Believers Deacon Blue

Album info



Label: earMUSIC

Genre: Pop

Subgenre: Pop Rock

Artist: Deacon Blue

Composer: Gregor Philp, Ricky Ross, James Prime

Album including Album cover

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  • 1The Believers03:36
  • 2This Is a Love Song04:03
  • 3I Will and I Wont03:47
  • 4Meteors03:03
  • 5Gone03:36
  • 6What I Left Out03:18
  • 7A Boy03:13
  • 8Birds05:56
  • 9You Cant Know Everything03:38
  • 10Delivery Man04:25
  • 11Come Awake03:52
  • 12B Boy01:44
  • Total Runtime44:11

Info for Believers

Deacon Blue further their huge creative and commercial renaissance with the release of their brand new studio album, ‘Believers’. ‘Believers’ is the third part of a trilogy begun with ‘The Hipsters’ in 2012 and continued with ‘A New House’ in 2014. As such it continues a songwriting trajectory that is both rich, idiosyncratic and sharply honed – and inevitably coloured by a sense of urgency to make sense of recent events, both personal and global.

First single ‘The Believers’ is a song reflecting, in part, on the scenes of despair among refugees attempting to cross the Mediterranean and elsewhere – but nevertheless cast as an anthem of hope.

Ricky Ross says: “The song which starts off the whole album is ‘The Believers’. It’s our statement that belief in the possibilities of hope and a better tomorrow is the side we choose to come down on. We once covered the mighty protest song, ‘Which side are you on -’ a pressing question in today’s political climate. This record is our best answer’.”

Expanding to talk about the album, Ross continues; “You try to write something that would be good enough if it turned out to be the last thing you did. When you’re young you think ‘There’s plenty more records I can do.’ It’s not so urgent somehow. There are still plenty more records that I want to make. But I might not get time to do them all. That’s a thought that certainly pulls the songwriting into focus.”

‘Believers’ is the band’s 8th studio album and consists of 12 tracks, written or co-written by Ricky Ross. The record was produced and mixed by producer and friend Paul Savage (Mogwai, Arab Strap, The Twilight Sad, Wu Lyf) who previously worked with the band on ‘The Hipsters’. Two tracks were mixed by Grammy award winning Michael Brauer (Coldplay, John Mayor).

Deacon Blue’s first album ‘Raintown’ was released in 1987 to massive critical acclaim and went on to achieve a million sales. The album was quickly followed up with their number one, double platinum album ‘When The World Knows Your Name”. Since then the band have sold over 7 million albums worldwide.

Ricky Ross says of the album trilogy now completed with the new record: “‘The Hipsters’ was about the band – my love letter to Deacon Blue. Our last album ‘A New House’ was about our country, Scotland. This album is about the journey we all take into the dark. You come to that point in your life where – whatever you’ve been told, whatever the evidence you’ve been presented with – you just don’t know what the answer is. At which point you can only rely on instincts of your heart. You either take the leap or you don’t.

It’s been a journey. I started the tentative writing process in December 2014 and carried it on until May this year. In that time lots of things in the world have changed.”

“The real gone kids return with their first studio album in a decade. Beautifully crafted songs including the poignant 'Here I am in London Town' and the heartfelt 'Turn' find Ricky Ross and co right back at the top of their game. 'The Hipsters' is a classic pop package from Glasgow with love.” (Music Week, UK)

Ricky Ross, vocals
Lorraine McIntosh, vocals
Gregor Philp, guitars, vocals
Lewis Gordon, bass
Dougie Vipond, drums, percussion
Jim Prime, keyboards

Deacon Blue
were never hipsters. With six million album sales, 12 UK Top 40 singles and two No. 1 albums to their credit, they have been majorly successful and have always been adored by their fans. And their inspirational brand of soulful Scottish pop remains an enduring tonic for the troops. Indeed, when Wayne Rooney tweeted his Spotify playlist before England's vita group match against Ukraine in Euro 2012, his No. 1 song was Real Gone Kid, still one of the Glasgow group's best-loved hits. But hip? Cool? One of the bands that you'd find hanging out with the fashionistas? That was never Deacon Blue.

"I remember saying when we first got back together that we must by the uncoolest band in the world," says Deacon Blue's singer, songwriter and mainstay Ricky Ross. "But I like that. And people still love us despite all that."

So The Hipsters is a decidedly ironic title for a brilliant new Deacon Blue record, the group's first studio album since Homesick in 2001. For beneath that faintly sardonic veneer, is a collection of finely-tuned songs which find Ross reflecting on the long-distance life and times of his group with a deep, thoughtful passion. The opening track, Here I am in London Town, sets the scene as if at the start of a stage musical, as Ross conjures up an impression of how his younger self felt as he sat in a studio "waiting for the world to begin".

"I was remembering what it was like starting out, coming down to London for the first time," Ross says. "You were hoping someone would open a door and your world would start."

It is now 25 years since the band released their debut album, Raintown, and the world of Deacon Blue began in earnest. It was the first of a string of best-selling albums: When the World Knows Your Name [1989]; Fellow Hoodlums [1991]; Whatever You Say, Say Nothing [1993]; and a double-platinum compilation Our Town – The Greatest Hits [1994], after which the group split up for five years. While Ross built up his career as a songwriter and solo act, he and the other band members set about establishing themselves with remarkable success in various other fields of the media, the arts and academia. But as their lives unfolded, they never gave up on the Deacon Blue dream. A reunion show led on to a new album Walking Back Home [1999] which marked the beginning of a period to the present, during which the band has continued to reconvene whenever there has been a good reason to do so, of which there have been many.

"I suppose we thought when we went down to London the first time that everything would be solved by a record deal and hit records and that's all there was to life," says the singer Lorraine McIntosh, who has been married to Ross for 22 years. "And then, 25 years down the line, after you've all gone through life, got married, had kids and lost people you've loved, you realise that there's so much more to it than that."

"We're all the same people, but our lives have completely changed," says the drummer Dougie Vipond, who has become a familiar face as a TV presenter on BBC Scotland. "I was 18 when I joined Deacon Blue. I grew up in the band. The only thing that concerned me was making records and playing gigs. Now I've got three children and all sorts of other responsibilities. So I feel really blessed that I'm still able to do it."

"I've got a lot of things going on," says the keyboard player James Prime, who runs a Commercial Music course at the University of the West of Scotland. "But playing and touring with my friends in Deacon Blue is no problem. It's more of a wrench going back to work when you're finished."

The band were united in their determination to record a new album. And not just any new album. "We'd done the greatest hits thing for a while," Ross says, "and we needed to do some new material or not do it at all." He began by writing the song The Hipsters and then another called The Outsiders which summed up the hectic rush of life in a band: "We took the road, any road, every road out of here/Forgot the past, cut the strands, made a path, took a stand/Chased the day, raced the night, grabbed our chance didn't look/Back to where we'd come from".

"It's so different to come back to it when you're not in the thick of things," Ross says. When you're a young, aspiring musician, chasing success, nothing ever satisfies you. Now, after writing a couple of these new songs, I realized there was a different narrative developing. I felt I was in a new moment. Then I realized: It's about us! It's about being in this amazing band. It's an open love letter to Deacon Blue."

With the songs written and demoed, the band convened at Gorbals Sound, a new, state-of-the-art recording facility in the heart of Glasgow. Working with Paul Savage, a smart, young producer whose work Ross had discovered through presenting his show on BBC Radio Scotland, the band recorded the new album in the old-school way, with the whole band set up, and all playing and singing together in the studio – the first time they had worked like that since recording Fellow Hoodlums in Paris in 1991.

"I still get excited when the band is together," says Prime. "We tell each other the old jokes just to remind each other how long we've been doing it. It's lovely that Ricky has come up with an album of personal songs rather than stuff about towns and rivers and mythical characters. These are really heartfelt, one-to-one songs."

This album contains no booklet.

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