I Forsee the Dark Ahead, If I Stay (Live) The Kilimanjaro Darkjazz Ensemble

Album info

Album-Release:
2011

HRA-Release:
20.01.2017

Label: denovali records

Genre: Electronic

Subgenre: Downtempo

Album including Album cover

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FLAC 44.1 $ 15.00
  • 1Celladoor (Live)02:32
  • 2Lobby (Live)07:26
  • 3Mists of Krakatoa (Live)05:08
  • 4Adaptation of the Koto Song (Live)05:00
  • 5Symmetry of 6s (Live)06:14
  • 6The Nothing Changes / Senki Dala / Embers (Live)10:04
  • 7Black Wings (Live)06:02
  • 8Goya (Live)05:34
  • 9The MacGuffin (Live)15:14
  • Total Runtime01:03:14

Info for I Forsee the Dark Ahead, If I Stay (Live)

On split since 2012 The Kilimanjaro Darkjazz Ensemble now finally makes all long-time sold out releases available again on all formats. An act combining profound musical sensibilities, deeply emotional harmonies and an acute ear for genre inter-breeding, The Kilimanjaro Darkjazz Ensemble placed itself and the confluent of dusty, gritty jazz and low-end doom-laden drones, and came up with a sound which is at the same time warm and dark, brooding and misty, cinematic and dynamic.

The ensemble's music - mournful, mercurial and thoroughly spooked - has the lingering impact of the silent movies (Metropolis, Nosferatu) that served as their initial inspiration. (The Wire)

The production is that much more spooky, rich, and atmospheric, and the song structure that much more purposeful and realized. It seems they have struck a perfect symmetry in the studio as a group, feeding off one another and performing cohesively. There is not a wasted moment to be heard. Mutations will slide its greasy fingers up your spine and linger there until you like it. (Pop Matters)

The Kilimanjaro Darkjazz Ensemble takes dub, jazz and electronica into new areas of shadowy cinematic enchantment (Rock-a-Rolla)

Currently founding member Jason Kohnen is paving the way with his new dark jazz project "The Thing With Five Eyes", continuing the mystical and occult universes people got to love from the "Here Be Dragons" period. His debut album is set to appear in 2017. In a parallel corner - founding member Gideon Kiers and trombonist Hilary Jeffery are conjuring up a twenty first century vision of spiritism with Inconsolable Ghost, working together with artists such as the cellist Anthea Caddy, the viola player Zsolt Sőrés (Ahad) and the filmmaker Makino Takashi. Vocalist Charlotte Cegarra recently started the Psychedelic-Pop duo Charlotte&Magon.

Together with "Bohren und der Club of Gore" and "The Dale Cooper Quartet", The Kilimanjaro Darkjazz Ensemble through the years have succeeded in creating a brand new genre of music. Time to get absorbed again by this unique and fresh sound.

Jason Köhnen, programming, bass
Gideon Kiers, programming
Hilary Jeffery, trumpet
Nina Hitz, cello
Charlotte Cegarra, vocals
Eelco Bosman, guitar
Sadie Anderson, violin


The Kilimanjaro Darkjazz Ensemble (TKDE)
formed in 2000 as a project to compose new music for existing silent movies. Jason Köhnen (aka Bong-Ra) and Gideon Kiers (Telcosystems), both graduates of the Utrecht School of Arts, combined their audio and visual skills to reinterpret classic movies by F.W. Murnau (Nosferatu) and F. Lang (Metropolis).

In 2004 UK trombonist Hilary Jeffery and Swiss cellist Nina Hitz joined TKDE to record the self-titled debut album which was released on Planet Mu Records in May 2006. The ensuing tour saw Eelco Bosman and Paris based vocalist Charlotte Cegarra join, forming the Ensemble into a sextet. London based violinist Sadie Anderson joined in 2008 to supply the group with extra power on stage.

The Netherlands has been TKDE’s homebase since 2007, while members have moved closer to each other to make composing and producing easier.

Apart from the mothership which is TKDE, there is another entity; The Mount Fuji Doomjazz Corporation is a live improv jazz / drone / doom side project consisting of TKDE members and a host of interchanging guest musicians.

Due to the vast possibilities within the band, the sound spectrum of TKDE is hard to capture within one specific composition. Moreover, the project will lean towards various styles depending on the respective members working together at a given time. A good mix between atmosphere and technique is always the strong basis for a TKDE composition.

This album contains no booklet.

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