Time Traveler Ute Lemper

• 1Time Traveler04:06
• 2In My Flame04:40
• 3Moving On03:58
• 4Magical Stone04:36
• 5At the Reservoir04:53
• 6Little Face - the Sequel04:09
• 7Man with No Face03:45
• 8Envie D'Amour03:23
• 9Cry in the Dark03:29
• 10The Gift03:46
• Total Runtime40:45

Info for Time Traveler

With "Time Traveler", Ute Lemper achieves the unusual feat that the listener does not even notice the 23 years that lie between the individual songs.

Musically, Ute Lemper frees herself from all categories with her new album. Depending on your socialisation and personal preferences, you can listen to these songs as pop, rock, jazz, soul or chanson, all of these at once or simply as Ute Lemper. She doesn't want to serve expectations any more, but takes her inspiration from songs she likes to listen to herself. This includes references to artists and bands like Hiatus Kaiyote, John Legend, Joni Mitchell, Sarah McLachlan, Annie Lennox, Erykah Badu or Robert Glasper, without wanting to copy any of them. All the songs are one hundred percent Ute Lemper. In some pieces she goes far afield in terms of sound, initially luring the listener onto a completely wrong track, as in the title track, in others she hides little surprising details in the production with which she repeatedly puts the songs, herself and not least the sensory perception of the ear to the test.

"Time Traveler" is a very personal album, but its message reaches far beyond Ute Lemper's own life experience.

With "Time Traveler", Ute Lemper has given herself a gift. And yet it is first and foremost an album for people that functions like a signpost. Almost every listener can find themselves in the unsparing self-honesty with which Ute Lemper reflects on her life in a very accessible way.

Ute Lemper

Ute Lemper
Ute Lemper's career is vast and varied. She has made her mark on the stage, in films, in concert and as a unique recording artist. She has been universally praised for her interpretations of Berlin Cabaret Songs, the works of Kurt Weill and Berthold Brecht and the French Chanson Book. As well as her own compositions and the more Jazz influenced collaborations and works. In the world of theater Ute made her mark with her portrayals on Broadway, in Paris and in London's West End.

Her newest concert is Ultimo Tango, an entirely new show, presenting a journey through the songs of Astor Piazzolla, the fabulous Argentinian composer of Tango, and the words of the Poet Horacio Ferrer. Ute sings in the original Spanish and created adaptations of these stories of love, abandonment, decadence and passion in Buenos Aires, Berlin, Paris and New York, in French, German and English. She recently completed a world tour with the original Astor Piazzolla Sextet from Buenos Aires.

Ute recently completed a concert series with the Jazz at Lincoln orchestra and Wynton Marsalis, at Rose Hall in New York City, dedicated to the music of Kurt Weill.

Very different is Ute's other new creation, The Bukowski Project, a rather avant-garde, adventurous collage in music and songs of the poetry of Charles Bukowski. This homage to the poet was invented and largely composed by Ute herself with the collaboration of her partner Todd Turkisher and her pianist Vana Gierig.

Ute just recorded her new CD Paris Days / Berlin Nights with the Vogler String Quartet and Stefan Malzew on Piano. It is a beautiful semi-classical recording featuring songs between love and war, composed by Hans Eisler, Kurt Weill, Jacques Brel, Edith Piaf and Astor Piazzolla, and also Folksongs in Yiddish and Russian. The release of the CD was followed by an extensive North American Tour in March and April of 2012.

Ute was born in Munster, Germany and completed her studies at The Dance Academy in Cologne and the Max Reinhardt Seminary Drama School in Vienna. Her professional debut in theater after her studies at the Max Reinhardt Seminar was the Fassbinder play Katzelmacher at the Stuttgarter Staatstheater and a collaboration with Jerome Savary Bye Bye Showbiz. On the musical stage she starred in the original Vienna production of Cats in the roles of Grizabella and Bombalurina, as Peter Pan in Peter Pan (Berlin) and Sally Bowles in Jerome Savary's Cabaret (Paris) for which she received the Moliere Award for Best Actress in a Musical. She played Lola in The Blue Angel (Berlin) and Maurice Bejart created a ballet for her, La Mort Subite (Paris). Ute also collaborated with Pina Bausch and her Tanztheater on the Weill Revue. Ute created the part of Velma Kelly in London's production of Chicago in the West End, for which she was honored with the Laurence Olivier Award, and moved to the Broadway production after one year.

Ute Lemper's solo concerts, which include Kurt Weill / Berthold Brecht Recitals, Berlin Cabaret, Dietrich and Piaf, Jacques Brel, Leo Ferre, Kosma, Prevert, Sondheim, Piazzolla and also Lemper's own songs, have been produced in prestigious venues throughout the world. Her symphony concerts include The Seven Deadly Sins, Songs from Kurt Weill, Songbook (Michael Nyman) and Songs from Weill, Piaf and Dietrich with the symphony orchestras of London, Israel, Boston, Hollywood, San Francisco, Berlin, The Paris Radio Symphony Orchestra, The Illusions Orchestra (Bruno Fontaine) and the Michael Nyman Band (Michael Nyman). She also appeared in Folksongs with the Luciano Berio Orchestra (Luciano Berio) and with The Matrix Ensemble (Robert Ziegler) performing Berlin Cabaret Songs. She has performed with the best symphony orchestras all over the world from Buenos Aires to Sydney.

Her celebrated recordings for DECCA include Ute Lemper Sings Kurt Weill (Vols. I and II), Three Penny Opera, The Seven Deadly Sins, Mahagonny Songspiel, Prospero's Books (Michael Nyman), Songbook (Michael Nyman/Paul Celan), Illusions (Piaf/Dietrich), City of Strangers (Prevert/Sondheim) and Berlin Cabaret Songs (German and English versions). She was named Billboard Magazine's Crossover Artist of the Year for 1993- 1994. In early 2000, Decca/Universal Music released Punishing Kiss, featuring new songs composed for her by Elvis Costello, Tom Waits, Philip Glass, and Nick Cave. Her following release on Decca, But One Day, featured new arrangements of Weill, Brel, Piazzolla, Heymann and Eisler songs, as well as the first recordings of her own compositions, for which she wrote both lyrics and music. She has also recorded Crimes of the Heart, Life is a Cabaret and Ute Lemper Live for CBS Records and Espace Indecent, Nuits Etranges and She Has a Heart for POLYDOR.

This album contains no booklet.