Joan Tower: Strike Zones, Small, Still/Rapids & Ivory and Ebony Evelyn Glennie, Blair McMillen, Albany Symphony Orchestra & David Alan Miller

Cover Joan Tower: Strike Zones, Small, Still/Rapids & Ivory and Ebony

Album info

Album-Release:
2021

HRA-Release:
23.07.2021

Album including Album cover Booklet (PDF)

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  • Joan Tower (b. 1938):
  • 1 Tower: Strike Zones 21:10
  • 2 Tower: Small 06:31
  • 3 Tower: Still/Rapids: I. Still 05:00
  • 4 Tower: Still/Rapids: II. Rapids 12:36
  • 5 Tower: Ivory and Ebony 07:33
  • Total Runtime 52:50

Info for Joan Tower: Strike Zones, Small, Still/Rapids & Ivory and Ebony



Joan Tower is widely regarded as one of today’s most important American composers. The works heard here in their world premiere recordings are part of a growing legacy that one pundit has described as “The Power of Tower.” Strike Zones is tailor-made for percussionist Evelyn Glennie’s dazzling technique and impeccable musicianship. The work’s orchestration is crafted to enhance a stage filled with percussion instruments – while in Small they are contained on a single table, the soloist working like a brilliant chef. The piano concerto Still/Rapids was inspired by the glistening beauty and powerful force of water, and Ivory and Ebony, written as a test piece for an international piano competition, is infused with Tower’s “high-energy” signature.

Dame Evelyn Glennie, percussion
Blair McMillen, piano
Albany Symphony Orchestra
David Alan Miller, conductor



Evelyn Glennie
Dame Evelyn Glennie is the first person in history to successfully create and sustain a full-time career as a solo percussionist, performing worldwide with the greatest orchestras, conductors and artists. Evelyn paved the way for orchestras globally to feature percussion concerti when she played the first percussion concerto in the history of the Proms at the Royal Albert Hall in 1992. Evelyn has commissioned over 200 new pieces for solo percussion from many of the world’s most eminent composers to vastly expand the percussion repertoire. She regularly provides masterclasses and consultations to inspire the next generation of musicians. The film ‘Touch the Sound’ and her enlightening TED speech remain key testimonies to her innovative approach to sound-creation.

Leading 1000 drummers, Evelyn had the honour of a prominent role in the Opening Ceremony of the London 2012 Olympic Games.

Evelyn was awarded an OBE in 1993 and now has over 100 international awards, including the Polar Music Prize and the Companion of Honour. She was recently appointed the first female President of Help Musicians, only the third person to hold the title since Sir Edward Elgar and Sir Peter Maxwell Davies.

Evelyn is currently creating The Evelyn Glennie Collection with a vision to open a centre that embodies her mission to Teach the World to Listen. She aims to ‘improve communication and social cohesion by encouraging everyone to discover new ways of listening as proven in her book ‘Listen World!’. We want to inspire, to create, to engage and to empower’.

Blair McMillen
Hailed by the New York Times as “prodigiously accomplished and exciting” and as one of the piano’s “brilliant stars,” pianist Blair McMillen has forged a musical life that is unbounded by convention. He is well-known for his advocacy of living composers and contemporary music, as well as for championing very early keyboard music and more recent neglected masterpieces. For more than two decades, McMillen has divided his time as piano soloist, chamber musician, music festival director, and educator/teacher.

Blair McMillen has performed in major concert venues in New York, throughout the United States, and around the world. Recent appearances include concertos with the American Symphony Orchestra in Carnegie Hall, solo appearances with the St. Paul Chamber Orchestra, and a 3-week solo tour of Brazil sponsored by the US State Department. He is a member of several prominent ensembles, including the American Modern Ensemble, the six-piano “supergroup” Grand Band, and the Perspectives Ensemble, among others. For 10 years he was pianist for the Naumburg Award-winning Da Capo Chamber Players. He has also performed with the International Contemporary Ensemble, the Knights, and the LPR Ensemble.

As a teacher and pedagogue, McMillen is in high demand. He has taught at Bard College and Conservatory since 2005, and he serves on the piano and collaborative piano faculty at Mannes at the New School in New York City. He regularly adjudicates at competitions and festivals throughout the United States and abroad. In past summers, McMillen has taught at the Elm City Chamber Festival, the Xi’an Festival, the Wellesley Composers Conference, the Samuel Barber Institute, FEMUSC (Brazil), and the Bennington Chamber Music Festival, to name a few.

His first solo CD “Soundings,” was released to critical acclaim in 2001. Since then, Blair McMillen has been featured on dozens of commercially-released solo, chamber, and orchestral recordings. An album of two-piano music with Stephen Gosling, “Powerhouse Pianists II,” was declared “one of the finest piano recordings in 2016” by NPR. An ECM recording with violinist Miranda Cuckson was hailed by The Guardian for “...playing that is frank and urgent, with powerfully stripped-back quiet passages and gritted-teeth ecstatic climaxes.” McMillen was featured on a recent release, Harold Meltzer’s Grammy-nominated “Songs and Structures.” And in 2021, Naxos will release McMillen’s recording of Joan Tower’s piano concerto “Still/Rapids” with the Albany Symphony Orchestra.

Blair McMillen is the co-founder and co-director of the Rite of Summer Music Festival. Rite of Summer is a free, outdoor contemporary-music series held on New York City’s Governors Island. The festival has presented boundary-pushing artists such as the JACK Quartet, Bang on a Can All-Stars, Tigue, Theo Bleckmann, Todd Reynolds, Contemporaneous, and Don Byron’s New Gospel Quintet. Celebrating its tenth season in 2021, Rite of Summer is the only annual music festival on Governors Island, a place the New Yorker has called “an enormous playground for the arts.”

Blair McMillen holds degrees from Oberlin College, Manhattan School of Music, and The Juilliard School. While at Juilliard he was selected as concerto soloist on a tour of Japan with the Juilliard Orchestra. While there, he won the school’s Gina Bachaeur Competition and the Sony “Elevated Standards” Career Grant. McMillen’s principal teachers have included Jerome Lowenthal, Robert McDonald, Sophia Rosoff, Joseph Kalichstein, and Byron Janis. He lives in New York with his wife Kay and son Conor. In his spare time he enjoys biking, skiing, film, and the occasional semi-competitive game of table tennis.

Booklet for Joan Tower: Strike Zones, Small, Still/Rapids & Ivory and Ebony

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