They Call Me Mud Mud Morganfield

Album info

Album-Release:
2018

HRA-Release:
08.01.2019

Label: Severn Records

Genre: Blues

Subgenre: Electric Blues

Album including Album cover

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FLAC 44.1 $ 12.80
  • 1They Call Me Mud04:00
  • 248 Days04:27
  • 3Cheatin' is Cheatin'05:21
  • 4Who's Fooling Who?05:31
  • 5Howling Wolf05:18
  • 624 Hours04:00
  • 7Who Loves You05:51
  • 8Oh Yeah04:29
  • 9Can't Get No Grindin'03:33
  • 10Rough Around the Edge05:53
  • 11Walkin' Cane04:24
  • 12Mud's Groove03:30
  • Total Runtime56:17

Info for They Call Me Mud



"They Call Me Mud", the album from singer Mud Morganfield, son of the legendary blues icon, Muddy Waters. Produced by Mud Morganfield and Rick Kreher (who also plays guitar on the CD and was a guitarist in the Muddy Waters band), They Call Me Mud was recorded at Joyride Studios in in Mud’s Chicago hometown. Mud penned 10 of the album’s 12 songs, with two others coming from his illustrious father’s catalog, “Howling Wolf” and “Can’t Get No Grinding.”

A stellar cast of Chicago area musicians adds some authentic, downhome blues touches to the recording, including Billy Flynn on guitar, Studebaker John on harmonica and backing vocals, Sumito Ariyo Ariyoshi on piano, E.G. McDaniel on bass and Melvin “Pookie Stix” Carlisle on drums. Special guests include Billy Branch on harmonica, Mike Wheeler on guitar and Mud’s daughter Lashunda Williams, who joins her dad on a loving duet, ‘Who Loves You,’ where Mud gets to stretch out on some of his R&B grooves. There’s also a horn section featured on several tunes, and Mud, himself, plays bass on three tracks.

“I think it’s the some of the best work I’ve ever done yet,” Mud Morganfield proclaims about the new disc. “I feel that with the variety of material I have on here, people will get a chance to hear the other sides of my music: everything from soul and R&B to jazz and, of course, blues. I got to play bass on three songs, too, and I’m so proud to a have my youngest daughter, Lashunda, sing with me on this album. She’s a natural, too, and regularly sings gospel at home.”

In the album’s liner notes, co-producer Rick Kreher recalls how he found out about Mud and finally got a chance to meet and become friends with the big man. “About a dozen years ago or so, I heard that a son of Muddy Waters was popping up at clubs on the Westside of Chicago and sitting in for a couple of tunes. A few weeks later, a Chicago blues club was having their annual musicians Christmas luncheon and there was this guy who certainly looked like Muddy. As soon as I introduced myself and he began to talk, I knew without a doubt that this was Muddy’s son. No one could have that deep baritone voice and as soon as he gave that little ‘chuckle’ that Muddy always did, I was convinced. Since that first meeting, we have become great friends and have worked together on many musical endeavors. Mud Morganfield has grown into a superstar on the blues circuit. Certainly, there will be comparisons to his dad, but that can be expected and rightly so. Mud comes as close to the Muddy experience as one can get. He will always pay tribute to his dad with the Chicago blues ensemble sound that Muddy created. But, Mud was also brought up musically in the ‘70s and ‘80s when soul, Motown and R&B ruled the world. Mud played bass and performed with bands playing the hits of that era. This, along with his blues pedigree, has influenced Mud’s own songwriting skills, which are constantly evolving.”

They Call Me Mud is Morganfield’s third album for Severn Records. Son of the Seventh Son (2012) was the first recording that brought Mud into the blues limelight. Mud wrote most of the songs on that album, which was nominated for numerous blues awards and received rave reviews around the world. His last album, For Pops (2014), a tribute to his dad that featured harmonica great Kim Wilson, was showcased on National Public Radio and garnered a Blues Music Award nomination for Traditional Album of the Year.

Rick Kreher describes the music on the new disc as “a blues buffet, with something for everyone. We have a new signature song, ‘They Call Me Mud,’ a hard hitting funky blues with Mud growling it on home. Some rockin’ blues with Studebaker John on harp and Mike Wheeler on guitar going toe-to-toe on ‘“Who’s Fooling Who?’ We have a couple of Chicago blues stompers, ‘Walkin’ Cane’ and ‘Rough Around the Edge;’ a great minor blues, ‘48 Days,’ with Billy Flynn channeling the great Jimmy Johnson on guitar; a Stax groove on ‘Oh Yeah;’ and Mike Wheeler again getting funky on ‘24 Hours.’

“Then, to honor his dad once again we have Muddy’s slide guitar blues, ‘Howlin’ Wolf,’ and the roaring shuffle, ‘Can’t Get No Grindin’,’ where everyone takes a solo turn. And finally, a jazzy instrumental, ‘Mud’s Groove,’ featuring the great Billy Branch on harp. This was the kind of song that blues bands would play before the star of the show would appear to get them into the groove. This song is a perfect finale to a CD that showcases Mud’s take on the blues.”

Mud Morganfield, guitar, vocals
Rick Kreher, bass, lead vocals
Billy Flynn, guitar, backing vocals
John Studebaker, harmonica, backing vocals
Sumito Ariyo Ariyoshi, piano, backing vocals
Phil Perkins, trumpet
Michael Jackson, saxophone
Bryant “T” Parker, percussion
Melvin “Pookie Stix” Carlisle, drums, backing vocals
Lashunda Williams, vocals
Anne Harris, violin



Mud Morganfield
Muddy Waters or Mud Morganfield? It’s almost impossible to tell. Of course, nothing would please Mud more than hearing people say he sounds just like his late father “Muddy Waters” on the track “Loco Motor” from his new album Son Of The Seventh Son.

Naturally, Mud, the eldest son of legendary bluesman “Muddy Waters”, was drawn to music at an early age. He learned to make the best of his famous father’s hectic touring schedule, seeing Muddy only during brief respites at home in Chicago. Ever the devoted father, Muddy bought his son a drum set every Christmas, which Mud learned to play at age seven. Later, he switched to bass guitar while delving into songwriting.

Mud entertained the idea of becoming a professional musician after Muddy’s death in 1983. Blues fans were introduced to Mud at a tribute concert to his father in 2007, but his performance at the Chicago Blues Festival that same year brought him instant recognition.

Mud composed most of the songs on his award-winning album Son Of The Seventh Son, including “Blues In My Shoes.” He also performs the Muddy Waters tune, “You Can’t Lose What You Ain’t Never Had.” According to producer and harmonica player Bob Corritore, the CD “brings you the great Mud Morganfield in all his glory.” It was recorded in Chicago and features some of the city’s top Blues musicians.

In 2014, Mud’s album, For Pops, recorded in tribute to his late father, together with fabulous Thunderbirds frontman, Kim Wilson, sees him make a very personal statement about his roots.

In March 2018 Mud’s album They Call Me Mud was released on Severn Records to critical acclaim. Produced by Mud Morganfield and Rick Kreher (who also plays guitar on the CD and was a guitarist in the Muddy Waters band), They Call Me Mud was recorded at Joyride Studios in in Mud’s Chicago hometown. Mud penned 10 of the album’s 12 songs, with two others coming from his illustrious father’s catalog, “Howling Wolf” and “Can’t Get No Grinding.”

Mud’s travels are taking him and his music worldwide, with appearances in the biggest festivals and venues, such as the legendary Ronnie Scott’s Jazz Club and the Royal Albert Hall Blues Fest in London, England, and on to iconic TV shows such as Later… with Jools Holland on BBC TV in the UK, plus featuring in a TV documentary by a modern Bluesman of international fame, Hugh Laurie, with whom he has also appeared on stage in Chicago.

Mud is taking his surge in popularity in stride, “When I’m up on stage I always feel pops is there with me, and it means so much that I can get on stage and keep his music alive around the world,” he says.

This album contains no booklet.

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