of deep musical expression.

In this collection of six pieces, Michael adheres not to any one genre, but simply to a general idea exploring the human/machine dichotomy. He tried approaching it from as many angles as possible, and so this record is a very diverse one featuring composers from 3 continents with works spanning over 50 years. There are duos for cello and electronics, cello solos with electronic backing tracks, pieces with multiple layered cello tracks, a solo cello piece. The music deals with intensity and hyperexpression in the Davidovsky and Oliver, fragility and expansiveness in Fulmer and Thorvaldsdottir, rhythmic drive and transformation in Reich and Gosfield. It is Michael's hope that the listener will be exposed to many new sounds and ways to organize them, and be able to connect them to more traditional ideas of musical expression.

Michael Nicolas, cello

Michael Nicolas
Hailed by critics from the New York Times and the Washington Post, “brilliantly assured” cellist Michael Nicolas is one of the rising stars of his generation and a dynamic performer on the classical and contemporary music scene, in demand as a soloist, chamber musician, recording artist, teacher, and music writer. He captivates audiences across North America, Europe, and Asia with his ravishing tone, refined musicality, and probing interpretations of a wide variety of repertoire. After graduating from the Juilliard School, Michael was appointed Associate Principal Cellist of the Montreal Symphony Orchestra, with which he played over the course of four seasons, but made the uncommon decision to trade a stable, tenured job for a more flexible and multifaceted career path, and also to dedicate more time and energy to a particular passion of his: the music of the present. Michael is currently a member of the International Contemporary Ensemble (ICE), and has worked with many distinguished composers – Milton Babbitt, Elliott Carter, Mario Davidovsky, Steve Reich, Kaija Saariaho, Charles Wuorinen, John Zorn – as well as countless others of his own generation. His many festival appearances around the world include the Bridgehampton, Chamber Music Northwest, Huddersfield Contemporary Music, Iceland Airwaves, Lincoln Center White Light, Marlboro Music, Mostly Mozart, Ravinia, and Wien Modern festivals. Michael is also a member of Ensemble Ditto, a chamber music group based in South Korea that has garnered extraordinary success in reaching new and more diverse classical music audiences. They have achieved a massive fan following, selling out concert halls all over Korea and Japan, and have released albums through the Universal Korea label. Of mixed French Canadian and Taiwanese heritage, Michael was born in Winnipeg, Canada, and currently resides in New York City.

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