Verge Of Light Robin Scherpen

• Robin Scherpen: Song For Eunoia:
• 1 Song For Eunoia 02:11
• A Long Way From The Past:
• 2 A Long Way From The Past 03:24
• Verge Of Light:
• 3 Verge Of Light 03:08
• Lingering Patterns:
• 4 Lingering Patterns 02:40
• Eterna Luna:
• 5 Eterna Luna 03:07
• Behind The Sapling:
• 6 Behind The Sapling 02:43
• Each Passing Step:
• 7 Each Passing Step 02:39
• Ongoing Reverie:
• 8 Ongoing Reverie 02:19
• The Act Of Solace:
• 9 The Act Of Solace 02:56
• Nostalgia:
• 10 Nostalgia 02:48
• To Comfort:
• 11 To Comfort 04:57
• Total Runtime 32:52

Info for Verge Of Light

This week sees the release of classical guitarist Robin Scherpen's new album Verge of Light on Friday 31 January.

As for his debut two years ago, Robin composed the new music for Verge of Light in the dark, creating the compositions purely on intuition and without visual noise. This environment of complete freedom, where only the sounds and the unconscious process were guiding, has produced a simultaneously powerful and vulnerable album. ‘Robin Scherpen demonstrates on ‘Verge of Light’ a refined sense of melody, atmosphere and structure... a beautiful second album’ (Guitarist).

Robin Scherpen, guitar

Robin Scherpen
The story of classical guitarist Robin Scherpen is one of darkness and light.

Due to an eye condition, he was no longer able to read his scores.

An eye operation that was as daring as it was successful forced him to spend quite some time in a dark room during his recovery. On pure intuition he honed his creative urge there and took the first steps in composing. That has now resulted in the album 'For The Unseen'. There was light at the end of the tunnel.

Always broadly oriented, he started arranging South American music. 'Aurally I brought orchestral parts back to solo guitar,' That worked out very well. ‘I then started composing step by step, everything by ear and in ultimate freedom.’

At the end of that period in solitary seclusion in the dark, he began to see better in his left eye and had written the foundations of eleven compositions with which he should be able to continue. The foundations for an own album were there.

In the lockdown, where he found space again, Scherpen started working on the sketches of his compositions that he still had lying around. The whole world fell silent, it was the perfect time for it. ‘In peace I started to concretise those pieces. I'm still working on music as I did when I started it. In fact, I even embrace it. I retreat to a dark room and let the music find its way,' says the man who is happy that he can now see his family in addition to the beautiful world. The track Son is dedicated to his 2-year-old son.

Scherpen's artistic process may have been born out of necessity, but it has led to a new, liberating insight: 'Music is a language. It does not necessarily have to be understood to be effective. You must first know the spoken word for understanding. This is not necessary with music. A score is nothing more than a tool to make music insightful.

The album 'For The Unseen' is a tribute to that closed period and the realization that intuition is the only thing he needs to exist as an artist. 'Without visual noise, I feel complete freedom to compose from the heart.' In the music that resulted from it, he takes his audience into the dark and back into the light. Every now and then he asks them to close their eyes, because often we see so much more without looking. This increases the empathy of his gripping and inspiring story.

After a remarkable debut with a tour along various major stages in the Netherlands, including a sold-out Royal Concertgebouw, Scherpen's creative drive seems unstoppable. His second album Verge Of Light is created over the last year.

The follow-up to Scherpen's debut was composed using the same process. In the dark without visual noise, relying on intuition and an unconscious process. Although the method remained the same, Scherpen has completely abandoned the need for proof in his new work. His intuition ensures that Scherpen draws inspiration from everything he absorbs and what touches him. With this in mind, he aims to break down the barriers between genres, forms, and traditions, integrating the craftsmanship of his classical background into various worlds to create something new.

His music is part of a larger whole, and the philosophy of breaking down these barriers aligns with meeting people without preconceived differences. A thought he tries to live by and helps him to evolve as a human being and as a musician.

This album contains no booklet.