Francesco Cavalli: Musiche sacre concertate Accademia di Musica Antica, Ensemble Vocale E & Romano Vettori

• Francesco Cavalli (1602 - 1676):
• 1Cavalli: Ave Maris Stella05:56
• 2Cavalli: Ave regina04:49
• 3Cavalli: Regina coeli laetare04:08
• 4Cavalli: Laetatus sum09:03
• 5Cavalli: Sonata à 305:21
• 6Cavalli: Exultet orbis gaudiis05:02
• 7Cavalli: Beatus vir11:28
• 8Cavalli: Iesu corona virginum04:40
• 9Cavalli: Deus tuorum militum03:50
• 10Cavalli: Nisi Dominus11:33
• Total Runtime01:05:50

Info for Francesco Cavalli: Musiche sacre concertate

Accademia di Musica Antica, Ensemble Vocale e Strumentale di Rovereto, and organist Romano Vettori are all featured on Fonè Records' audiophile exploration of the work of Italian composer Francesco Cavalli (1602-1676).

We can assume that Cavalli avoided, perhaps for excessive modesty, to pursue an adequate dissemination of his works in prints, if in the preface to his anthology of Sacred Music of 1656 he said, "My genius has always kept away from prints, and I have more quickly consented to let my weaknesses go where Fortune brought them by means of the pen, rather than the press. In the end, however, I let myself be convinced." Venice was the goal of pupils and musicians coming from all over Europe; Schutz refined there his polychoral style, and his mixed concertato for small choir. To this particular field is dedicated a conspicuous part of Cavalli’s anthology, from which the pieces presented in this album have been chosen and which, on top of showing the ingenuous composer’s traits, store exquisite vocal and instrumental surprises.

In the context of classical and jazz music market, fonè proposes three decades of recordings using advanced techniques, aimed at the recovery of the original musical atmospheres.

Each new recording is the result of a passionate encounter between art and the art of execution and aims to recreate and reproduce the same spirit with which the works of the past have been performed. One basic feature that makes the difference between fonè and others, is the recording of musical works in natural places and original, constant production that leads to choose from time to time historically more space? Suitable for: church, theater, villa, living room ...

All this is done by retrieving a simple incision that does not do violence to the music: all the equipment is in high definition. Using pairs of valves Neumann microphones in the years 1947 and 1949 (U47, U48 and M49) using techniques very natural timbre bimicrofoniche field effect. These microphones have an important story: they are the microphones used to record the Beatles at Abbey Road Studio and RCA for the "Living Stereo."

No use is made of electronic manipulation of the signal, nor any artificial correction that if they make a sound easier to carve, it is true that distort so unacceptable. With this method you get to transfer the music information on the standard analog for the production of virgin vinyl 180g & 200g

fonè uses for the standard analog Nagra 4S, Studer C37 and J37 and Ampex ATR 102, the standard for digital, in collaboration with Philips the DSD (Direct Stream Digital) technology that has opened the doors to the SACD. For all subsequent stages of processing and control, in which it must be a playback of the sound reproduction systems are used very sophisticated.

Implementation is of the highest quality and is dedicated to those who appreciate the pursuit of perfection in the field of sound reproduction, to collectors, to the true connoisseur and expert of things beautiful.

Sylva Pozzer, soprano
Simonetta Cavalli, mezzosoprano
Vincenzo Di Donato, tenor
Garrick Comeaux, bass
Accademia di Musica Antica
Ensemble Vocale e Strumentale di Rovereto
Romano Vettori, conductor

Digitally remastered

No biography found.

Booklet for Francesco Cavalli: Musiche sacre concertate