Fast Forward Joe Jackson
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- 1Fast Forward06:02
- 2If It Wasn't for You03:39
- 3See No Evil04:07
- 4King of the City05:22
- 5A Little Smile04:00
- 6Far Away04:02
- 7So You Say02:52
- 8Poor Thing03:32
- 9Junkie Diva05:38
- 10If I Could See Your Face04:19
- 11The Blue Time05:31
- 12Good Bye Jonny05:41
- 13Neon Rain03:35
- 15Keep on Dreaming04:17
- 16Ode to Joy04:16
Info for Fast Forward
Joe Jackson is one of the most unique musicians in British pop history. Coming out of the punk musical revolution, he immediately got noticed for his skill in combining raw energy, great taste and dislike of stereotypes. Joe Jackson and his band appeared on the British music scene just after the punk revolution with iconic records like “Look Sharp!” (containing the hit “Is She Really
Going Out With Him”) and “I’m The Man” (containing the hit “It’s Different For Girls”).
Later on during his career Jackson was not afraid to mix other influences like jazz, classic and latin music to his original sound (in albums like “Body And Soul” or the masterpiece “Night and Day”). Never repeating himself, Joe Jackson always pleased his devoted fans with albums where his intelligent lyrics were supported by great musical ideas, a coherence that made the five time Grammy nominee one of the most respected and admired artists of our time.
He constantly plays live for a fanbase which is like a “secret society”: ready to follow, support and embrace Joe Jackson in any new musical adventure he wanted to explore.
In 2010, Joe Jackson went back on the road, playing a big number of sold out shows which were featured on the fantastic live album “Live Music”. Joe Jackson’s last release, 2012’s “The Duke,” was an ambitious, horn-free tribute to a “fellow music pioneer” (NPR) Duke Ellington, which Rolling Stone hailed as “movingly subtle” and which charted in the Top 30 in various European countries. It featured an eclectic roster of guest artists including Iggy Pop, Ahmir ‘Questlove’ Thompson and other members of The Roots, Sharon Jones, Steve Vai, and jazz violin star Regina Carter.
The ever-restless songwriter Joe Jackson travelled the world to record “Fast Forward,” his first collection of original songs in seven years. Originally conceived to be released as a series of EPs, the album was produced and arranged by Jackson, and features four sets of four songs recorded in four different cities – New York, New Orleans, Berlin and Amsterdam – each with a different set of first-call supporting musicians. The results rank among the richest and most rewarding music of his storied career.
NEW YORK Jackson has called New York home for many years. He recorded these tracks with Bill Frisell on guitar, Brian Blade on drums, his long-time bassist Graham Maby, and jazz violin star Regina Carter. Along with three originals including the album’s title track, these sessions feature a scorching take on a New York classic, Television’s “See No Evil.”
AMSTERDAM Distinguished by the most diverse instrumentation of the four sessions, Jackson is joined on these songs by frequent collaborators Stefan Kruger and Stefan Schmid from the band Zuco 103, the Concertgebouw orchestra, and the project‘s only guest vocalist, 14-year-old Mitchell Sink.
BERLIN Berlin is Jackson’s second home, and he recorded here with two expatriate American musicians: acoustic bass master Greg Cohen (Tom Waits, Ornette Coleman, Bob Dylan) and Tindersticks’ drummer Earl Harvin. These sessions produced the album’s second cover, Jackson‘s modern English take on the 1930s German “Kabarett” song “Good Bye Jonny.”
NEW ORLEANS Jackson travelled to one of his favourite cities, New Orleans, to record with an all-local cast including three members of the funk band Galactic - drummer Stanton Moore, bassist Robert Mercurio, and guitarist Jeff Raines – and a horn section led by saxophonist Donald Harrison.
Joe Jackson, lead vocals Bill Frisell, guitar Brian Blade, drums Graham Maby, bass Regina Carter, violin Greg Cohen, bass Earl Havin, drums Stefan Krugen, Stefan Schmidt, Royal Concertgebouw OrchestraMitchell Sink, vocals Stanton Moore, drums Robert Mercurio, bass Jeff Rains, guitar Donald Harrison, saxophone
Produced and arranged by Jackson
was born on August 11 1954 in Burton-on-Trent, England, but grew up in the South Coast naval port city of Portsmouth. A skinny, asthmatic kid, he loved books and originally wanted to be a writer. At age 11, though, he joined a school violin class in order to escape the humiliation of Sports periods in which it was very often him, rather than the ball, which got kicked. Much to his own surprise, he found himself fascinated by music and eagerly studying music theory and history.
A couple of years later, Joe had switched to the piano, mainly because of his new ambition: to be a composer. His first efforts were pieces for piano and small groups of instruments. Within a few more years, though, he was writing songs, and leaning more towards the pop world.
At age 16 Joe played his first paying gig, as pianist in a pub next door to a glue factory just outside of Portsmouth. This was followed by other pub gigs (in which he was often trying to entertain crowds of drunken, bottle-throwing sailors) and accompanying a bouzouki player in a Greek restaurant.
At age 18 Joe won a scholarship to study Composition, Piano, and Percussion at London's Royal Academy of Music. During the three years he spent there, he broadened his horizons further by working with a Fringe theatre group, studying Jazz with John Dankworth at the Academy and in the National Youth Jazz Orchestra, and playing in pop cover bands with names like Edward Bear and The Misty Set. By the time he left the Academy, he was the co-leader and songwriter of Arms and Legs, a proto-punk outfit which released two singles on the MAM label before burning out somewhere around 1976.
Joe then took a detour through the Cabaret world, as pianist and musical director first for the Portsmouth Playboy Club and then for singing duo Koffee N' Kreme. The main purpose of this was to save money to make demos of his own songs.
By 1978 Joe was living in London and hawking an album-length demo, with his own band (Graham Maby, Bass; Dave Houghton, Drums; Gary Sanford, Guitar) standing by. That demo - already called Look Sharp - eventually found its way to American producer David Kershenbaum, who was in London in the capacity of talent scout for A&M Records. Joe was immediately signed and Look Sharp more professionally re-recorded in August '78. The Joe Jackson Band finally started to play regular gigs and the album was released in January 1979.
Joe Jackson's story up to this point is much more fully, fascinatingly, and hilariously recounted in his book A CURE FOR GRAVITY. From here on, though, it becomes more a matter of public record. Look Sharp (containing the hit Is She Really Going Out With Him) was followed within a year by the very similar I'm The Man (containing the hit It’s Different For Girls) and in 1980 by the darker, more reggae-influenced Beat Crazy. At the end of 1980, drummer Houghton decided to quit, and Joe decided to dissolve the band and try something new.
In 1981 Jackson recorded Jumpin' Jive, a 'musical vacation' paying tribute to Swing and Jump Blues artists such as Louis Jordan and Cab Calloway. Returning to songwriting, Joe spent a large chunk of 1982 in New York. The result was Night and Day, a more sophisticated and melodic record built around keyboards and Latin percussion, rather than guitars. With a new guitar-less band, Jackson hit the road for a whole year, and the album became his biggest success, spawning the hit singles Steppin’Out, Breaking Us In Two and Real Men and going platinum in the US. During the tour Joe also somehow found time to write his first film score, for James Bridges' Mike's Murder. (He would go on to write several more, including most notably for Francis Ford Coppola's Tucker in 1988).
Now based in NYC, Jackson's next album Body and Soul (1984) was in a similar vein to Night and Day but featured a horn section (which, along with the Blue Note-inspired cover art, led many people to wrongly assume he'd made a jazz record). For Big World (1986) Jackson stripped everything down to a 4-piece again, and recorded live, direct to 2-track master. In 1989 he went in the opposite direction with the majestic, semi-autobiographical Blaze of Glory, and toured with an 11-piece band. Laughter and Lust (1991) was more like a mainstream (though still idiosyncratic) rock record, but yet another lengthy world tour left Jackson exhausted and at a creative dead end. As he sees it, his workaholic phase - which also included several film scores, a live album (Live 1980-86), an instrumental album (Will Power, 1987), guest appearances with Suzanne Vega, Ruben Blades and Joan Armatrading, and endless touring - was over.
Joe's work during the rest of the 1990s was his most challenging and eclectic: the gentle, soul-searching Night Music (1994), the ambitious and original song-cycle based on the Seven Deadly Sins, Heaven and Hell (1997), and the album Joe considers his most underrated, Night and Day II (2000). The turn of the century saw a burst of creativity: Jackson won his first Grammy (Best Pop Instrumental Album for the non-traditional, non-orchestral Symphony No.1) and published his book A Cure For Gravity. Described by Joe as not an autobiography but ‘a book abut music thinly disguised as a memoir’, it was well-reviewed and has been translated into German and Dutch.
In 2003 Jackson astonished everyone, including himself, by re-forming the original Joe Jackson Band for a stunning new album, Volume 4, and a lengthy tour. The reunion was always intended as a one-off, but it also produced a live album, Afterlife, in 2004.
By this time Jackson was living mostly back in London. He made quite a few solo appearances, including on an unusual triple-bill tour with Todd Rundgren and the string quartet Ethel. He sang and played piano on Rickie Lee Jones' It's Like That and William Shatner's Has Been (produced, arranged and co-written by Ben Folds). He made his first film appearance, as a pub pianist, in The Greatest Game Ever Played, which also features some of his music. He was also awarded a Fellowship by the Royal Academy of Music and an Honorary Doctorate by the University of Portsmouth.
Around this time Joe started working with writer Raymond Hardie and director Judy Dolan on Stoker, a musical theatre project about Bram Stoker, the creator of Dracula. Though Stoker has been workshopped, performed a couple of times for small invited audiences, and attracted a lot of interest from theatre companies around the world, it has yet to find the backing for a fully-staged production.
In 2006 Joe turned his attention back to pure songwriting and did a short Trio tour with Graham Maby and Dave Houghton. Having failed to happily re-establish himself in London, he moved to Berlin, where his next album Rain was recorded in 2007. Consisting of ten powerful, timeless new songs, Rain creates a surprisingly epic sound with just voices, piano, bass and drums. The trio toured for the next three years, and played more shows than any other J J lineup, including Joe’s first visits to Mexico, Israel, Croatia, the Czech Republic, South Africa and Turkey. A live album, Live Music, was released in 2011.
Joe Jackson’s most recent project is a tribute to one of his greatest musical heroes, Duke Ellington. The Duke is an often radical re-interpretation of fifteen Ellington classics, arranged into ten tracks, and featuring an eclectic roster of guest artists including Iggy Pop, Ahmir ‘Questlove’ Thompson and other members of The Roots, Sharon Jones, Steve Vai, and jazz violin star Regina Carter, who joined Joe on the subsequent tour.
Jackson is currently living in Berlin but returns frequently to both New York and Portsmouth. He is working on new material for a new album in 2015.
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