Scarlatti, Chopin, Liszt, Ravel Lucas Debargue

Album info

Album-Release:
2016

HRA-Release:
28.12.2016

Label: Sony Classical/Daniel Taylor

Genre: Classical

Subgenre: Instrumental

Artist: Lucas Debargue

Composer: Franz Schubert (1797-1828), Edvard Grieg (1843-1907), Maurice Ravel (1875-1937), Franz Liszt (1811-1886), Frederic Chopin (1810-1849), Domenico Scarlatti (1685-1757)

Album including Album cover

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  • Domenico Scarlatti (1685 - 1757): Keyboard Sonatas:
  • 1Sonata in A Major, K. 208, L. 238 (Live)05:00
  • 2Sonata in A Major, K. 24, L. 495 (Live)04:22
  • 3Sonata in C Major, K. 132, L. 457 (Live)04:42
  • 4Sonata in D Minor, K. 141, L. 422 (Live)03:52
  • Balade:
  • 5Ballade No. 4 in F Minor, Op. 52 (Live)12:02
  • Frédéric Chopin (1810 - 1849): Mephisto Waltz No. 1, S. 514:
  • 6Mephisto Waltz No. 1, S. 514: The Dance in the Village Inn (Live)12:45
  • Maurice Ravel (1875 - 1937): Gaspard de la Nuit, M. 55 (Live):
  • 7Gaspard de la Nuit, M. 55: 1. Ondine (Live)06:57
  • 8Gaspard de la Nuit, M. 55: 2. Le Gibet (Live)07:31
  • 9Gaspard de la Nuit, M. 55: 3. Scarbo (Live)10:11
  • Edvard Grieg (1843 - 1907): Melody Op. 47/3:
  • 10Lyric Pieces, Book III, Op.47: 3. Melody (Live)05:09
  • Franz Schubert (1797 - 1828): Moment Musical, Op. 94, D. 780:
  • 11Moment Musical, Op. 94, D. 780: No. 3 in F Minor (Live)02:32
  • Domenico Scarlatti / Lucas Debargue
  • 12Variation I on Sonata in A-Major by Domenico Scarlatti02:27
  • Total Runtime01:17:30

Info for Scarlatti, Chopin, Liszt, Ravel



The most-talked about artist of the 2015 Tchaikovsky Competition created huge excitement and world-wide media attention with his riveting background and “genius-like playing” (Boris Berezovksy). Debargue, who is 25, started the piano late at 11 years old, learning mostly in isolation. After dropping the instrument for three years to play in a rock band and study literature, he started formal piano training aged 20. Placed 4th, he was described by media as “the real winner” of the competition and received the Music Critics’ Association award as “the pianist whose incredible gift, artistic vision and creative freedom have impressed the critics as well as the audience.” Valery Gergiev, the competition’s chairman, broke protocol by letting Debargue play in the winners’ gala and not prizewinner Dmitry Masleev. Lucas Debargue's debut album is a live recording at the Salle Cortot in Paris and documents his first concert in his hometown after the competition. The centrepiece of his first recording is Ravel’s monumentally challenging Gaspard de la nuit. One of the most difficult piano pieces in the repertoire, which Debargue performed to sensational acclaim during the second round of the competition. “It’s a great spiritual work. It’s like a Goya painting, filled with light and darkness.” The recording also includes four coruscating sonatas by Domenico Scarlatti; Chopin’s emotionally intense Ballade No. 4; Liszt’s devilish Mephisto Waltz; and smaller works by Grieg (Lyric Pieces op. 47 no. 3, “Melody”) and Schubert (Moment musical op. 94 no. 3). Debargue says, “I chose the repertoire to go from early Scarlatti to Ravel, with a wonderful romantic bridge of Chopin and Liszt to go between them".

“The recital’s centrepiece is Gaspard de la nuit in a remarkable reading that exudes drama, colour and atmosphere. Pacing in ‘Ondine’ is apt, building to the nymph’s feigned tears and bitter laughter as she disappears into the lake. The sheer desolation conjured in ‘Le gibet’ is all the more palpable for its understatement, the barely audible but incessant bell suggesting incipient madness” (Gramophone Magazine)

Lucas Debargue, piano



Lucas Debargue
In 2015 the French pianist Lucas Debargue became the most talked-about artist of the 15th International Tchaikovsky Competition.

Despite being placed 4th, his muscular and intellectual playing, combined with an intensely poetic and lyrical gift for phrasing, earned him the coveted Moscow Music Critics’ Award as ”the pianist whose incredible gift, artistic vision and creative freedom have impressed the critics as well as the audience”. He was the only musician across all disciplines to do so. Soon after the competition Debargue was signed by Sony Classical, and recorded a live recital for his debut release with music by Ravel, Liszt, Chopin and Scarlatti in his native city of Paris.

Debargue was born in 1990 in a non-musical family. In 1999 he settled in Compiègne, about 90km north of Paris and began his initial piano studies at the local music school at the age of 11.

At 15 Debargue ceased piano studies having found no musical mentor to help him share his passion with others and having become frustrated at playing solely for himself. He began to work, successfully for his Baccalaureate at a local college and joined a rock band. At 17 he relocated to the capital to study for a degree in Arts and Literature at Paris Diderot University and, remarkably, ceased playing the piano altogether for three years.

In 2010 he was asked to play at the Fête de la Musique festival in Compiègne, and this marked his return to the keyboard. Shortly after he was put in touch with his current mentor and guide, the celebrated Russian professor Rena Shereshevskaya, who is based at both the Rueil-Malmaison Conservatory and the École Normale de Musique de Paris ‘Alfred Cortot’. Seeing in Debargue a future as a great interpreter, Professor Shereshevskaya admitted him into her class at the Cortot School to prepare him for grand international competitions. It was at the age of 20 when Debargue started formal piano training.

Only four years later he entered the Tchaikovsky Competition in 2015, and the world instantly took note of a startling and original new talent. “There hasn’t been a foreign pianist who has caused such a stir since Glenn Gould’s arrival in Moscow, or Van Cliburn’s victory at the Tchaikovsky Competition,” said The Huffington Post.

A performer of fierce integrity and dazzling communicative power, Debargue draws inspiration for his playing from many disciplines, including literature, painting, cinema and jazz. The core piano repertoire is central to his career, but he is also keen to present works by lesser-known composers such as Nikolai Medtner, Samuel Maykapar and Nikolai Roslavets.

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