Glow Brett Eldredge
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- 1Let It Snow! Let It Snow! Let It Snow!02:19
- 2Baby, It's Cold Outside (feat. Meghan Trainor)02:54
- 3I'll Be Home For Christmas03:27
- 4The Christmas Song04:35
- 6White Christmas03:13
- 7Winter Wonderland02:44
- 8Have Yourself A Merry Little Christmas04:39
- 9Silent Night03:57
- 10It's Beginning To Look A Lot Like Christmas02:55
- 11The First Noel02:35
Info for Glow
'I've been inspired for this record from a very young age,' said Eldredge. 'I dreamt of the day I could record all these classic songs that I've loved since I was a little kid. I recorded those classics in New York City and tried to give a tip of the hat to the ones that came before me - Bing Crosby, Frank Sinatra, Dean Martin, Ray Charles - by adding that swing and that soul to the best of my ability. When it came to actually recording, I wanted to live in the experience. We hung Christmas lights in the studio in the middle of May and had musicians from the best bands in the world all in the same room - from horns to strings. Everyone was so inspired to make this classic record. I think it really shows in the songs and I can't wait for people to hear that magic we found.'
The album was recorded at the legendary Avatar Studios in New York which has hosted many iconic artists including Bob Dylan, Tony Bennett, Bruce Springsteen, John Lennon, Billy Joel, Iggy Pop, Madonna and David Bowie. Produced by Rob Mounsey (Elton John, James Taylor, Idina Menzel, Michael Bublé) and Jay Newland (Etta James, Paul Simon, Stevie Wonder, Eric Clapton), it will feature many of your favorite Christmas standards, plus an original titled 'Glow.'
Country up-and-comer Brett Eldredge has always been attracted to singers, a fact that should come as no surprise to anyone who’s heard the Illinois native’s soulful, distinctive baritone. “I always gravitated towards big voices, because as a kid I had this big voice coming out of me,” says Eldredge. “I was hooked on the story that somebody would be telling through their voice.” With his debut album slated to be released in 2013 on Atlantic Records and new single “Don’t Ya” at radio now, Eldredge is finally getting the chance to share a story of his own.
Although distant cousin Terry Eldredge is a member of seminal bluegrass outfit the Grascals, closer to home, Brett’s musical talent was the exception. The little kid with the big voice grew up listening to records from Ray Charles, Ronnie Dunn, and, of course, the greatest of them all: Frank Sinatra. His parents bought a guitar and a small sound system for Eldredge when he was a teen, and while he didn’t immediately take to the instrument – “I never could sit still long enough to learn it,” he admits – the sound system and its wireless microphone became a cornerstone of his early musical training. By age 15, Eldredge was a performer in demand for local functions. “I really grew to love the feel of the crowd,” he says.
Eldredge says there was no question that his passion for performance would carry him to Nashville, but his move to Music City after college made one thing clear: He was going to have to pick up that abandoned guitar. “I saw people on stage playing these songwriter nights, just them and a guitar,” he says. So Eldredge locked himself in a room to practice, and eventually started writing songs of his own. “It took me a while to finally get a hold of the guitar, but once I did I was hooked,” he says. “I think being a student of singers works to my advantage, because it taught me how to phrase things. I had melodies all over the place in my head.”
He has since moved on to writing with some of Nashville’s greats, including the legendary “Whispering” Bill Anderson, who taught him that one of the tricks to being a great songwriter is to “just keep writing,” Eldredge says. Two singles he’s released so far certainly prove his range: His 2010 debut, “Raymond,” was inspired in part by Eldredge’s own grandmother and her struggle with Alzheimer’s. Current single “Don’t Ya” hits the opposite end of the spectrum, an up-tempo flirtation that ponders the mystery of romantic relations, and showcases the sexy baritone in Eldredge’s voice. And during his own high-energy live shows, just like that kid with the wireless mic, Eldredge goes out of his way to connect with every member of the crowd. “That’s the place I feel more alive than anywhere,” he says. “Everything it takes to get to wherever I’m going to play – every airplane and car I ride in – is so worth it once I’m able to get up on that stage. I want everybody in the crowd to feel the energy that I’m feeling from them.”
As he continues to work hard at the craft of songwriting, there’s no question his talent will grow along with his audience. “You can create something from nothing, and that’s the coolest thing in the world to me,” Eldredge says. “This new music is me, and it’s taken every song I’ve written up to this point to get to where I am. I feel better about my music now than I ever have felt, and I can’t wait for people to hear it.”
This album contains no booklet.