Cover La belle Vielleuse

Album info

Album-Release:
2017

HRA-Release:
26.05.2017

Label: Ricercar

Genre: Classical

Subgenre: Chamber Music

Album including Album cover Booklet (PDF)

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FLAC 88.2 $ 12.80
  • Christophe Le Menu de Saint-Philibert (1720 - 1774): La vièle:
  • 1Air lent "Quels sons brillans"02:48
  • 2Récitatif "Que vois-je !"01:07
  • 3Air "Vièle aimable"02:42
  • Jean-Baptiste Dupuits (1715 - 1758): La dupuits:
  • 4Première partie (Prélude)02:35
  • 5Seconde partie en rondeau02:36
  • 6Troisième partie (Sarabande en rondeau)02:49
  • 7Troisième partie (Premier menuet en rondeau - Second menuet)03:27
  • 8Quatrième partie (Légerement et animé)03:02
  • Louis-Claude Daquin (1694 - 1772):
  • 9Musette en rondeau01:10
  • Monsieur Ravet (?): IIIe sonate:
  • 10Vivement et marqué02:14
  • 11Rondeau - 2e rondeau03:22
  • 12Menuet - 2e menuet - Tambourin01:54
  • IIe duo de vielle et violon:
  • 13Affectueusement04:14
  • 14Badine (Gayment sans vitesse - Vivement)02:37
  • 15Tambourin vite - 2e tambourin01:41
  • Michel Corrette (1707 - 1795):
  • 16La Furstemberg02:37
  • Jean-Baptiste Dupuits (1715 - 1758): Le bouquet:
  • 17Prélude [Air] "Écoute mes tristes soupirs" (Lentement)01:45
  • 18Air "Emprunte à ce berger" (Doucement et piqué)00:59
  • 19Récitatif "C'etoit dans des jardins charmans"00:58
  • 20Air "Volés zéphirs" (Gayement)03:50
  • 21Le bouquet: Récitatif "Mais, qui puis-je charger du bouquet que j'apreste ?"00:38
  • 22Le bouquet: Air "Partés aimable tourterelle" (Tendrement)03:45
  • 23Sonate IV: Gracieusement01:46
  • 24Sonate IV: Moderement02:27
  • 25Sonate IV: Gigue02:26
  • 26Musette en rondeau02:23
  • 27Sonate VI: Largo02:50
  • 28Sonate VI: Allegro en rondeau04:42
  • 29Sonate VI: Premier tambourin - 2e tambourin02:16
  • 30Sonate VI: Caprice alla capella04:46
  • Total Runtime01:16:26

Info for La belle Vielleuse



In the time of Madame de Pompadour, the hurdy-gurdy, like the musette, enjoyed a great success. It was considered to be on a level with other instruments and, as can be seen in various paintings, was highly regarded by the ladies of the aristocracy.

Several books of instruction for the instrument were published, one of which was Michel Corrette’s La belle vielleuse; virtuoso players such as Danguy and Dupuits extended its playing techniques to their limits. The instrument’s charm was sung by various poets whose words were then set as cantatas. The unknown works that constitute this recording place it firmly in the French court of the time with its stylised pastoral diversions.

Tobie Miller, hurdy gurdy
Ensemble Danguy

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Booklet for La belle Vielleuse

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