French Cello Sonatas: Boëllmann, Widor & d'Indy, Vol. 2 Marina Tarasova

• Léon Boëllmann (1862 - 1897): Cello Sonata in A Minor, Op. 40:
• 1 Boëllmann: Cello Sonata in A Minor, Op. 40: I. Maestoso 09:00
• 2 Boëllmann: Cello Sonata in A Minor, Op. 40: II. Andante 08:11
• 3 Boëllmann: Cello Sonata in A Minor, Op. 40: III. Allegro Molto 06:09
• Charles-Marie Widor (1844 - 1937): Cello Sonata in A Major, Op. 80:
• 4 Widor: Cello Sonata in A Major, Op. 80: I. Allegro Moderato 08:13
• 5 Widor: Cello Sonata in A Major, Op. 80: II. Andante con Moto 08:29
• 6 Widor: Cello Sonata in A Major, Op. 80: III. Allegro Vivace 09:22
• Vincent D'Indy (1851 - 1931): Sonata for Cello and Piano in D Major, Op. 84:
• 7 D'Indy: Sonata for Cello and Piano in D Major, Op. 84: I. Entree 07:31
• 8 D'Indy: Sonata for Cello and Piano in D Major, Op. 84: II. Gavotte en Rondeau 02:55
• 9 D'Indy: Sonata for Cello and Piano in D Major, Op. 84: III. Air 04:34
• 10 D'Indy: Sonata for Cello and Piano in D Major, Op. 84: IV. Gigue 02:59
• Total Runtime 01:07:23

Info for French Cello Sonatas: Boëllmann, Widor & d'Indy, Vol. 2

Leon Böellmann (1862-1897) was born in the Alsatian town of Ensisheim. He moved to Paris after the Franco-Prussian War after which Alsace became part of Germany. In Paris, he studied organ, piano and composition at the Classical Music School, graduating from it with honors. After graduation, he worked as a teacher at school. His compositions brought him considerable recognition, and he would almost certainly have made a bigger name for himself if he had not died at the young age of 35. Presented on this album is his remarkable Cello Sonata Op.40, hailing from the late French Romantic period.

The Cello Sonata Op.80 in A major of 1907, by Charles-Marie Widor (1844–1937), is a grandiose work consisting of three movements with a magnificent introduction, foreshadowing a sonatafull of ideas. When comparing the cello part with other sonatas of the period, a cellist feels that Widor cared little for technical constraints. Due in part to the use of huge intervals, the cello part matches the piano part for virtuosity. The sonata’s premiere was given by Jules Lebeau and the composer on 14 March 1907 at the salon of Madame Max, who also offered Widor’s Violin Sonata Op.79 in the same program.

Vincent d’Indy (1851–1931) was a French composer and organist, conductor and teacher, music critic, publicist and meaningful public figure. He lived a long and active live throughout at least three epochs of French history. He is considered the greatest representative of the César Frank School of composition. His Sonata for Cello and Piano Op.84 was written in 1925 when d’Indy was over 70 years old. His style had undergone significant changes in the years following his retirement and move from Paris to the southof France, where he composed a series of works generally in a bright and cheerful mood. Despite its name, this Sonata in fact takes the form of a Baroque suite. The opening movement (Entrée) is elegant and charming. This is followed by a Gavotte in Rondo, in which pizzicato in the cello is used to evoke the lute. The third part (titled "Air") is characterized by a soft and melancholic mood. The finale (Gigue) is a lively updated form of this baroque dance.

The sonata by Boëllmann is a bold, substantial work in rich romantic idiom. The sonata by Widor is brilliantly written for both instruments, full of passion and blazing virtuosity. The sonata by d’Indy is written in the form of a Baroque suite: prelude, gavotte, air and gigue.

Marina Tarasova is one of the most renowned cellists of today: ‘Her playing is generous in tone, full-blooded in expression, passionate and confident, evidently fired by love for and commitment to the music.’ Gramophone. She is winner of international competitions in Prague, Florence, Paris, and a laureate of the Tchaikovsky competition in Moscow. She began playing the cello at the age of six and studied at the Gnessin School with Alexander Fedorchenko and at the Moscow Conservatoire with Natalia Shakhovskaya. Her vast repertoire spans the 17th century to the present day. She has worked with many renowned musicians, such as Mikhail Pletnev, Mariss Jansons, Gennady Rozhdestvensky, Kurt Masur, Eduard Grach and Yuri Bashmet.

Marina Tarasova, cello
Ivan Sokolov, piano

Marina Tarasova
is an acclaimed Russian cellist, the winner of international competitions in Prague, Florence, and Paris. She was awarded the laureate of the Tchaikovsky competition in Moscow and is an Honored Artist of the Russian Federation. She has worked with many famous musicians, such as Mikhail Pletnev, Mariss Jansons, Gennady Rozhdestvensky, Kurt Masur, Edward Grach and Yuri Bashmet among others.

Tarasova lives in Moscow, where she was born. She started playing the cello at the age of six and studied with Alexander Fedorchenko at the Gnessin School and with Natalia Shakhovskaya at the Moscow State Conservatory.

Marina Tarasova’s wide repertoire covers works of composers from the 17th century to the 20th. She has recorded much Russian repertoire for Northern Flowers, including some composers little-known in the West. She has joined Divine Art Recordings Group to explore non-Russian repertoire more actively.

Booklet for French Cello Sonatas: Boëllmann, Widor & d'Indy, Vol. 2