Pour It Out Into The Night The Revivalists

• 1 Kid 03:28
• 2 Don't Look Back 03:24
• 3 Good Old Days 04:22
• 4 Down In The Dirt 03:34
• 5 The Long Con 03:15
• 6 Only You 03:17
• 7 Alive 05:08
• 8 Wait For The Sun 02:41
• 9 When I Got You 03:31
• 10 How We Move 03:35
• 11 Say Goodbye 02:51
• 12 Pour It Out Into The Night 04:57
• Total Runtime 44:03

Info for Pour It Out Into The Night

The Revivalists make the kind of rock `n' roll that grabs you and doesn't let go. On their fifth full-length release, the New Orleans outfit was inspired to create a life-affirming album that in many ways connects to the original seed of inspiration for the band's name. Pour It Out Into The Night is a celebration of resilience, living for who you are and what you're about.

“Kid” is a hopeful anthem invoking the zest for life, self-belief, catharsis and “living for the spirit now” as the song’s post-chorus declares. Directed by Johnny Chew, the music video features artful, eye-popping stop-motion animation of the band against a backdrop that pays homage to the architectural and artistic aesthetics that define the band’s home of New Orleans. The visual made its broadcast premiere on MTV Live, MTVU, and MTV Biggest Pop.

With an infectious melody and piano peeking through bright acoustic guitar, intricate layers of the band’s distinctive instrumentation power a euphoric chantable chorus: “Hey kid/ Just sing the songs that wake the dead then/ You keep them ringing in your head, yeah/ You gotta get it off your chest/ Don’t worry about the mess.”

“‘Kid’ is about capturing the essence of life,” says vocalist/guitarist David Shaw. “We all go through ups and downs. Sometimes, we don’t believe in ourselves. We’ve got skeletons in the closet trying to drag us down. But you’ve got to believe in yourself. You’ve just got to live for the spirit. Nothing good ever comes easy. If you don’t have hope, what do you have?”

“David and I wrote the bulk of ‘Kid’ on January 6, 2021. My wife was one month pregnant with our twins and also we were getting real-time updates on the insurrection at the Capitol,” shares guitarist Zack Feinberg. “There was a lot of intense energy swirling around us that day as we were trying to stay focused on this exciting, beautiful thing we were channeling.”

“Kid” introduces Pour It Out Into The Night, a life-affirming album about living in the moment that offers both an unburdening and an appreciation for the here and now, fueled by lessons in gratitude and life realizations. As the world came to a standstill in the years since their last album, Take Good Care, personal experiences and life challenges abounded, with band members having their first children, getting married, and navigating the mental hurdles of lockdown.

The Revivalists:
David Shaw, lead vocals, guitar
Zack Feinberg, guitar
Andrew Campanelli, drums
George Gekas, bass
Ed Williams, pedal steel guitar
Rob Ingraham, saxophone
Michael Girardot, keyboard, trumpet
PJ Howard, drums, percussion

The Revivalists
Some people say 'luck is the intersection of hard work and opportunity'. On their fourth full-length album and first for Loma Vista Recordings, The Revivalists chronicle, catalog, and capture an unbelievable ride where ten years of tireless hard work would be unexpectedly revved up by the wrongly dubbed “overnight success” of the gold-selling number one single “Wish I Knew You.” Like any enduring band worth its salt, they reacted the best way possible to newfound popularity - by buckling down and turning up with an album chock full of tunes worthy of even greater success. It’s the result of a trip that unassumingly commenced in 2008 with hundreds of underground shows yearly and culminated 10 years later with not only “Wish I Knew You,” but three years of back-to-back sold out headline tours. In life, like rock ‘n’ roll, some questions get answered while others stay unanswered. Our personal backroads tuck, twist, and turn through ups, downs, and everything in between at light speed, sometimes without explanation or a moment for reflection. Mirroring the push-and-pull of the past few years, the boys—David Shaw [lead vocals, guitar], Zack Feinberg [guitar], Andrew Campanelli [drums], George Gekas [bass], Ed Williams [pedal steel guitar], Rob Ingraham [saxophone], Michael Girardot [keyboard, trumpet], and PJ Howard [drums, percussion]—deliver a bevy of anthems marked by moments of sonic complexity, celebration, and catharsis.

“As far as the music goes, sometimes I just have a feeling, and it comes through in a song,” says David. “I don’t know what it is, but it makes me feel something. I wanted this album to be simply about that. Making the new music has been a bit of a cathartic process for me—just to get some of these feelings out, lose myself in the art, and become someone else. Songwriting is the great escape. It’s where I can be who I want to be. It’s been three years of touring our asses off, writing in between, and honing our craft. Then, ‘Wish I Knew You’ happened. Everything got even crazier. This album basically came together the way we always make records though. It’s simply a collection of songs from where we were at that point in our lives. We didn’t want to divert too much from what we’ve always been, but we wanted to take it to the next level and continue that trajectory of our artistry and creativity.”

Simultaneously, life was rapidly changing around the band, and the music spoke to that.

“Everything going on these past few years certainly informed the direction,” David continues. “I don’t know if I was ready for some of what transpired emotionally. I got personal on some of the songs. I said some things I might not have otherwise. Thankfully, I have a good family network and amazing girlfriend to balance all of the changes.”

“We were fortunate enough to have this ‘hit’ on the last record, and things have changed,” adds Andrew. “We had to keep pushing forward.”

For the first time, The Revivalists recorded and co-wrote with multiple producers and writers, enlisting the talents of Dave Cobb [Sturgill Simpson, Chris Stapleton], Andrew Dawson [Kanye West, Fun., Sleigh Bells], and Dave Bassett [Elle King, Vance Joy] for sessions in New Orleans and Nashville, which became a hub for the band. They spent three weeks recording at the iconic RCA Studio B, soaking up the aura of one of the most storied studios in music and the city’s rich musical history. Additionally, it would be the first record with drummer/percussionist PJ joining the band in the studio.

Bringing sixty songs to the table, the guys whittled the batch down to the best fourteen of the bunch.

Andrew continues, “On the first few records, we were figuring out what our identity is, so we were really involved in the minutia of recording. After all this time, we have an identity, and it’s more based in our songs. We were able to let go and allow these producers to take us into a direction that we wouldn’t go on our own. We got to explore a little more. Being ten years in empowered us to do that.”

“We had the opportunity to work with more people, which was amazing,” David goes on. “The main difference was having this team and the chance to co-write. It really elevated our craft in a way that I don’t think we ever thought about previously. We were all working together in the studio, while keeping the true heart and soul of the band intact through the whole process.”

The first single “All My Friends” speaks to that spirit. Driven by swaggering piano, boisterous horns, and bluesy leads, the track swings towards an unshakable chant, “All my friends take good care of me.” Striking, sharp, and soulful, it introduces this chapter with confidence and charisma.

“I actually wrote those verses when I was 27,” says David. “I met up with Dave Bassett in Malibu where I did some writing sessions, and I brought the lyrics to the table. It’s a bit of a retrospective look back. You’re in your twenties, staying out for three days, not contacting your significant other, and getting into some bad shit. Looking back, I realized, I had an amazing group of friends who stuck by my side.”

“Musically, it bridges the gap between what we’ve been doing and what you’re about to hear,” explains Andrew.

Representing a vast swath of the country and defying regional pigeonholes, David’s roots are in the Rust Belt, while Zack, Ed, and George hail from the Tri-States and Michael and Rob from the Southwest. Andrew cut his teeth bashing the drums in the DC scene and newcomer PJ made his bones in Chicago. However, The Crescent City would ultimately bring them together. Since forming in New Orleans, the group quietly grinded towards international ubiquity one gig, song, and album at a time. Seven years in, 2015’s Men Amongst Mountains represented a high watermark. Its lead single “Wish I Knew You” became a slow-burning hit, racking up more than 200 million streams and ascending to #1 on Adult Alternative and Alternative radio. On the latter, it clocked a record for “most single-week spins ever at the format” before eventually receiving a gold certification from the RIAA. A mainstream phenomenon, the song found traction at Hot AC and Top 40 and bubbled up on to the Billboard Hot 100 for nine weeks as the band made the rounds on television with performances on Today, Jimmy Kimmel LIVE!, Ellen, and Conan. Acclaim came from USA Today, Entertainment Weekly, Forbes, Flaunt, Buzzfeed, Uproxx, Billboard, and more with Rolling Stone touting them among “10 Artists You Need To Know.” Along the way, they garnered a Billboard Music Awards nomination and two nods at the iHeartRadio Music Awards. Between countless gigs, the musicians also ignited festival stages at Bonnaroo, Governor’s Ball, New Orleans Jazz Fest, Outside Lands, and Pilgrimage, to name a few.

Looking back, the frontman smiles, “It’s been quite the ride.”

In the end, The Revivalists welcome listeners on this journey with them as they set out with a newfound depth and ambition.

“As we went along, we found there are more questions than answers, and we’re all sort of figuring it out,” concludes Andrew. “We’re all doing the same thing. We hope people listen to the record and maybe can go out and keep making connections. That’s what we’re supposed to do. It’s the human experience.”

“We’re in this together,” David leaves off. “We love to take people on an emotional rollercoaster with us. That’s what this record is. It’s who we are. There’s some real magic in that.”

This album contains no booklet.