Manic Revelations Pokey LaFarge

Cover Manic Revelations

Album info

Album-Release:
2017

HRA-Release:
19.05.2017

Label: Concord Records

Genre: Jazz

Subgenre: Jazz Blues

Album including Album cover Booklet (PDF)

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  • 1Riot In The Streets03:40
  • 2Must Be A Reason03:33
  • 3Better Man Than Me03:35
  • 4Bad Dreams03:27
  • 5Mother Nature03:39
  • 6Silent Movie03:46
  • 7Good Luck Charm02:37
  • 8Going To The Country04:05
  • 9Wellington03:55
  • 10I Will Never Change03:37
  • Total Runtime35:54

Info for Manic Revelations



Pokey LaFarge tries to make sense of trouble he's seen and trouble he's been in. This is the Great Why of his unending passion for songwriting. Each chord, each riff shades the stories he sets up in his lyrics, always in search of the purest truth within the 10 forlorn, haunting melodies on Manic Revelations. A musician, a storyteller, a narrator of the messy, unkempt American experience…Pokey LaFarge sits, he watches, he writes. Everything that's worth happening happens in his songs.

From the broad social narrative of 'Riot In The Streets' to the internal tension of 'Must Be A Reason' and 'Bad Dreams' to the profound alienation of 'Silent Movie,' these Manic Revelations are questions, they are answers, they are an epoch for Pokey LaFarge.

It is a tough thing to write about, but as a citizen of St. Louis and as an artist, I had to say something. Hopefully this song does more good than bad and, ultimately, gets the dialogue started. Although it’s also important to not forget the peaceful protests and those that spread the message of love in the pursuit of justice and equality, this particular song is about people being marginalized and brought to the brink. It was only a matter of time before they fight back. I hope you feel that tension in the song—even from the first bass click.

Recorded in LaFarge’s hometown of St. Louis, Manic Revelations features 10 new original songs and was produced by the Southside Collective—LaFarge, Joey Glynn (bass), Ryan Koenig (harmonica, guitjo, electric guitar), Adam Hoskins (electric guitar), Matt Meyer (drums, percussion), Luc Klein (trumpet, euphonium, piano, glockenspiel), Alec Spiegelman (saxophone, piano, tubax, organ, clarinet, flute), David Beeman (tambourine, stylophone, guitar, organ)—along with additional production by Tony Hoffer.

“The manic revelation is the state where artists create,” says LaFarge. “I got to the point in writing these songs where I felt like a house on fire that just kept burning.” He continues, “This album is about confronting yourself. It’s about confronting your city, its relation with the world, and all its people.”

Since his debut in 2006, LaFarge has released seven studio albums, including his most recent, 2015’s Something In The Water. Of the album, American Songwriter proclaims, “immensely enjoyable…the sheer joy of these performances is contagious,” while The Guardian declares it, “…a spirited attempt to keep American roots music—country blues, early jazz, ragtime and western swing—alive.” Additionally, surrounding the album’s release, LaFarge was featured on NPR’s “Fresh Air.”


Pokey LaFarge
is a musician, songwriter, bandleader, entertainer, innovator and preservationist, whose arsenal of talents has placed him at the forefront of American music. Over the last decade, Pokey has won the hearts of music lovers across the globe with his creative mix of early jazz, string ragtime, country blues and western swing. After signing with Jack White’s Third Man Records to release his fifth full-length album (Pokey LaFarge) in 2013, he performed as a musical guest on The Late Show with David Letterman and The Late Late Show on Ireland's RTÉ One network. Pokey's rendition of "Lovesick Blues" with Vince Giordano and the Nighthawks, featured on an episode of Boardwalk Empire, was selected for inclusion on the series' official soundtrack (Vol. 2). Additionally, Pokey appeared in Disney’s The Lone Ranger (both on screen and on the original score), was featured on A Prairie Home Companion and NPR's World Cafe, and recorded a song for ATO Records' Divided & United: Songs of the Civil War, produced by Randall Poster.

2014 has been Pokey’s most momentous year yet; by spring, he had brought his music to five continents, with international tours in India, Australia and New Zealand. In the past year, Pokey's tour trail (consisting of over 250 shows) included appearances at clubs and festivals across the USA and Canada as well as two extensive tours in Europe. Pokey has played with the likes of Jack White, The Raconteurs, Wanda Jackson, Old Crow Medicine Show, and most recently, Carolina Chocolate Drops. As an opening act on Jack White's Blunderbuss tour, he delighted sold out crowds at Red Rocks Amphitheater and Radio City Music Hall, among other notable venues in North America. Pokey is currently touring with a five-piece backing band, including his original bandmates (Ryan Koenig on harmonica, washboard and snare, Adam Hoskins on guitar and Joey Glynn on upright bass), in addition to Chloe Feoranzo on clarinet and TJ Muller on cornet.

At only 31 years old, Pokey’s career has not slowed in momentum since it began with his first release Marmalade (2007). Shortly followed by Beat, Move and Shake (2008) and Riverboat Soul (2010), Pokey quickly graduated from breakthrough artist to leading musical figure, receiving two consecutive Independent Music Awards for Best Americana Album (Riverboat Soul and Middle of Everywhere).

Pokey’s music transcends the confines of genre, continually challenging the notion that tradition-bearers fail to push musical boundaries. Rather than merely conjuring up half-forgotten imagery of days past, Pokey is a lyrical storyteller, the plot delivered smoothly through his dynamic vocals. Both on stage and off, his effortless wit never fails to charm audiences, giving way to a live music experience that manages to be grandiose and unassuming all at once. Born in the heartland of America and based in St. Louis, Missouri, Pokey’s Midwestern charisma welcomes his audiences with open arms.

Pokey LaFarge is on a mission, encouraging fans worldwide to think differently about what it means to celebrate musical traditions. Simply put, Pokey explains, “It’s not retro music. It’s American music that never died.”

Booklet for Manic Revelations

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